Assassin's Bullet (2012) torrents full movies

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Assassin's Bullet

Field Agent Robert Diggs walked away from his career in the FBI and accepted the position of Cultural Attaché in Sofia, Bulgaria for one reason: to escape the memories of his wife's death ...

Assassin's Bullet is a funny movie of Nancy L. Babine, Hans Feuersinger (screenplay), Elika Portnoy (story). This movie was introduced in 2012. There are many actors in this movie torrents, for example Donald Sutherland, Christian Slater, Timothy Spall, Bashar Rahal. Movie' genres are Action, Drama, Thriller. Many people rated for this movie, Rate is 3.6 in www.imdb.com. This is really a good movies torrent. The runtime of this movie are awesome, about 91 minutes. FapDe is good uploader, she is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are users? ShinichiKuto is the best. I can't leave my laptop screen. Share this movies torrent to support us . You can read more in Google, Youtube, Wiki

mbassador's persuasion,. S. However, when an unknown vigilante begins killing high-priority terrorists from America's Most Wanted list, the FBI and CIA request he take on the case, and with the U. Field Agent Robert Diggs walked away from his career in the FBI and accepted the position of Cultural Attaché in Sofia, Bulgaria for one reason: to escape the memories of his wife's death for which he blames himself

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Users reviews


Bence K (jp)

Much things which were happened through the movie simply not explained. Val Kilmer's acting is miserable, the story is confusing, even in the end. I actually didn't like that movie


Cade D (it)

Bittersweet. A good, fun movie for a certain mood. Strikes a nerve for all of us men who had a "Dorothy" in our lives. Spot on coming -of- age tale


Cory T (ag)

Even the presence of Katherine Heigl can't derail this spirited successor. The film concludes on a tawdry jab at sequel-bait with the birth of Chucky's spawn. The rules around the soul transference with the voodoo amulet are now jettisoned mostly but, within the genre-bending confines of Don Mancini's lampooning script, it is appropriate to violate canon. It should be noted that the expressive animatronics have dramatically ameliorated since the 1988 original and the movements look effortlessly fluid. Squabbling over Martha Stewart recipes and monogamy, the domestication-via-relationship satire is an absolutely hilarious contrast and it is overt that improvisation was used for the scenes between the Tiffany and Chuck puppets. The nasally vocal work from Jennifer Tilly compliments the acid-tongued grouchiness of Brad Dourif. "), 'Bride of Chucky' is exactly the cocktail that the Lilliputian murderer necessitated. Injecting the series with the contemporary elements of copious Fangoria gore (the Pinhead moment is stupendous), a headbanger Rob Zombie-contributed soundtrack, an exuberant Hong Kong director (Ronny Yu) and a spangly sense of humor (Chucky summarizes that "If this were a movie, it would take two or three sequels to do it justice. After the well had seemingly run dry after 'Child's Play 3', 'Bride of Chucky' is a meta-horror reinvention of the killer doll franchise


Finn M (gb)

retty good acting and thick story. . a good exciting movie


Genevieve R (fr)

Sure, it's isn't Valentine's Day, but I would not call it a classic or even a good quality romantic comedy. I did however enjoy Charles' talent for getting into extremely awkward situations. There were also a few painful scenes (like the generic trying on wedding dresses montage) where she desperately attempted to be interesting. Also, Carrie, unlike Charles, who is at least a somewhat interesting person, is as dull as dry toast and the scenes with her mostly consisted of her saying hi and smiling and talking in her "exotic" American accent. There was no chemistry or even a reason for Carrie to be with her older husband (except maybe money) and I felt the same way with Charles and Duckface. " Also, they both settle for people that they don't like, as if it's better to be in a relationship than single for even a second. They never seem to question their actions or think "hey, maybe what I'm doing isn't right and I should wait until I'm unattached. I generally hated both protagonists because the majority of their relationship happens because they are cheating on their current partners. The intersection of the four weddings and the funeral (the last wedding could also arguably be considered a funeral) was interesting and creative, but otherwise, the plot was bland. To me, it was much too formulaic and cheesy, loyally following other romantic comedies. Other than the slapstick and sarcastic humour, I can't say I really cared for this movie


Helen K (br)

In the most uncommon and evocative way, this film has heart. It's her love story, about her dog, her mother, her husband, and her city. It is sometimes a meditation on how to go on living despite despair - "the purpose of death is the release of love," but it is also clearly Laurie Anderson's own personal tale. This film does tell a story, in its own subtly layered way. The irony is that "Heart of a Dog" will be classified as conceptual filmmaking, and dismissed by those who won't see it as too cerebral, while it actually uses a complex and intellectual style, very astutely, to access emotional and personal realities that are difficult to reach overtly. The associations keep piling up, and they do indeed add up. Cut to the computer icon of Missing File. Later she talks about her own childhood memory of a trauma and how our minds naturally clean up memories, leaving out certain details, and in that way you are holding onto a story and every time you tell it, you forget it more. Ha. She illustrates the tale with bizarre comic drawings, and then she tells us that the dog looks at her and says, "Thank you so much for having me," as if it has just been invited to a tea party. At one point, she talks about a dream in which she gives birth to her dog. " And intermixed with philosophy, Anderson keeps her wry sense of humor. And then she throws in a quote from Kierkegaard: "Life can only be understood backward but must be lived forward. Then your story is pieced together, in reverse - footage of where you went and what you did, being viewed backwards from the most recent moment. And that data is always being collected but will not be watched until after you commit a crime. Instead, she points out that all our actions are now data. But she does not take the obvious path of complaining about the social injustice. "Anderson goes on to talk about the strangeness of living in a post-911 surveillance state, where we are always being recorded. And "it would be that way from now on. Cut to footage of 9/11 as Anderson compares her dog's feeling to hers, and ours, when we suddenly understood that "something was wrong with the air"; the sky brought danger and those flying planes were there for the purpose of killing us. And the dog will never view the sky the same again. The sky is now a danger. And Anderson bemoans the new reality that now the dog must not only be aware of the ground and the grass and the other earthbound creatures, but also that huge, untouchable expanse of sky. The dog understands that these birds have come for the purpose of killing her. is prey. . . And she describes the look in the eyes of her dog, Lolabelle, as the dog peers up and realizes that she. And then she sees that they are hawks. Anderson tells us they are birds. And then we see pretty white trails in the sky, moving in circles. And the camera pans up to the bright blue sky; it is such a beautiful day. )Perhaps the strongest moment in Anderson's film is when she takes her dog outdoors in a big field and enjoys watching her run and play in tall grass and aromatic dirt, as dogs do. (Of course, the film is also relevant to all Americans, and all human beings, at any time of year. Laurie Anderson is a long-time New York resident and artist, and this film speaks so sincerely to New Yorkers in particular, that it would have made an intensely appropriate opening for the New York Film Festival, which took place so close to 9/11. For all the "The Walk's" telling us how we should feel, and trying so desperately to rouse emotion, it fails in that regard. In fact, this movie would have made a much better selection for the opening of this year's New York Film Festival than "The Walk," which is ostensibly about the man who walked a tightrope between the world's tallest pair of buildings, but is really mostly a sentimental homage to the Twin Towers, complete with golden reflected sunset footage of the Towers and seemingly endless talk about their dramatic importance. It discusses 9/11 in way that actually adds fresh insight, which seems impossible after so many anniversaries full of remembrance ceremonies, and so many other films that have also integrated that tragic event. And yet, the movie is not even remotely maudlin. In front of everything, Anderson seems to be saying, is a gentle, pervasive sadness. And then she turns footage of an ocean upside down, with the foreground still raining, so the sea that has become the sky is weeping too. Many sequences are shot through a pane of glass that is dripping with water, like life itself is crying. As the film explores a variety of deaths - the death of Anderson's dog, the death of her mother, the death of her husband (Lou Reed), and the mass deaths of 9/11 in New York, it seems the movie is often shedding its own tears. But one of the surprises of this project may be Anderson's sophisticated and inventive cinematography. "Try to learn how to feel sad without being sad," is just one of the many fertile sentences. These are words worthy of reading and contemplating. I often leave a movie wanting to run home and download the soundtrack, but in this case I am yearning for a transcript. As always, Anderson excels at language, and here she combines various types of on-screen text to her own lyrical voice-over. The movie combines her personal stories and musings with quotations from renowned philosophers, ink drawings on paper, printed words, animation, scratchy old 8mm home-movie clips, new footage of landscapes, surveillance camera footage with time codes, graphic images such as computer icons, and her ingenious use of music. Despite the film's seemingly stream-of-conscious, no-plot, hodge-podge approach, Anderson has meaningful ideas to express, and she's woven together an elegant and smartly structured tone-and-picture poem. Much, Much, Better (to quote Anderson in "Language is a Virus"). . . " It's like one of Anderson's old albums, only . . . Those who know her albums such as "Big Science" and "Home of the Brave" will appreciate the return of the fragmented rhythm and quizzical tone of Anderson's speech, opening with voice-over sentences such as "This is my dream body - the one I use to walk around in my dreams," and "It's like one of those old movies. Anderson has had a long career, but was most well-known in the 80's as an experimental performance artist, composer, and musician who especially explored the mix of spoken word and music. In her poetic film collage essay Laurie Anderson is more beautifully and thoughtfully herself than ever


Holly F (gb)

A protential film that fails with a slow pace and ambiguous story!10/6/2012


Kevin R (ca)

end Beer!"Grade: C+. I recommend giving this a viewing. The plots are not predictable and this is a worthwhile picture for fans of the genre. This wasn't perfect by any means, but I did enjoy watching each story unfold. I can say I may have liked this picture a little more. "If that's how you jump out of an airplane, maybe you should stay in the kitchen!"I came across this on Netflix and decided to add it to the queue even though I only relatively enjoyed the original. The acting, like the plots, were inconsistent, but about as you'd expect for the horror genre. Some plots are obviously better than others, as you'd expect, but I enjoyed watching the films and trying to interpret the director's vision. "I like dicks!"The producers of the film identified a director for each letter of the alphabet and each director was given independent creativity to deliver a unique horror film. Most of the short stories are gory with clever horror elements and some are even animated or created to claymation. Each story has a different direction, feel, and cast. This movie contains a short horror story with a theme based on letters of the alphabet. . . You know you get a discount here if you do mother and daughter


Matt W (ca)

This mainly came from the comedians like Jamie Kennedy who heckle the world, but seem a little sensitive when people heckle them. As much as it is interesting to see the perspective of entertainers when it comes to hecklers and negative reviews, as it does have value in that to remind us these people are human, the comments by some come off a bit pathetic and narcissistic


Nathan H (jp)

I went to a fireside then I watch the movie it was great its not better than the joseph smith movie but it was cool A- Also I shook the directors hand twice and I think that was the very first time I met a morman director