Beautiful Sunday


  • Rating:
    4.00 out of 5
  • Length: 93 minutes
  • Release: 1998
  • Language: Japanese
  • IMDB link: Beautiful Sunday
  • Keywords:

Fests are a good bet, although film’s commercial fate is shadowy due to a deliberate style and episodic narrative that require extra viewer effort. With director Tetsuya Nakashima working in a similar, equally satisfying style as in his 1995 debut, “Happy Go Lucky,” pic manages the neat trick of being both very funny and very sad. It’s no longer a news bulletin that the pressures of modern urban living can result in disconnection and despair, but “Beautiful Sunday” casts a strangely pleasing spell as a droll and formalistic comic drama about the various relationships among, and odd obsessions of, the residents of a Tokyo apartment block

Beautiful Sunday is the best excited movies torrent of Tetsuya Nakashima. The released year of this movie is 1998. There are many actors in this movie torrents, for example Momoko Bitô, Teruyuki Kagawa, Ittoku Kishibe, Masatoshi Nagase, Kumi Nakamura, Yutaka Suzuki, Tsutomu Yamazaki. There are many categories, such as General. The rating is 6 in www.imdb.com. We have a good movies torrent. Share this movies torrent to support us

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Links Name Quality Seeders Leechers Size
Download   Tetsuya Nakashima - Beautiful Sunday (1998) Other 33 38 1.19 GB

Users reviews

Adriano B (mx)

However, it resurfaces in all its geeky glory in the superb design of future Paris, and, off course, in the B/W cell shading, a bold style choice reminding you always of the artificial nature of the show and producing both nostalgia and uneasyness - from a certain perspective, it's forced on the viewer, which is the point, by the way. Plotwise there is very little sci-fi in this unconventional cyberpunk animation, the retro- noir soul absolutely prevailing over everything else

Al H (br)

Has a few boring moments

Ben W (it)

the climax is pretty great. its nowhere near as good as reeds other work (odd man out and the third man) but its a good way to spend an hour and half. an entertaining trip through germany with rex harrison and margaret lockwood

Bill v (mx)

It wasn't funny and it wasn't engaging enough for me. But this movie asks its audience to stretch in ways I think were too far-fetched. Creation/creativity may have its struggles. After it was all over, I was left wondering if writer's block is solved in such shallow and cruel ways as this movie seems to depict. Lots of insults were thrown around so wasn't sure if they liked each other. Copious amounts of alcohol are consumed and I wasn't sure why. The characters seemed self-involved, too much for their own good. But this movie never captured my attention. I may have been helped by seeing other films done by director Hong Sang-soo. I think I was supposed to like this movie

Dustin B (kr)

and that dude just looks so fucking strange. . . itll hurt less, it was almost like this movie sucked on purpose. if you ever thought about watching this move, just go stab yourself in the balls

Eric J (gb)

What a turkey. The killer cockroaches scene gave me nightmares for years. Watching it now it was just plain silly. A film I remember from childhood

Hunter W (ru)

esulting in a film that achieves plenty, but withholds what could have been so much more. The one film in the Harry Potter saga that is crippled by its moves from book to film: The Half-Blood Prince shifts focus away from the complex and compelling mission of Potter and Dumbledore to focus on the romantic endeavors of its teen heartthrobs

Ian C (gb)

The scene with the stroller and The Stranglers Golden Brown is comedy gold. Maggie Gyllenhaal is hilarious as the free spirited college professor. Good performances all around. A nice tale about the fears and hopes faced by two thirty something's as they await the arrival of their first child

Joshua D (fr)

Billy Crystal is so funny !!! He is the best!

Raheem H (br)

Welles sure knows how to chart that fall. And thus, the bottom drops out on all of reality. There's no objective way to evaluate the value of any damn thing. At some point it becomes clear no such thing as either exists, that we've just made up our transitory definitions of what's good, what's true, what's commerce and what's not. Welles' baroque stage voice narrates this shifting narrative about artists, scam men and those that could be called both. " More than that, though, it's just a rousing good tale told by a master who never got his due until he was gone. Orson Welles' final film as a director is a swirling, kaleidoscopically entertaining pseudo-documentary that examines the very nature of art and that bullshit concept we call "expertise