Asterix and the Big Fight (1989) torrents full movies


Asterix and the Big Fight

The druid is accidentally hit by a menhir thrown by Obelix and loses his mind and memory.

Asterix and the Big Fight is a excited movies torrent of René Goscinny (comic), Albert Uderzo (comic), Yannik Voight (screenplay), Adolf Kabatek (screenplay), David N. Weiss (english version). The released year of this movie is 1989. There are many actors in this movies torrent, such as Roger Carel, Pierre Tornade, Henri Labussière, Julien Guiomar, Henri Poirier, Marie-Anne Chazel, Roger Lumont, Patrick Préjean, Edgar Givry, Jean-Jacques Cramier, Yves Barsacq, Gérard Croce, Jean Francois Aupied, Christine Aurel, Paul Bisciglia. The kind of movie are Family. This movie was rated by 6.4 in This is really a good movie torrents. The runtime of this movie are awesome, about 81 minutes. Chich1Phat is good uploader, he is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your opinion. Do you know what are users? ChimTo is the best. I can't leave my iPad screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

The druid is accidentally hit by a menhir thrown by Obelix and loses his mind and memory

Asterix and the Big Fight torrents

Asterix and the Big Fight full movie

Asterix and the Big Fight1989 torrent

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Download   Asterix and the Big Fight 1989 Greek audioOther46441.04 GB
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Users reviews

Andrew B (ru)

Some genuinely funny moments here

Brad S (fr)

ecommended!. This is one of Bergman's films that I think I will have to have another viewing of to get even more of an understanding out it it. I thought both Liv Ullman and Max Von Sydow were excellent. Seems to me it deals with isolation and relationships, but there are some additional aspects that aren't fully answered such as some animal killings where the lead characters live. It took me a while to get into this film, and to be honest, not sure I full understand everything about it, but I was hooked. This is an interesting film from Ingmar Bergman from his later period

Bradley H (br)

The film seems to be missing half of its plot as the political machinations are only alluded to and rarely explored

Clare W (gb)

pretty good movie imo

Edith N (mx)

And maybe it would be, if it had been people other than someone's cruel and heedless stereotypes. It's telling what it thinks is an entertaining story. ) However, this movie isn't interested in exploring anyone's real feelings or interests. (Though Antoine also rejects the idea completely. And in fact, if Bob weren't a total sociopath, it would not have been impossible to have a relationship wherein everyone slept with each other. I do believe that it's possible that Antoine was hiding bisexuality in homophobia, but I also believe that he was interested enough in Monique that it proved he wasn't completely gay. Any character development is thrown aside at the point at which the trio set up housekeeping, and it goes to true insanity at the point at which Bob (without, it should be noted, her knowledge) sells Monique. Instead, what we have is a horrible mishmash of a film. There were a few funny moments to this movie, and there were a few places where it might have gone somewhere interesting. Heck, the movie introduces Bob by having him slap Monique, and he expresses the opinion that all women need to have that done to them now and again. Oh, and then, he goes off to have a fling with someone else. And after that happens, Bob shapes Antoine into the woman he wants, even getting him to shave off his moustache and dress in full-on drag. I mean, Bob actually sells Monique to a friend of his, and she goes off to become a (bad) prostitute. And it's not as though Bob and Antoine were out at work, because no one in this movie seems to have even considered a day job. But it isn't enough. She's asked what she did all day, and she did more than I get done in a week. She tells them that dinner will be ready at eight, and Bob throws a fit when that turns out to mean 8:05. After Bob and Antoine become a couple, Monique stays with them and does literally everything for them. And then there's that wife thing. It's all very sordid and unpleasant, and I don't think any of these people would know a functional relationship if they tripped over it. It goes a bit beyond homophobia, honestly; it's a distaste for sex in general. This may be a generalization, because it's only expressly said to be true by two people, but since there are only three well-developed characters in the movie in the first place (and that's putting it loosely), and they're the only two to really express an opinion, it's hard not to think that the movie is sharing the filmmakers' opinion. It's also said that everyone who's taking penetration has to force themselves to want it. Apparently. (Maybe Antoine and Monique's marriage could have been saved by pegging?) And even if you're the one penetrating, you, too, will end up in a wig. Sex is all penetrative, and the same person always takes it. I mean, there's the obvious fact that no one seems to have heard of bisexuality--either you're a straight man or you're someone's wife. I don't know which is worse in this movie, the homophobia or the misogyny. Eventually, Antoine ends up dressing as a woman for Bob, because that's obviously what all gay men want--a really ugly drag queen. Up until this moment, Antoine has been straight to the point of homophobic, but a series of strange happenings result in his ending up with Bob, and Monique takes off. Bob is an ex-con, and he says that, while in prison, he developed an interest in men, and he's interested in Antoine. They're held at gunpoint by the wealthiest people in Paris, over and over. So they get them from rich people, and things happen. Monique resents her life with Antoine, because she doesn't feel she's getting the good things in life that she deserves. Then, they start breaking into houses. Somehow, the threesome end up hanging out together. Bob (Grard Depardieu) overhears their argument and slaps her. Monique (Miou-Miou) is at a nightclub, yelling at her husband, Antoine (Michel Blanc). It's why I watch worse movies on DVD than streaming. ) However, I have to confess that the main reason I finished watching it was that I was too lazy to get up. (It's that whole turning off bad movies thing. My only defense for watching it the same way is that I want to warn other people against what some people think is a whimsical French sex comedy, and it's true that part of my interest was in writing a negative review, which I don't think I do often enough. This one actively bothered me. I'm not entirely sure why I finished watching it; I've turned off better movies in the last few days that just didn't interest me. However, by the time we got anywhere near the second half, I was already having a hard time with the movie. It really, really doesn't. The place most people seem to go is that the second half doesn't seem to belong to the first half, and that's not a bad place to start. Not How Real Sexuality Works You know, I almost don't know where to start with this movie

Frances H (ag)

What separates the two main characters is not as this site says, "political and religious issues," but the fact that one character is okay with being a sniper who kills innocent women and children, because they were born in a different religion or ethnic group, and the other character is not--he kills only those who are targeting these innocent victims. Shot Through the Heart is a powerful film that deals with these issues. How can one love his own family and not realize that others love their own just as much? How can you love any child, and then turn around and kill the child of another? I'll never understand this. Mankind's cruelty to his own kind never ceases to horrify me

intuciic (ca)

quite typical, funny in places

James D (kr)

This movie is just like the first one but better

Jason L (gb)

If neither of those things appeal to you, skip it. If you've read the book, you might enjoy it. If you're looking for a hipster independent film about a young "closet Christian" trying to fit in at one of the most liberal colleges in America, then you might enjoy it. If I didn't know about the source material, I would probably be even more put off. Not terrible, but still somewhat disappointing

Jonathan D (nl)

I do think that this movie may appeal more to women than men - who may relate to the difficulty of attempting to assert and find themselves, especially in the shadow of a strong, sometimes insolent, personality. I never quite warmed up to these folks or quite felt I knew why these of all people would be the subject of a documentary. He uses her, takes her for granted, has been through an alcoholic phase, and he's a bit of an emotional pugilist as well. She became pregnant and they married - but there is always a sense of her feeling that her marriage to Ushio is a struggle. Noriko met him in NYC when she was young and impressionable. He's respected enough to get gallery exhibits and to live off his art, but struggling enough to never be sure where his next dollar is coming from. Ushio is in an interesting middle-zone for an artist. They've got a tough marriage and a tough life. She paints cartoonish stories featuring this character, and her mate, curiously named "Bullie". "Cutie" is the alter ego of his much-younger wife, Noriko Shinohara. Ushio Shinohara is "The Boxer" because of his abstract expressionist works made by dipping sponges tied to boxing gloves into paint, and then thrusting them into a giant canvas. Cute and the Boxer are a married pair of aged, Japanese artists who've been living and struggling in NYC for more than the past forty years