In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was "killed on the field of battle." It's written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man's land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate...
Writer:Sébastien Japrisot (novel), Jean-Pierre Jeunet (story and adaptation), Guillaume Laurant (story and adaptation), Guillaume Laurant (dialogue)
In this film, you will see the director and the heroine of the film Amelie in a love story is very different. Based on novel by Sebastien Japrisot author, film context at the end of World War 1 in France and lead the viewers to the love story of one girl with strong faith in the life of her lover ... . You can read more in Google, Youtube, Wiki
Massimo C (nl) wrote: Scordatevi Michael Moore. Piuttosto qui siamo dentro a un film di Eric Rohmer, o di un altro palloso regista francese a vostra scelta. Videocracy non e' un film d'inchiesta sulla televisione italiana e sul fenomeno Berlusconi, quasi nemmeno di parole. Videocracy punta tutto sulle immagini, con alcune idee senza dubbio interessanti (I culi e le tette delle danzanti aspiranti veline al centro commerciale sbattute in faccia ai bambini in prima fila). Le inquadrature studiate cercano di suggerire connessioni e riflessioni allo spettatore... ma il tutto e' troppo lezioso, inutilmente lento, pretenzioso, come leziosa e insopportabile e' la voce narrante. Niente che possa avvicinarsi al giornalismo: le lunghe interviste a Lele Mora e Fabrizio Corona ci fanno capire quanto questi siano ricchi, amorali e antipatici. Praticamente la scoperta dell'acqua calda. Tutto il film del resto e' pervaso da un senso di "gia' visto, gia' sentito, gia' capito". Da salvare l'intervista al regista del Grande Fratello. Su Berlusconi poi il Caimano di Nanni Moretti fu dieci volte pi caustico, e la scelta di non trasmettere il trailer sulle reti nazionali appare ai miei occhi ora dieci volte piu' misteriosa. Zero cifre, zero confronti, zero dati. Mi frulla in testa un antipatico sospetto: il regista ha cercato lo scoop, il segreto inconfessabile, la parola di troppo sfuggita al vip fino all'esaurimento dei soldi della produzione. Non avendo rimediato nulla di valido, ha cercato di allungare il brodo. Un brodo di un'ora e quaranta minuti, che si sarebbe potuto concentrare in mezz'ora.
Michael S (jp) wrote: It's probably one of the best animated films ever, but that probably stem's from it's broad originality in storytelling. It's a movie that continues to weigh heavy on my heart and mind. It's truly amazing.
Dean K (ca) wrote: A better than expected low budget horror film. It has some good moments, quite gory at times and enough action to keep you going. If it's not wild boars, you have to look out for Rednecks and hippy cults to!
Joshua M (ca) wrote: Outstanding coming of age movie. There are some criticisms here calling this child porn. This is an absurd charge. There is nothing graphic here whatsoever.
Ri A (ru) wrote: MILENGE MILENGE has the charismatic lead pair, who are very popular with the youth, as its USP. But the problem is its dated look.
Kevin O (kr) wrote: An L.A. Director making an excellent L.A. Noire.
Itamar K (nl) wrote: Messy and self-indulgent though it is, I really enjoyed CQ, the Other Coppola's cinematic debut, as much as anything his younger, more celebrated sister had made. Maybe because I have a weakness for films about filmmaking, or maybe because I like the intelligent, self-aware insecurity that's very appropriate for this kind of movie. It's filled with references and in-jokes for filmmakers and cinephiles and is well recommended for both groups.
Marylou H (nl) wrote: an interesting study in family dynamics.. Maggie Smith, Kevin Kline and Kristin Scott Thomas's amazing skills made this movie. The ending made me smile.
Davide A (kr) wrote: Nicely directed and acted, Wolf Creek makes you feel sorry for all the people who actually fell into this horrific nightmare.
Daniel V (us) wrote: I love this style of movie as much as anyone, but "Zombeavers" simply lacks consistency in drawing out the emotions -- with horror and comedy -- that is required for a movie like this to be worth recommending. Despite a few great moments, it falls short.