Coming from every parts of Africa, runs a river of men and women prepared to cross entire continents, pursuing a life that is denied to those that live in the periphery. . You can read more in Google, Youtube, Wiki
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Bab Sebta torrent reviews
David R (au) wrote: a nice japanese horror film, I feel sorry for the main character. It kind of reminded me of the first SAW
XXdarrenxx X (ca) wrote: THAT FLM IS SO SO SO SO SO SO FUNNY
Shanna B (es) wrote: Hilarious! I made my mother watch it with me, then thanked her for NOT being that mom!! Rofl
Wiebke K (br) wrote: A quirky little story set in Prague and rural Czechoslovakia of 1989, with a musician who gets stuck with 5-year-old Russian Kolya surrounded by people who are not fond of Russians in general.
Jason J (kr) wrote: You can stop watching after the bird stuck to the head scene.
Muffin M (us) wrote: I own this on DVD in a five movie pack along with:* The Jerk (1979)* The Lonely Guy (1983)* Parenthood (1989)* Bowfinger (1999)
STiX REBEL (de) wrote: LOL GREAT flick waaaay before Scary Movies Check it out!!!good camp saw as a kid on cable
Samuel M (mx) wrote: Aunque una pelcula como la Violencia del Sexo no va a estar a la altura de los estndares de hoy da (y realmente tampoco los de la poca) por cuestiones tcnicas o artsticas, lo cierto es que su mensaje era fuerte, directo y an a da de hoy sigue resonando y teniendo importancia. Cierto es que el tratamiento es maniqueo, es decir, "quien la hace la paga" (y no me entendis mal, no hay otra forma posible de ver una violacin como mala y punto), pero tena que serlo para que tuviera resonancia.Es una pelcula que es fuerte e impactante aun a dia de hoy, no por la sangre, sino por la brutalidad con la que est perpretado el terrible abuso del que la protagonista es vctima. Pocas cintas pueden ser tan efectivas a da de hoy.Lstima que luego la segunda mitad de pelcula, con la venganza de Jennifer no sea TAN impactante como la anterior; habra sido mucho ms efectiva an (pensad en algo como I Saw the Devil, aunque hecho en la poca):Aun as, todo un clsico del gnero y una pelcula a reivindicar, aunque sea solo por el mensaje que intentaba mandar.
Van R (kr) wrote: No, Burt Kennedy's "Return of the Seven" doesn't surpass the John Sturges classic western "The Magnificent Seven." Remember, however, the Sturges film itself was a remake of Japanese director Akira Kurosawa's "The Seventh Samurai." First, I contend that "The Magnificent Seven" is one of the top ten best westerns. Second, I get a kick out of watching "Return of the Seven" for its own modest virtues. This sagebrusher came about as a result of the sequel craze in the 1960s. After the tension on the set of "The Magnificent Seven" with Yul Brynner, Steve McQueen refused to play second fiddle again to 'the King.' Anyway, McQueen's star was rising, while Brynner's stardom was becoming eclipsed. It is important to remember the theatrical title, too, because it is "Return of the Seven" with the omission of the adjective "Magnificent." Indeed, Brynner is the only one who made it back for the sequel. McQueen refused to and Horst Buchholz had disappeared in Europe making other movies. Mind you, around this time, the Europeans had spawned the so-called 'Spaghetti' western craze. Moreover, the Franco government in Spain subsidized filmmakers, and the rough-hewn Spanish scenery substituted more than adequately for the frontier American Southwest. When the scenery is more interesting to look at, the music stands out by itself, and the corpses outnumber the horses ten-to-one, you know that you're watching a 'Spaghetti' western. Oh, yeah, if the dialogue isn't lip-synched, you know you're watching a 'Spaghetti' western. Consequently, the Mirish Production company must have felt that they could knock out a sequel very inexpensively in Spain. Reportedly, the Alicante location where they filmed "Return of the Seven" had not been used in a picture. Unquestionably, "Return of the Seven" looks like an epic western, and Paul Vogel's cinematography is a feast for the eyes. Everybody looks really picturesque when they shoot their guns in this western. Burt Kennedy's "Seven" surpasses Sturges' "Seven" only in terms of its rugged, breath-taking scenery, Vogel's ace cinematography, and the lavish production values. Burt Kennedy stages some exception gunfights, but he cannot top the vintage Sturges shoot-outs. "Return of the Seven" picks up years after the Sturges epic. An insane rancher decides to honor the memory of his two dead sons by abducting the farmers of several villages and having them build a shrine??a church??to commemorate his sons. Right off, "Return of the Seven" differs from "The Magnificent Seven." Francisco Lorca (Emilio Fernndez of "The Wild Bunch") looms above all as a law unto himself, whereas Calvera (Eli Wallach) was a cunning, ruthless bandit that lived outside the law. These films have different villains. One of the villages that Lorca's men raid and enslave is Chico's village. Julian Mateos takes over the role that Horst Buchholz created. The worst scene is the first between Chris (Yul Brynner) and Vin (Robert Fuller of "Laramie") at a bullfighting arena. Vin sidles up to Chris during a bullfight and makes up a story that he is looking to collect bounty on Chris. Scenarist Larry Cohen of the "It's Alive" trilogy could have contrived a better reunion scene. Although Cohen received credit for writing the screenplay, all the dialogue sounds like something that Burt Kennedy would have written for Randolph Scott on those Budd Boetticher westerns of the 1950s. My favorite line is when Chris and Vin meet again during a cockfighting tournament and talk about their luck rounding up candidates. Vin asks, "Are they any good?" Chris retors, "They're alive." Staying alive is what "Return of the Seven" is all about. Meanwhile, Cohen replays themes from the original. The villagers huddle in a rainy church and admit their fear of anything. The cast differs obviously and so do the characters. Burt Kennedy's "Seven" is harsh, definitely less sentimental than the Sturges "Seven." Some of these guys don't get along. Chris averts a gunfight between the loquacious Colbee (Warren Oates of "In The Heat of the Night") and the tight-lipped Frank (Claude Atkins of "A Man Called Sledge") in one scene. "Is he faster than you, Chris," Frank asks. "I'd hate to have the live on the difference," Chris observes. I'd heard this line in "Rio Bravo," but it fares better here. Another great scene occurs earlier when Chris buys Frank out of jail. "He killed five men in a gunfight," complains the jailer about the amount of Chris' bribe. "I could make it six," growls Frank. The bargain is sealed. The dialogue in this scene compares with the dialogue in the Charles Bronson scene in the original "Seven." This time the Seven face at least fifty gunmen, twenty or so more than in the first picture. Interestingly, Chris gets not only Frank but also Luis Emilio Delgado (Verglio Teixeira of "The Seventh Voyage of Sinbad") from the local jail. This anticipates the classic Lee Marvin war movie "The Dirty Dozen." Another scene that matched the original is the initial hero and the villains confrontation. Chris rides boldly into the construction site and demands the release of Chico and everybody else to the incredulity of Lorca's second-in-command Lopez (Rodolfo Acosta of "Rio Conchos") who replies, "I could have you shot like that." Lopez snaps. "There are six Winchesters pointed at your head." Chris is far more audacious here than he ever was in "The Magnificent Seven." Emilio Fernndez is a splendid foll0w-up to Eli Wallach. In real life, Wallach was gentle, whereas Fernndez was violent, handy with a gun, a gangsta of sorts. He looks like he means business as the villain in "Return of the Seven." Like Yul Brynner, Elmer Bernstein encores his original Oscar nominated orchestral soundtrack and amazingly he received another nomination for it. If you haven't seen the first "Seven," you could swear that Bernstein created the score for the sequel!
Harold S (jp) wrote: Really funny loved Matt Damon and Ben Affleck and Jay and silent Bob were hilarious as always
Terri H (nl) wrote: No thankyou - Not interested
TheScarlatescu R (gb) wrote: the movie puts in perspective the pharmaceutical business which is cool, and Katherine Heigl is so hot it should be illegal