A man has been trained in a deadly form of hand-to-hand combat using ballistics and firearms. He is one of the few Americans who has perfected it, which makes him the CIA's best weapon against International Terrorism. . You can read more in Google, Youtube, Wiki
A man has been trained in a deadly form of hand-to-hand combat using ballistics and firearms. He is one of the few Americans who has perfected it, which makes him the CIA's best weapon against International Terrorism.
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Ballistica torrent reviews
The Movie W (br) wrote: Alice (Taglioni) is a thirty-something, socially awkward, Parisian, obsessed with the films of Woody Allen. On her bedroom wall hangs a poster of the film-maker, and she imagines him speaking to her through snippets of dialogue from his films (voiced by a French Allen imitator whose attempt at a Brooklyn accent sounds more like Tony Soprano). She's dating the suave but slimy Vincent (Soulier), who pretends to share her taste in movies and music to keep her interested. Victor (Bruel), on the other hand, openly mocks her taste but is genuinely interested in Alice. Who will she choose?Imitation is the highest form of flattery, they say. If, however, you possess none of the talent of the object of your flattery, you'll end up looking pretty dumb. Two things are made clear about writer-director Lellouche from this dreadful and charmless film: she loves Woody Allen and she isn't qualified to write the dosage instructions on a Lemsip packet, never mind a feature film.The concept is essentially a reworking of the Allen scripted, Herbert Ross directed 'Play it Again Sam', with an imaginary Bogart replaced by a poster of Allen. The problem is, while Ross' film was a comedy which referenced Film Noir, Lellouche is referencing comedy through comedy. Her film is painfully unfunny, with none of the wit or insight you get from Allen's movies. The effect is akin to watching Bernard Manning perform a Larry David stand-up routine.I found myself scratching my head at several points, trying to piece together what on earth I was watching. There are sub-plots which go nowhere and several scenes which confused me as to whether they were meant to be flashbacks or not. Bits of 'Hannah and Her Sisters' and 'Manhattan Murder Mystery' are clumsily reworked in a confusing manner. Allen wouldn't wipe his ass with this script.Taglioni, a leggy Elle MacPherson lookalike, is ludicrously miscast as a nebbish and the only character who feels real is her father, the type of put-upon Jewish father who turns up regularly in Allen's movies.The great man makes a cameo towards the end but it's not enough to redeem the film, even for the most hardcore of his fans. The greatest insult Lellouche gives Allen is in suggesting his best film is 'Everything You Always Wanted To Know About Sex', his most moronic comedy. Thank God for the French? Not this time.
Mike W (ag) wrote: Big Show indeed is a Knucklehead.
Juli R (us) wrote: This is a sweet film by Rob Reiner that doesn't get too sentimental. The reason why it works is because of its smart casting choices. If you want to feel good about how things used to be this is a good choice.
julia G (gb) wrote: this is a very cute movie
Vijay M (mx) wrote: Amazing film! Wonderful fight, and song sequence. Beautiful direction, music and screenplay.
Charlie G (kr) wrote: Volunteer test subjects are given medication that kills most of them and brings out certain powers in the others. Including a young girl thaat can start fires with her mind.
Spookie M (br) wrote: Inept and not worth sitting through even for the Phil Hartman scene. It does however end with the line "This weekend pass is expired" and a freeze frame.
Lisa (it) wrote: I like Charles Bronson and Lee Marvin (and the dog) and the fact that it's based on a true story
Stella D (ag) wrote: a treat for musical fans, the restored version of flamboyant director ken russell's '71 homage to busby berkeley films, starring twiggy! the film is a bit long, including even an intermission, but it's marvelous flights of fantasy entertained me more than anything i've seen in awhile. russell uses the device of a play within the film, a cheap production mounted by a down and out theater troupe, with the time worn gimmick of the understudy going on for the injured star, a la ruby keeler. 60s supermodel twiggy had admirable screen presence and was a great dancer. an absolute delight. thx tcm!
Charles P (us) wrote: This directionless remake is most devoid of laughs, but it did elicit a couple smiles.
Jackie T (fr) wrote: Really good. I can't believe I hadn't seen it before now.