Aldri mer 13! (1996) torrents full movies

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Aldri mer 13!

13-year old Rikke sees Bea, the new girl in her class, as a challenge.

Aldri mer 13! is the best great movie of Sirin Eide, Maureen Thomas. This movie was introduced in 1996. You can check list actors in this movie torrents, for example Sofie Cappelen, Martine Karlsen, Svein Roger Karlsen, Silje Andresen, Harald Arnesen, Lene Bragli, Neil Clark, Anitra Eriksen, Tarjei Haynes, Ragnhild Hilt, Bjarte Hjelmeland, Marie Kaada Hovden, Tonje Louise Kjølholt, Anne Krigsvoll, Arild Kristo. There are many categories, such as Family. The rating is 5.1 in www.imdb.com. This is really a good movies torrent. The runtime of this movie are awesome, about 77 minutes. Dat1Phit is good uploader, she is very fast. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are users? ShinichiKuto is the best. I can't leave my laptop screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

13-year old Rikke sees Bea, the new girl in her class, as a challenge

Aldri mer 13! torrents

Aldri mer 13! full movie

Aldri mer 13!1996 torrent

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LinksNameQualitySeedersLeechersSize
Download   Aldri.mer.13.1996.Norsk tale.xvid.sagaOther46481.1 GB

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Users reviews


Aodhan R (us)

It's definitely one of Stallone's best roles and best movies with unlimited action and it's in line somewhere with the 'Rocky and Rambo' series, 'Cobra', 'Assassins,' 'The Expendables movies' and 'Demolition Man. There's a lot of scenes of Stallone and the villain, played by Jason Momoa annihilating targets by shooting single rounds to their foreheads - killing them instantly - and it's really fun to watch nonetheless (Stallone and Momoa handle pistols with engaged silencers to prevent a proper bullet sound when disposing of targets and it's exceedingly fun for an action flick). What I love most is the action scenes. The writing is also fairly good. Walter Hill's direction in this movie was absolutely superb like some of his previous work in the eighties like 'Red Heat' which he worked with Arnold Schwarzenegger in. He's nothing compared to Stallone's previous similar role in 'Assassins' - Robert Rath lived a life of guilt over what he's been doing as an assassin and wants out, unlike the heartless, merciless, cold-blooded killer Jimmy Bobo. He's a character worth studying clearly; he seems like a good assassin who always annihilates his targets without failIng, and he's almost completely sentimental. Jimmy Bobo is a very interesting character, with no definite back ground, innumerable times spent in prison, indefinite if he's a contracted assassin or not. Stallone basically plays a hitman, who obtains a thirst for vengeance when his longtime partner is brutally murdered. He delivers an excellent performance to a character so cold-blooded, merciless and sentimental called Jimmy Bobo - 75% psychopath, not to be compared with John Rambo, who lived a life of isolation and guilt over the years. Sylvester Stallone plays one of his finest roles since John Rambo


Calvin R (ag)

Typical and yea it had it's moments, but it wasn't enough to make it an actual outstanding gay flick!


John B (ca)

Don't expect too much and you will enjoy it. It was probably great for its time and kudos to the maligned Kazan for bringing it forward. An early and slightly dated look at racism


John P (mx)

This is the kind of movie that Mystery Science Theatre 3000 was made to showcase, and show it they did, in one of their best episodes. It's a bad movie, no doubt about that, but it does have an almost endearing campiness to it. But the whole thing has such an earnest, amateurish feel that it's still watchable. The actors convey no more emotion than if they had been reading from a teleprompter, their lines sound like they were written by an eight year old, production values are abysmal, and the entire plot is an exercise in predictability, which relies on people doing the dumbest thing possible in every situation. Oops, I just gave away the ending! The bottom line is that nothing in this movie is done right. Hasn't it occurred to the police that they might want to take a look at the only building in the swamp? I suppose if they had the pretty girl never would have found herself in peril, and then we wouldn't get the climactic final scene in which the police arrive to save her. For that matter, why is she the first one look into the house? By this point, twelve people have gone missing in the swamp, and rumors of a monster abound. And the pretty young reporter thinks that it's a good idea for her to go investigate the old house in the middle of the swamp on her own. For instance, the pair of hunters in the opening scene run from the mad scientist and his henchman even though both of them have guns. It's also worth noting that most of the people in this movie are idiots. Fortunately for viewers, this spectacle is as funny as it is pathetic. But he forgot to steal the motor, so it's painfully obvious that the actors are just writhing around and moving the tentacles themselves. But for scenes where the creature deals with the professor's unwanted guests, Wood used a mechanical octopus, reportedly stolen from the Republic Studios lot. In most scenes, the octopus is brought to life through the magic of stock footage. Like all self respecting mad scientists, he has a monster to guard his lab, in this case an octopus. With this process, he seeks to- all together now- conquer the world and gain vengeance on those who have wronged him. The scientist (played by Bella Lugosi!) has created a process that can turn normal human beings into giants with 'the strength of twenty men'- if it doesn't kill them, which is what's happened to every test subject so far. The mad scientist, the hulking, mute henchman, the hardnosed reporter and her boyfriend the cop, the mysterious character who may know more than he's telling, even the dark and stormy night; they're all here. Bride is truly remarkable in that it is made entirely of clichs. I've known for some time now that I had to see (and most likely ridicule) his work, and I decided to start with his second film, Bride of the Monster. Gordon look like Spielberg. He has a reputation for making guys like Roger Corman and Bert I. But the fact was, he lacked any formal training or innate skill. Wood was hardworking, earnest, and oh so eager to make a good movie. Unlike most B movie directors, Wood wasn't in it just to get a paycheck and see his name in the credits. But one name that keeps popping up is that of Edward T Wood. I personally would choose the little known Coleman Francis, creator of such atrocities as The Beast of Yucca Flats and Night Train to Mundo Fine. Last I heard, this petition has over 10,000 signatures. Others would point to German director Uwe Bol, whose series of video game adaptations has resulted in a petition calling for him to never direct again. True, his movies suck, but they're still good enough to bring in millions for their studios. These days, the most common response would probably be Michal Bey. There has long been a good deal of debate within certain circles about the identity of the worst director ever


Jose Luis M (nl)

Nadie queda con cabeza en esta pelicula, atrevida satira sobre la politica internacional


Matthew W (us)

A disrespect to the actual service members of Air America. It seems like a hodge-podge of all the cliches that the director wanted to jam into this film


Mattie B (it)

Few documentaries actually are optimistic and suggest solutions that are both helpful and possible if people work together. It does its job well of being balanced about the problems in our government. While it has less in suggestions that is both typical and understandable for a documentary


Sam S (mx)

t was a good action movie overall but I guess it could've had more action in it!. I thought it was a pretty good action thriller about a truck driver played by the late Patrick Swayze who just got out on Parole for serving time for vehicular manslaughter and is offered a job to haul a load from Georgia to New Jersey in order to save his home but then realizes that he's hauling a load of illegal firearms and this one group of people is out to get him and his family if he doesn't deliver the firearms


Shaun B (it)

Disappointing. Maybe you have to be drunk off your rocker to enjoy this one, but it seems rather tame in most departments (in particular, the writing of the script). The monster effects are not bad but there were no scares to be had from what I saw. I feel asleep (willingly) after ~47 minutes in when I realized that the comedy is not in my style (far too dry and obvious) even once the boozing finally comes into play. A lot of people and critics seem to like this one


Thomas D (jp)

10. +Data+Interesting plot developments late in the game-Romantic subplots-Extended TV episode approach didn't always pan out6. Sure, there are a few editing issues and plenty of scenes that don't work or even make sense at all, but the different approach to this Star Trek adventure proved to be all I needed to enjoy my time watching Insurrection. Both of those story points worked well. As well as the increasingly intriguing story behind why there is an alien race set on abducting an entire planet of people. Being that it does feel similar to a Seven Samurai-esque story, I found myself more attached to Data's developing relationship with the young boy from the village. Whether it was the acting, writing, or direction the romance angle didn't feel like a natural progression of the story. With that said, the push for a romantic interest for both Picard and Riker felt forced. For someone who wasn't a viewer of the TV series, I was grateful for it. Unlike either of the previous two TNG films, there is a legitimate attempt at character development. Picard and his crew stumble upon a possible conspiracy on a guarded but medically advanced planet and take matters into their own hands. It doesn't take away from the quality of the film, but it does feel like the spectacle of the other films was taken out of it. Instead of feeling like the next step in the film series, Insurrection seemed like an extended The Next Generation episode. Though I enjoyed the film, I don't really understand why they changed up the formula from the previous installment, First Contact. A task many films have attempted and failed to do, but with a formidable script and solid performances, I had some fun with Star Trek Insurrection. 'Insurrection' plays very much like Star Trek's tribute to Seven Samurai