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Aa Janhare Lekhiba Naa torrent reviews
Evan B (kr) wrote: Sully is a solid American-hero film with Hanks and Eastwood at the drivers' seat.
Joshua M (fr) wrote: Most painful poetry. Exposing injustice, putting a face to atrocity, and refusing to restrict the moral narrative to politics or a particular culture, Railway Man drives a dagger deep, stirring questions within the soul, and providing certain answers which seem hard for Hollywood to grasp. Pat answers, popcorn, fiction and happy endings aren't always the way real life asserts itself. The problem of pain is a very real problem, and the conflicting and inconsistent narrative of the last several decades finds itself in want when attempting to address it. At it's heart, Railway Man, is the clash of the cultures. The empirical Japanese belief of the time was that the emperor was deity, and people of other tongue, tribe, and culture were lesser humans and should come under the domination of the Japanese. Interestingly, this narrative found itself entirely separate from the western conclusions of modern science, medicine and technology. Albeit, the logical conclusion and end of western thought, if not filtered through some kind of binary moral code, is the same belief held by the Japanese. The English found themselves finding honor in an enduring life, rather than in the 'undefeated' death mentality held by their opposers. Here, these cultures clash in a violent symphony that will shock the viewer and hopefully, break his heart at the reality of these events. In our time, we sometimes seem to argue against morality with reason. Something is simply true because one feels it is true. If truth is cited as truth beyond the mere self-authorizing claim, we tend to see it as empirical, narrow-minded, and sometimes even offensive. And yet, we are taught from a young age that it is the fittest, the fastest, the smartest, who survive. It is a dog-eat-dog world, after all. Japan attempted to be the fittest, and survive not only survive, but dominate the world. It did so on the broken backs of 'lesser men,' men like Eric Lomax and countless others. "No, this wasn't a tragedy. This was a crime." - Eric Lomax. Modern medicine, science, technology, they all seem to be the limb on which we are going out on, the leg on which we are leaning, and the savior in which we are putting our hopes. Society dreams of a time when cancer, war, injustice, and pain are done away with. We even fantasize about killing death itself. The question comes down to this: Why does it matter that Japan committed these crimes against humanity? Why can't we simply do away with moral authorities, binaries, narrow-minded truth claims, and become our own and final word as individuals? Won't technology lead us there? Will we not reach a time and place when it is as we have always dreamed? Films like this remind us that the logical outcome of Darwinism is a farce, and that the problem of pain goes so far beyond just a culture. Instinctively we understand that man is equal and that there are understood rules by which to play. In the end of the film, forgiveness takes root in Eric's heart. How and why are not addressed. The viewer does not ask those questions. But they are yearned to be realized. Healing is the product and new life springs again. Eric believed in right and wrong, as did Takeshi, the man who tortured him. Takeshi rejected his cultural narrative that the Japanese were a superior race, taking responsibilities for his crimes against humanity. Eric believed in forgiveness and did not require a debt of blood. Idealism will leave us feeling positive about this conclusion, but in our hearts, there may still be questions brewing that the film does not anticipate. In the end, we must challenge self-authorizing truth as it does not bleed, and does not know a limit of destruction without consequence. We must also challenge narrow-minded dangerous claims of imperialism which have lead to crimes and travesty for thousands of years. We must not look to ones and zeros to solve the problem of pain, nor look too deeply within. Eric and Takeshi have taught us the lesson of truth outside the sovereign self. Where will you look for answers?
C A (ag) wrote: I saw this movie at the Dallas film festival. It is a beautiful movie. It has a story and characters that you follow and care about. Bailey Madison shines in her role as Ida. It is hard to find a movie that I can take my children to and also enjoy myself. I will recommend this movie to all my friends.
Dammy G (it) wrote: Wow, and with that, Disney managed to make a worse Halloween movie than Hocous Pokous.
Billy D (br) wrote: In top 20 worst films ever!
Michael M (de) wrote: I love the message of this movie!! Uplifting and encouraging. On par with Remember the Titans. Yes, it is a happy ending, unlike real life, but that is what movies are there for, to inspire. And this one does!!
Ashley B (mx) wrote: Suprisingly, I really liked this.
Guido S (es) wrote: Phoebe Cates has a bad day where she loses her husband and job within hours and goes to live with her mom. She used to have an imaginary friend as a kid to cope with issues, so it comes back as her life is in limbo. Drop Dead Fred is foul-mouthed, uncontrollable and pretty much the opposite of Cates. The friend follows her everywhere and no one else can see her so they think she is crazy. This could have been good, it just doesn't work for me. It has some funny moments, including a Mr. Hankey type moment at the beginning of the film. The over-the-top friend act gets old really fast. They do some interesting thing about her and her mental state, but not enough and it is overshadowed by the overdone comedy.
Matt N (ca) wrote: A million plots rolled into 94 minutes, this is the stupidest film I've seen this century.
Timothy J (br) wrote: Set out to be a revenge film. It never gave you the opportunity to care for the people for whom the central character is out to avenge. Beyond that, it is just a run of the mill Gore flick.