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A Hard Day's Night

A "typical" day in the life of The Beatles, including many of their famous songs.

Along the way they must rescue Paul's unconventional grandfather from various misadventures and drummer Ringo goes missing just before the crucial concert. The Beatles--the world's most famous rock and roll band--travel from their home town of Liverpool to London to perform in a television broadcast

A Hard Day's Night is a great movie of Alun Owen (original screenplay). The released year of this movie is 1964. There are many actors in this movie torrents, for example Charlotte Rampling, Phil Collins, Ringo Starr, Paul McCartney. The kind of movie are Comedy, Musical. This movie was rated by 7.7 in www.imdb.com. We have a good movies torrent. Share this movies torrent to support us

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Users reviews


Adam D (br)

It's better than it sounds


Alex S (ca)

A rough patch from the otherwise stellar filmography of Quentin Tarantino, Death Proof is far less sophisticated, entertaining, and polished than his other work and proves to be a major disappointment


Edith N (it)

But either way, it wouldn't be difficult to reproduce the kind of score that actually would have been used, and Kino seldom seems interested. To be honest, I'm not entirely sure how you'd check on that. Most of these movies would have had scores written for them, though I admit not all of them. It's silly, given that it can't be all that expensive to just use a piano. The scores often sound to have been recorded on someone's Casio keyboard. I know this is fiddly of me, but it really bothers me about the Kino releases. There is another place where it uses instruments that did not yet exist in 1924. So it is only here that I will note that [i]its[/i] score, written in 1993, includes a play on the Bond theme. [/i], an okay film that I didn't consider worth reviewing. This particular disc also comes with [i]Sherlock Jr. Even Criterion doesn't release many. It's Kino again--well, most silent movies available on DVD are available from Kino and no one else. Another thing which bothered me is frankly not the fault of the movie. It's impressive, and even entertaining, but it doesn't have anything to do with anything. It's yet another place where the story grinds to a halt. I mean, there's the obvious fact that it was filmed in the mountains of California, not anywhere that even really looks Southern, but there's also the fact that it doesn't move the story along. But the most impressive part of the film is a lengthy sequence involving Willie's floating down a river with a rope tied around his middle, and it doesn't have much to do with the story. There's the funny running gag of Willie's shooting off the gun of Whichever Canfield Son It Is every time he gets the chance (the movie is set long enough ago so that the first step to reloading is pulling out his powder flask), and that actually ties into the plot. (Ed Wood, I'm looking at you!) However, the plot and the shenanigans of this movie never quite seem to come together. It seems odd, I know, to speak of padding in such short films, but I've done it before and with even better cause. Some of the sight gags, in this scene and elsewhere, did genuinely make me laugh, but I also laughed when I was reading possibly more than was meant to be there out of one of the title cards. As I said, it's to do with why I'm not a huge fan of silent comedy over all. So instead, we pad with whimsy. I suppose it's one of the hazards of silent comedy; we can't really show Willie and the girl (of course she never gets a name) getting to know one another, because that would be a lot of boring title cards. It also has little or nothing to do with the story. And most of it is at least moderately amusing, but really only moderately so. We get the First Hobo hitching a ride under one of the cars, a wacky joke about how soot looks like blackface, a play on the fact that the tracks aren't fastened in place the way they later would be, and so forth. I will say that the recreation of the historical train is fairly impressive, but the scenes on it go on far too long. And then, things just get silly. At first, they can't because he is a guest in their home, and that would violate hospitality. Joseph had wanted to end the feud until his brother was killed, but now, he considers it the family's sworn duty to kill Willie McKay. On the train South, he meets a lovely young woman (Natalie Talmadge), who of course turns out to be the daughter of Joseph Canfield (Joe Roberts). One day, he receives a letter telling him to come home and claim his inheritance. McKay's wife (Jean Dumas) takes her son, the last of the McKays, to her sister's place in New York, where she dies and he grows up to become Buster Keaton. One stormy night, John McKay (Edward Coxen) and James Canfield (Tom London) kill each other. In particular, we are here dealing with the feud between the McKay and Canfield families. In the long-ago South, feuds were just a thing that happened. The plot here doesn't much matter, but we'll describe it anyway. I also find it impressive how much Keaton risked for his craft, even if I don't always care about the results. Unfortunately, since I tend to prefer wordplay with my comedy, I don't have that much of an interest in Great Silent Film Comedians, though I certainly appreciate the artistry involved. Indeed, he is one of the three members of the triumvirate of Great Silent Film Comedians, along with Chaplin and Harold Lloyd. Even without being the same kind of crazed perfectionist Charlie Chaplin was, he risked a fair amount during the making of his films. This is because he did his own stunts, and he relied on making the story as impressive as possible by dangling of cliffs or buildings, or floating down rivers, or whatever else he deemed visually interesting and at least theoretically relevant to the plot. Really, the Framing Device Isn't the Point Buster Keaton nearly died on any number of occasions, if you read the trivia about making his movies


Essi S (mx)

Great cast! Paul Newman sure knows how to make a great escape, and no one plays the bad guy quite like James Mason


gary t (nl)

. . . . . its got great fight scenes throughout this movie but man this is such a bad movie 2 watch, the 1st ong bak is the best out of all 3 movies. . . . . BUT MAN THIS MOVIE IS SO SO SO AWFUL 2 WATCH. . . . . ITS GOT A GOOD SOUNDTRACK THROUGHOUT THIS MOVIE. . . . . . . JUST DO NOT WATCH THIS MOVIE IT IS SO AWFUL. . . . . MAN THIS IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SUCH AN AWFUL MESSY MOVIE 2 WATCH, IT IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SUCH A BAD MOVIE 2 WATCH, JUST AVOID THIS MOVIE AT ALL IT IS SUCH A BAD MOVIE 2 WATCH, JUST AVOID THIS MOVIE AT ALL COSTS IT IS THAT BAD. . . . . . WARNING THIS MOVIE CONTAINS STROBE LIGHTNING EFFECTS THROUGHOUT THIS MOVIE. . . . . . . MAN THIS IS SUCH AN AWFUL MESSY MESSY MOVIE 2 WATCH, IT IS SO SO SO SO DREADFUL, IT IS SUCH AN AWFUL MOVIE 2 WATCH, IT IS SO SO SO AWFUL MOVIE 2 WATCH, IT IS SO SO SO DREADFUL, IT IS SO SO SO DREADFUL, IT IS SUCH AN AWFUL MOVIE 2 WATCH IT IS SUCH AN AWFUL MESSY MOVIE 2 WATCH. . . . . . SO SO SO SO SO BAD. . . . . WOW. . . . . WOW. . . . . . WOW


JJ R (us)

Just because of the ending. A good movie , not great


Louise D (ru)

The score is outrageously 80s though. An enjoyable odd-couple caper; quirky, Coen-esque, not the brash Kevin Hart vehicle it would probably be made as today


Luke W (es)

The subject matter is for mature viewers and not for the faint of heart, but for history buffs, this film will certainly educate you on a traumatic time in American history. A raw, intense look at the notorious titular radical group of the 1960s and 70s


Mark B (us)

That horse was the best thing to happen to this country in 1973


Matt M (mx)

ddicted to Horror Movies. There aren't too many I can see surpassing this one. There's still plenty of time before the calendar year has gone, but it's already an incredibly strong contender for Best of 2014. All Cheerleaders Die may be my favorite film of the year. Different yes, but both amazingly fun, really, really outrageous in general idea and stuffed with inspired performances from a group of fresh faces that I personally hope we see for years to come. There's just something off-kilter enough to seem the perfect suitor for John Dies at the End. I see this as a perfect companion piece to John Dies at the End, despite their radically different ideas. The tight knit script only further enhances the film; the impressive young cast keep that trend alive. The story is all about revenge, Wicca witches, spells, death, detachment from human logic and awesome murder sequences. Gratifying to the absolutely fullest; a mental sustenance that for me does more than satiate, it leaves me proud to be a fan of bold filmmakers. There are no punches pulled in this film (ask Terry), and I love its sadistic nature. Their opinions are their own, and that plays a major factor in my immense enjoyment of this film. I've got my ideas, but I'm not out to put McKee or Sivertson on blast or completely misconstrue their actual stances. How do these filmmakers feel about the youth of today? Watch the movie and draw your own conclusion. You've got to love that. These two know how to play faithful to today's youngsters, and they also spot and exploit the glaring personality quirks that leave kids today open to borderline sadistic prodding. But it's also anchored by a very well written script that proves McKee and Sivertson have their ears to the ground in which modern pop culture references reverberate endlessly. All Cheerleaders Die is loaded with unexpected fits of graphic violence, harsh death sequences and pitch-black humor. Lucky McKee and Chris Sivertson just delivered what can only be considered a balls to the wall, entirely unforgiving picture guaranteed to leave fanatics slack-jawed