Au nom du Christ

Au nom du Christ

A West African pig farmer has a religious vision, wherein he is told that he'll be Magloire the First, a prophet of Christ. He then sets out to rid his local villagers of superstition and instead save them for Jesus.

A West African pig farmer has a religious vision, wherein he is told that he'll be Magloire the First, a prophet of Christ. He then sets out to rid his local villagers of superstition and instead save them for Jesus. . You can read more in Google, Youtube, Wiki


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Au nom du Christ torrent reviews

Rendan L (de) wrote: Love this movie!! So good! A

Sean C (es) wrote: Critics are right when they say this movie pushes an agenda more than anything else. I didn't realize that was a bad thing. I always thought the best movies inform us and make us feel, and this movie offers plenty of that. It's far from the ranks of "Hotel Rwanda" or "The Killing Fields" in terms of sociopolitical issues turned into feature-length films, but it made for one of the more enjoyable movies I watched in an undergraduate global affairs class, and you have to admire Jolie's clear commitment to the material, which helped jumpstart a life since dedicated to activism and charity. There's the real story.

Andr G (it) wrote: Filme bem interessante. Recomendado.

Skyler B (gb) wrote: Mostly terrible, this spot-on satire about America and reality television is brought to both great heights and terrible, terrible lows at the reveal that Will Arnet has been narrating the entire time.If the acting had been better and the "twist" hadn't been so foreseeable as to make it pathetic, this would have been a 2-and-a-half star film. As it stands, the fantastic final line of the "film" is all that saves this otherwise droll mess.

Rakesh D (jp) wrote: India's answer to Quentin Tarantino!

Ben G (kr) wrote: A melancholic masterpiece. Aki Kaurismaki strikes again with this fantastic movie about struggling artists sharing homes and bottles in Paris. Great shots. Acting with that distinct Kaurismaki style. Bizarre music and a pervading sense of hope despite all the gloominess.. perfect!

Rob W (kr) wrote: For a movie based on philosophy and logic it was a surprise to see an absence of both.

Becca A (it) wrote: I'm not so sure this wedding is such a good idea. I don't like what I'm seeing from these Fockers.

Quincy T (de) wrote: A finely acted although agonizingly slow home invasion in Wild WestThere's a merit on doing all female leads drama thriller set on volatile era of Civil War, especially when there's social prejudice involved. However, aside from some admittedly fine performance, the movie feels clunky and slow. It doesn't have the intricacy or characterization beyond the basic formula of "there are bad men coming", and even that takes the film about half its runtime to get the pace going. This is the story of three women, one of whom is colored, as they defend their home from outsiders. Each woman might not be easily relatable at first, but the acting as well as decent investment time to them manage to deliver a few heavy thought provoking and intimate scenes. Brit Marling as the oldest one keeps a strong presence even though her character may be lacking in term of actual strength. Muna Otaru as Mad, the colored housekeeper or technical maid, has a unique personality as the caretaker of the girls and also her own woman. As for the antagonist Sam Worthington makes do, he's decent but his motivation doesn't have the same focus as the girls', which means less connection to the character as he basically stumbles on the predicament he himself creates. The cinematography works by keeping an intentionally bleak and less stylish version of Wild West. This is a deliberate pace for drama, not action or thriller. It does feel terribly slow at times, not in a good Tarantino build up style. Furthermore, there's not much cat-and-mouse cerebral standoff, which feels like a missed opportunity, especially when it could've used the setting as intense backdrop. Panic Room with Jodie Foster had trade of wit between protagonist and antagonist that created depth and utilized its premise, while here it's more of random gunslinging action.The Keeping Room has a couple of good performances, especially geared towards heavy themes such as race prejudice and violence towards women. However, instead of putting more focus on home invasion to elevate the drama, its slow pace removes any thrill to what could've been a powerful commentary of an era and its lingering issues.