Stefan and Dolly Oblonsky have had a spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet.
- Stars:Vivien Leigh, Ralph Richardson, Kieron Moore, Hugh Dempster, Mary Kerridge, Marie Lohr, Frank Tickle, Sally Ann Howes, Niall MacGinnis, Michael Gough, Martita Hunt, Heather Thatcher, Helen Haye, Mary Martlew, Ruby Miller,
- Director:Julien Duvivier,
A married woman's affair with a dashing young officer has tragic results. . You can read more in Google, Youtube, Wiki
Anna Karenina torrent reviews
(ca) wrote: if you like Adam "Edge" Copelands humor on Raw and other WWE programing then this is for you
(fr) wrote: good little movie.two main characters give it a edgy steady pace.ray winstone shines in this suitable part for him.sort of the fugitive meets the last of the mohicans.
(it) wrote: Not terrible. I dig Eva Green and Sullivan Stapleton is ok, but this definitely doesn't even have an ounce of charisma as the first.
(jp) wrote: A fascinating portrait that goes to great lengths to uncover the costs of being steadfast in pursuing an artistic life.
(au) wrote: i. hate. larry the cable guy. with. a. passion. watched a little bit of this one before i HAD to turn it off. twas that bad.
(fr) wrote: Nog een cult classic uit de Evil Dead reeks. Deze keer in de middeleeuwen! Gevuld met hilarische horror & zalige one liners.
(mx) wrote: Shanghai Knights is stupid in a nutshell, but is undeniably hilarious and fun thanks to two incredibly enjoyable performances.
(us) wrote: one of my favorite things in the world are quirky movies...and it is even better when it involves: Time Travel. The first 10 to 15 minutes of this film will make you think is just another rom-com with nothing good to offer,but once the plot starts developing,it is worth your time.
(ru) wrote: Regardless about how one feels about his arch-conservative politics, there really isn't any secret as to why John Wayne personified what it meant to be a star in Hollywood for decades on end. And even though he seemed to settle into a routine of making films under his Batjac production banner in the last decade and a half of his life without the strong guiding hand of a John Ford, a Howard Hawks, or a Henry Hathaway, he still put out what everyone had come to expect of the man. Case in point, BIG JAKE. Written by the same writers who gave Eastwood DIRTY HARRY, BIG JAKE stars Wayne as Jake McCandles, a Texas rancher whom everyone thought was dead because no one had seen him in eighteen years (as always, rumors of his death were greatly exaggerated). But he is called back into action by his estranged wife (Maureen O'Hara) after a gang of ruthless outlaws, led by Richard Boone, shoot up his ranch, kill much of the hired help, and kidnap his grandson (Ethan Wayne). Wayne, not surprisingly, takes up the challenge. But he also has to keep his sons (Glenn Corbett; Chris Mitchum) in line when they call him Daddy (obviously, this gets a burr up the Duke's backside). They all must venture across the Rio Grande to Boone's hideout on the Mexican side, helped out by Wayne's trusty Indian aide (Bruce Cabot). And it all comes down to an eminently satisfying and traditional showdown between Wayne and Boone. BIG JAKE is very much in the style of Wayne's other Batjac westerns (CHISUM; THE UNDEFEATED; THE WAR WAGON; CAHILL, U.S. MARSHAL) in its being somewhat predictable, but that predictability is precisely what makes it a success; people want Wayne to win, and who can blame them? Fortunately, he gets a vicious enough antagonist in Boone, who had had a minor role in the Duke's own 1960 directorial opus THE ALAMO and who does sagebrush villainy as well as anyone else. George Sherman, who had directed Wayne in several B-westerns prior to the Duke's ascension to stardom via Ford's STAGECOACH, shows he still has the directorial goods here despite the poor health he suffered during its making (Wayne reportedly directed significant sequences, but refused to take credit or have Sherman taken off). BIG JAKE also has superlative cinematography by William Clothier, no stranger to Westerns he, all of which was done on location in what had become the Duke's favorite Western locale--the landscape around Durango, Mexico. The only really serious disappointment with BIG JAKE is that Wayne and O'Hara barely have any screen time together, given how well they worked under Ford, particularly on 1952's THE QUIET MAN, and seeing as how this was their last joint appearance on screen (Wayne died in 1979, and O'Hara wouldn't make another feature film until ONLY THE LONELY in 1991). Still, just about everything else one expects from the Duke on screen happens here in BIG JAKE, including those little bits of humor revolving around being called "Daddy" and being thought dead. It's just a lesson to you: You don't mess with the Duke.
(it) wrote: hyper-stylized crim drama. RWF's first film and, holy shit, he was only twenty four.
(ag) wrote: Explain the backstory of candyman.