Arch of Triumph

Arch of Triumph

In Paris, before the Nazis penetrate into the city, an Austrian refugee doctor falls in love with a mysterious woman.

In Paris, before the Nazis penetrate into the city, an Austrian refugee doctor falls in love with a mysterious woman. The 2nd World War isn't the best environment for romanticism ... . You can read more in Google, Youtube, Wiki


Arch of Triumph torrent reviews

Karsh D (ag) wrote: Deeply disappointing sci fi horror as an unseen force starts picking off the small group of astronauts

Connor D (kr) wrote: Really quite funny, a nice story but I think the end was a bit ridiculous

Michael W (au) wrote: Cheerleader as the chosen one to fight vampires in California. Tone for the film is vastly different than the series. Sarah Michelle was fine, but Kristy will always be the original Buffy. Good comic relief from School Administrator Gary Murray.

gary t (au) wrote: WOW......WOW......WOW.....WOW.....STUNNING.....FANTASTIC.......GENIUS.....SUPERB.....WHAT A BRILLIANT CLASSICS MOVIE 2 WATCH, I AM A FAN OF ALFRED HITCHCOCK AS I THINK THAT HE IS A BRILLIANT MOVIE DIRECTOR.........its got a great cast of actors/actresses throughout this movie.....I think that jon finch (.R.I.P.), alec mccowen, barry foster (.R.I.P.), billie whitelaw (.R.I.P.), play good roles/parts throughout this movie......I think that the director of this drama/horror/romance/mystery/suspense/thriller movie had done such a fantastic job of directing this movie because you never know what 2 expect throughout this movie......the whole cast is:::Jon Finch as Richard Ian "Dick" BlaneyAlec McCowen as Chief Inspector OxfordBarry Foster as Robert "Bob" RuskBillie Whitelaw as Hetty PorterAnna Massey as Barbara Jane "Babs" MilliganBarbara Leigh-Hunt as Brenda Margaret BlaneyBernard Cribbins as Felix ForsytheVivien Merchant as Mrs. OxfordMichael Bates as Sergeant SpearmanJean Marsh as Monica Barling Clive Swift as Johnny PorterMadge Ryan as Mrs. DavisonElsie Randolph as GladysGerald Sim as Solicitor in pubNoel Johnson as Doctor in pubJohn Boxer as Sir GeorgeGeorge Tovey as Neville SaltJimmy Gardner as hotel porterRita Webb as Mrs. RuskMichael Sheard as Jim, Rusk's friend in pub Cast notesAlfred Hitchcock's cameo appearance can be seen (three minutes into the film) in the centre of a crowd scene, wearing a bowler hat. Teaser trailers show a Hitchcock-like dummy floating in the River Thames and Hitchcock introducing the audience to Covent Garden via the fourth wall.Michael Caine was Hitchcock's first choice for the role of Rusk, the main antagonist, but Caine thought the character was disgusting and said "I don't want to be associated with the part." Foster was cast after Hitchcock saw him in Twisted Nerve (which also featured Frenzy co-star Billie Whitelaw). Vanessa Redgrave reportedly turned down the role of Brenda, and Deep Red?'?s David Hemmings (who had co-starred with Redgrave in Blow-Up) was considered to play Blaney. Helen Mirren, who later in life played a film version of Hitchcock's wife Alma Reville in Hitchcock, met with the director and eventually turned down the role of Babs Milligan, and years later regretted it.I think that this is such a thrilling enjoyable Hitchcock movie 2 watch, I think that Alfred Hitchcock is such a brilliant director.........Frenzy ranked #33 on Variety's list of the 50 Top Grossing Films of 1972. The movie had total takings of $4,809,694 at the domestic box office (the United States and Canada), which is approximately $27,209,017 in today's funds.The film was the subject of the 2012 book Alfred Hitchcock's Frenzy: The Last Masterpiece by Raymond FoeryAfter a pair of unsuccessful films depicting political intrigue and espionage, Hitchcock returned to the murder genre with this film. The narrative makes use of the familiar Hitchcock theme of an innocent man overwhelmed by circumstantial evidence and wrongly assumed to be guilty. Some critics consider Frenzy the last great Hitchcock film and a return to form after his two previous works, Topaz and Torn Curtain. 3 Henrietta Street in Covent Garden was the flat of the 'Necktie Strangler', Robert RuskHitchcock set and filmed Frenzy in London after many years making films in the United States. The film opens with a sweeping shot along the Thames to Tower Bridge, and while the interior scenes were filmed at Pinewood Studios, much of the location filming was done in and around Covent Garden and was an homage to the London of Hitchcock's childhood. The son of a Covent Garden merchant, Hitchcock filmed several key scenes showing the area as the working produce market that it was. Aware that the area's days as a market were numbered, Hitchcock wanted to record the area as he remembered it. According to the making-of feature on the DVD, an elderly man who remembered Hitchcock's father as a dealer in the vegetable market came to visit the set during the filming and was treated to lunch by the director.No. 31, Ennismore Gardens Mews, was used as the home of Brenda Margaret Blaney during the filming of Frenzy.During shooting for the film, Hitchcock's wife and longtime collaborator Alma had a stroke. As a result, some sequences were shot without Hitchcock on the set so he could attend to his wife.The film was the first Hitchcock film to have nudity (if you don't count Psycho, which featured out-of-focus breasts in one shot of the shower scene). There are a number of classic Hitchcock set pieces in the film, particularly the long tracking shot down the stairs when Babs is murdered. The camera moves down the stairs, out the doorway (with a rather clever edit just after the camera exits the door which marks where the scene moves from the studio to the location footage) and across the street where the usual activity in the market district goes on with patrons unaware that a murder is occurring in the building. A second sequence set in the back of a delivery truck full of potatoes increases the suspense as the murderer Rusk attempts to retrieve his tie pin from the corpse of Babs. Rusk struggles with the hand and has to break the fingers of the corpse in order to retrieve his tie pin and try to escape unseen from the truck.The part of London shown in the film still exists more or less intact, but the fruit and vegetable market no longer operates from that site, having relocated in 1974. The buildings seen in the film are now occupied by banks and legal offices, restaurants and nightclubs, such as Henrietta Street, where Rusk lived (and Babs met her untimely demise). Oxford Street, which had the back alley (Dryden Chambers, now demolished) leading to Brenda Blaney's matrimonial agency, is the busiest shopping area in Britain. Nell of Old Drury, which is the public house where the doctor and solicitor had their frank, plot-assisting discussion on sex killers, is still a thriving bar. The lanes where merchants and workers once carried their produce, as seen in the film, are now occupied by tourists and street performers.Novelist La Bern later expressed his dissatisfaction with Shaffer's adaptation of his book.SoundtrackHenry Mancini was originally hired as the film's composer. His opening theme was written in Bachian organ andante, opening in D minor, for organ and an orchestra of strings and brass, and was intended to express the formality of the grey London landmarks, but Hitchcock thought it sounded too much like Bernard Herrmann's scores. According to Mancini, "Hitchcock came to the recording session, listened awhile and said 'Look, if I want Herrmann, I'd ask for Herrmann.'" After an enigmatic, behind-the-scenes melodrama, the composer was fired. He never understood the experience, insisting that his score sounded nothing like Herrmann. In those days, Mancini had full music measurements sheet and he had to pay all transportation and accommodations himself. In his autobiography, Mancini reports that the discussions between himself and Hitchcock seemed clear, he thought he understood what was wanted, but he was replaced and flew back home to Hollywood. The irony was that Mancini was now being second-guessed for being too dark and symphonic after having been criticized for being too light before. Mancini's experience with Frenzy was a painful topic for the composer for years to come.Hitchcock then hired composer Ron Goodwin to write the score after being impressed with some of his earlier work. Goodwin's music had a lighter tone in the opening scenes, and scenes featuring London scenery, while there were darker undertones in certain other scenes.The second to last feature film of his extensive career, it is often considered by critics and scholars to be his last great film before his death. The screenplay by Anthony Shaffer was based on the novel Goodbye Piccadilly, Farewell Leicester Square by Arthur La Bern.The film stars Jon Finch, Alec McCowen, and Barry Foster and features Billie Whitelaw, Anna Massey, Barbara Leigh-Hunt, Bernard Cribbins and Vivien Merchant. The original music score was composed by Ron Goodwin.The film was screened at the 1972 Cannes Film Festival, but was not entered into the main competition.The plot centres on a serial killer in contemporary London. In a very early scene there is dialogue that mentions two actual London serial murder cases: the Christie murders in the early 1950s, and the Jack the Ripper murders in 1888.Frenzy was the third film Hitchcock made in Britain after he moved to Hollywood in 1939. The other two were Under Capricorn in 1949 and Stage Fright in 1950 (although there were some interior and exterior scenes filmed in London for the 1956 remake of The Man Who Knew Too Much). The last film he made in Britain before his move to America was Jamaica Inn (1939).I think that this is such a fantastic British thriller-psychological horror film, to watch as the director keeps you on the edges of your seats throughout this is such a gripping movie 2 watch it is such a thrilling movie 2 watch with a brilliant cast throughout this movie.......

Miriam R (es) wrote: This is by far the best Louis de Funs movie ever made. There is a little Roxanne, the Three Musketeers, Les Miserables spoofs in here. You also get to see de Funs in

Wilson T (gb) wrote: When I sat down to watch this film, I had every expectation that with the exception of a few well-placed, well-delivered lines coming from Mr. Barrymore, it would simply be 99 minutes of my life gone forever with absolutely nothing having been gained or benefited by its viewing. How wrong I was.A big thumbs up to "On Borrowed Time". Though the film was made nearly 3/4 of a century ago, it held up. From the very beginning, the appearance on screen of a "Foreword", so lost today but so expected of a generation raised on books and classic literature, immediately alerts the viewer that something of significance is about to follow. Where else might one ever hope to see the word like "perchance" on screen except in a great old film?The sudden appearance of Mr. Brink, ably played by Cedric Hardwicke, surrounded by shadowy trees and shot in such a way as to frame these early shots in darkness, was yet sprinkled with a dark humor, most notably the coughing young Samaritan who stopped to help but was not being signaled "quite yet".The introduction of Demetria played by Eily Maylon, seemed at first tragic and sympathetic. But "Aunt Demi's" true nature was soon revealed when at the news of the sudden death of her sister her sorrow seemed mostly driven by the loss of a promised trip to California.I was right about one thing prior to seeing the film, Lionel Barrymore's well-placed, well-delivered lines. Even here though I was wrong about there being a few. His performance was stellar throughout. He delivered a Julian Northrup, aka Gramps, who could easily have come off as a clich or caricature in the hands of a lesser actor. Barrymore made him real. Barrymore's Gramps was curmudgeonly, funny, serious, rude, sensitive, aloof and caring, often all within a single scene.Add to the overall solid acting a storyline that carried us easily along the way, and even threw in a bit of a twist. It was completely obvious to me that young Marcia Giler would end up with Pud and that she, her beau and young Pud would inherit the place and live happily ever after enjoying that hammock Gramps mentioned.Instead (Spoiler Alert) -- almost all of the good folks die! What kind of a happy ending is that? I'll tell you, it's a great one.Part of me wants to scour the internet and find someone's production of Paul Osborn's original screenplay on stage just as it was written. Yet still, a bigger part of me says if it ain't broke, don't fix it."On Borrowed Time" was indeed 99 minutes very well spent.

mark v (mx) wrote: Is this the one from the 1990's?

Ryan K (ag) wrote: A few good laughs - but we'll take it.

Andrew L (jp) wrote: Along with 'Dead Man's Shoes', this is one of the very few decent British films for a very long time

Bryan P (kr) wrote: A perfect getaway sees 3 couples all cross paths on there vacation in Hawaii. Soon they found out there is a killer on the loose and non of the couples trust the others thinking they could be the killer. Plenty of twists along the way thinking which one of them it could be

Felipe F (gb) wrote: Norma Rae is too predictable and safe to be ambitious, but Sally Fields phenomenal performance more than compensates for its flaws.