A Guerra dos Pelados

A Guerra dos Pelados

  • Rating:
    4.00 out of 5
  • Length:98 minutes
  • Release:1970
  • Language:Portuguese
  • Reference:Imdb
  • Keywords:based on novel,  

In 1913, in the state of Santa Catarina, Brazil, the Government gives some lands to a foreign railway company, giving rise to revolt by the former owners of the land. The episode became known as Guerra dos Pelados. . You can read more in Google, Youtube, Wiki

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A Guerra dos Pelados torrent reviews

Holly H (ag) wrote: I thought this movie had a lot of potential but didn't quite meet it. I felt like a lot of it was more melodramatic, than dramatic. I did love the cast. I felt like Tim McGraw showed some great acting chops in this. And, I'm not a country-music superfan but loved the music. Garrett Hedlund, yea .. he could sing to me all day. In the end though, the movie was predictable .. and melodramatic, down to the big concert ... could've been a good movie .. but just wasn't there.

Steve G (de) wrote: Great concept but weak performances and script. Don McKay is a combination thriller, comedy, mystery that almost works. Its certainly entertaining and actually kept me guessing for a while. Its strangeness is charming for a while but the acting wears you out at the end. Worth streaming.

Bshen C (br) wrote: Great psycological thriller, not too predictable. But great acting.

Mighty Z (gb) wrote: A funny Movie. Many scenes in this movies are Good and some are gross. Eating Dog S**t. really funny movie. Suggest all of u to watch this movie. This is the best slice of American Pie.

Henry P (ag) wrote: Great, Pixar is great. Pixar makes the best animated movies. This one is not one of the greatest, but it is still entertaining. While Cars doesn't crash and burn Pixar's reputation, it does make you hope this is a one-off error. We start with Lightning McQueen (Owen Wilson) getting himself psyched up for the biggest race of his life: the Piston Cup. We are thrown right into the fast-paced world of car racing, which serves as our introduction to this world where cars have a civilization much like ours (allegedly the end result of the events of the "Pixar theory," which I recommend researching when you finish reading this review). After a thrilling race montage that continues establishing this world, we get to the last lap where Lightning McQueen's tires burst, and he ties with Dinoco's King (Richard Petty) and Hostile Takeover Corporation's Hick Chicks (Michael Keaton in a less heroic role), resulting in a special race that makes Lighting get into his transport truck Mack (John Ratzenberger), and force him to drive non-stop, and after accidentally falling out of Mack, Lightning rushes through the unfamiliar highway, where he stumbles across Route 66 and Radiator Springs. In a sequence that shows how obviously out-of-place he is, Lighting accidentally (and it clearly is unintentional to we the viewers, but they the characters don't see it that way) tears apart the road, and after Doc Hudson (Paul Newman) lets him go, Sally (Bonnie Hunt) the town lawyer prosecutes him into community service: repaving the road, which is where the movie (and the soundtrack compared to the song and Randy Newman's score) begins to slow down. Don't get me wrong, everything Lightning experiences in "Hillbilly Hell" happens (coincidence or otherwise) to teach him humility, carmanity, and other life lessons, as well as showing his bonding with Mater the Tow Truck (Larry the Cable Guy), and getting him to appreciate some of the simpler things in life, which still echoes a whole decade later on account of technology-related obsoletion of life's simpler joys. Cars may not come off as relatable, but Pixar makes transportation relatable, from showing the lines for the men's room and lady's room next to each other, to having cars with headlights use them to do the wave at the opening-act race. Each Radiator Springs resident has their moment, and the contrast between Sarge (Paul Dooley) and Fillmore (George Carlin), a military man and a hippie, proves to be my personal favorite contrast. As always, the animation is gorgeous, from light reflecting off the cars through lens flares that don't detract (you reading this JJ Abrams?), to the scenery that feels believable without seeming like a creepy attempt to simulate live-action. Randy Newman's score mixed with other songs, work like the movie itself: starts fast, slows down when the special race is announced, and gets even slower when Lightning ends up in "HIllbilly Hell," then revs up for the last act. A+ for showcasing that contrast, but F for execution, because it results in Pixar (and animation in general to my knowledge) making their longest movie to date (one hour and 56 minutes). That aside, Cars is one of Pixar's middle/lower-tier movies in my opinion; not an endearing classic like Finding Nemo or Toy Story, but a fun (albeit long) classic like Monsters University or A Bug's Life. But don't choose your Pixar movie to make good time, but choose your Pixar movie to have a good time.

Quintola R (mx) wrote: I lost a uncle to drug so i felt this..

Alan B (de) wrote: I was 13 when this film came out and it literally changed my subsequent view of the world. It was ahead of its time, but the really scary thing is now that even though it's a brutal, grim and traumatising film, what we now know about the likely effects of a nuke war and it's aftermath make this look tame. A must watch, especially for those who grew up out with the Cold War.

Nils H (br) wrote: Come on, Wes?! If you're making a movie with the title "Summer of Fear", couldn't you at least make it just a tiny bit scary? I recomend this movie to those who want to see a supernatural drama for kids, not to anyone else.

Tyler S (it) wrote: Yesterday I accidentally swallowed some food coloring. The doctor says I'm OK, but I feel like I've dyed a little inside.

Danny R (ag) wrote: Richard Fleischer's gritty, forceful action drama, concerning a Vietnam veteran named Vince Majestyk, a Colorado watermelon framer, played sensationally by the late great Charles Bronson, in one of his best roles, he is wronged by a irritating, weasel-like, unscrupulous labor racketeer, Bobby Kopas, superbly played by Paul Koslo, who tries to force him to hired a worthless crew of bums and vagrants to pick his melons, instead of using his Mexican migrant workers he employed. Kopas pulls a shotgun on Majestyk, and ends up getting the shit kick out of him, for which Majestyk is arrested for and sent to the city jail, there he encounters a notorious Mob hitman, Frank Renda, played terrifically by the late character actor Al Lettieri, in a tremendous scene-stealing performance, who is waiting to be transferred to prison for murder. When Renda's mob associates stage a daring breakout during his prison transfer on a bus with Majestyk, but then Majestyk seizes Renda, and tries to make a deal with the police to exchange him for his freedom, the ruthless Renda escapes and is now hellbent on killing Majestyk personally, what follows is a rapid action thriller filled with shootouts, exciting car chases, and bare-fisted brawls. Astute direction by Fleischer, with a wonderful tongue-in-cheek script by Elmore Leonard, and a superb score by Charles Bernstein. Highly Recommended.