Big Fat Gypsy Gangster

Big Fat Gypsy Gangster

After sixteen years at Her Majesty's Pleasure, Britain's hardest man is released from prison, and into the care of a documentary film crew headed by a Brit-loving American film-maker who follow him for the next week, on an hilarious roller-coaster tour of gangland London and beyond.

  • Rating:
    4.00 out of 5
  • Length:91 minutes
  • Release:2011
  • Language:English
  • Reference:Imdb
  • Keywords:gangster,   criminal,   dwarf,  

After sixteen years at Her Majesty's Pleasure, Britain's hardest man is released from prison, and into the care of a documentary film crew headed by a Brit-loving American film-maker who ... . You can read more in Google, Youtube, Wiki


Big Fat Gypsy Gangster torrent reviews

Joshua B (gb) wrote: LEGO STAR WARS: THE PADAWAN MENACEMuch better than Clutch powers, we all love star wars so Lego fort why not make an LEGO STAR WARS MOVIE Not Shaw about the name THE PADAWAN MENACE it sounds like a book. I do hope that LEGO make more STAR WARS films because it is super funny and the CARTOON NETWORK HD SERIES is very funny Funnier than THE PADAWAN MENACE.

Jonathan S (nl) wrote: The film is very good and entertaining, but it loses the rhythm on several occasions, and the CGI does not look good to some characters.

Carnage (ca) wrote: This was so fuckin' stupid I didn't even finish watching it... I would rather burn out my own eyes with a fuckin' blowtorch!!!

Denise A (es) wrote: It's good. Not what I expected.

Haley W (us) wrote: could someone please add this movie I really want to see it!! Please

Barbara H (mx) wrote: Its a litlle funny!*-*

Ryan W (fr) wrote: One of my favorites to watch because this film as such a hellish atmosphere. Based on the 90s video game, they switch the story up with the mother bringing the daughter to Silent Hill rather than the father to provide a more accepted emotionally dramatic effect to the film. The terror of the film lies within the story as when one delves deeper into Silent Hill they realize that the devil is holding souls in there for their dark pasts. The mother sees what appears to be her daughter running around Silent Hill desperately trying to catch up to her to only realize that she is being guided by none other than pure evil.

Justin S (mx) wrote: Beautifully animated in a more minimalist style than Studio Ghibli's usual fare, this film is a pleasant examination of daily life.

Citien J (ag) wrote: La ley del deseo is a film by Almodovar that can clearly show us how it came to this great filmmaker and one of the current icons of world cinema. Full metalanguage that the director and screenwriter loves, the film is designed so as not to deny that came: desire. All feelings somehow culminate in which creates confusion and can not be explained by anyone, not by the filmmaker and turns its head the lives of all characters. Extremely strong and true performances mark the film. Carmen Maura works so well that makes us feel what she feels. Antonio Banderas is as cruel as their desire and makes that very clear. Eusebio Poncela can already show a Pablo Quintero alone in the world but still afraid to end up like this thanks to their selfishness. Scenes watered at the sound of Ne me quitte pas are magnificent. The heart tightens from pain when you see all the suffering they pass the characters. The film shows most of all, the restlessness of the human characters suffer for it from start to finish and is far from suffering because of this movie, quite the contrary, it is the suffering that we humans carry every day. Another thing that gives charm to the film and motion are the bad confusion caused by various letters written during the movie. Finally, in La ley del deseo, Almodovar manages to show more pictures of the human soul in pieces, now consumed by desire.

Virginia M (de) wrote: Seemed a bit corny - my first Bollywood movie...but the music was beautiful and I cried for her at the end. Wrenchingly touching.

Bill N (fr) wrote: 'kill the brass' who says an old movie can't knock your socks off?!

Sanity Assassin (gb) wrote: considering i'm not a beatles fan I enjoyed the journey. believable characters/acting, entertaining pace. the zombies move faster than in dawn of the dead

Eliabeth B (br) wrote: Fun and cute, but REALLY did not age well.

Rainer K (ru) wrote: Die theoretischen Anstze der russischen Filmemacher in den 20er und 30er Jahren zhlen zum interessantesten, was die Filmtheorie zu bieten hat. Ihre Filme sind ihre Experimente. Spielwiesen in denen sich Theorien materialisieren.Zu diesen genialen Experimenten zhlt auch Vertovs Der Mann mit der Kamera. Zwar sind Vertovs Theorien etwas verschieden zur bekannteren Montagetheorie Eisensteins oder auch Pudowkins, aber sein Film zhlt zu Recht zu den Hhepunkten der sowjetischen Filmgeschichte.Vertov bezeichnete den Film selbst als einen Dokumentarfilm, der 24 Stunden in einer russischen Grostadt darstellen soll, und dabei einen Protagonisten, den Mann mit der Kamera, verfolgt.Aus der heutigen Sicht, ist der Film eher ein avantgardistisches Filmexperiment, zwischen Grostadtsymphonie und surrealistischer Montageorgie.Der Charakter einer Stadt" (Kiew, Moskau und St. Petersburg dienten als Drehorte) wird affirmativ dargestellt. Alle Errungenschaften Sowjetrusslands werden hervorgehoben und dem Zuseher prsentiert. Vertov setzt dabei auf unmgliche Kameraperspektiven, geniale Schnitte und auch immer wieder Anspielungen auf die groen Mglichkeiten des Mediums Film. Alles in allem, schn anzusehen.Nicht nur als historisches Artefakt ist Der Mann mit der Kamera auch heute noch eine Betrachtung wert. Auch heute noch wei Vertovs knstlerische Handschrift und handwerkliche Perfektion zu berzeugen. Es dauerte ca. zwei Jahre bis zur Fertigstellung des Films, und all diese Arbeit und Vorlaufzeit macht sich bemerkbar.Die besten Momente hat Der Mann mit der Kamera wenn Vertov mit den Mglichkeiten des Filmbilds spielt, und deutlich macht, warum sich das Filmmedium von der menschlichen Wahrnehmung abhebt, und wann immer er die Prozesse des Filmemachens und -prsentierens, teils ironisch, betrachtet. Ein must-see um die verschiedensten Postionen und Theorien der Filmgeschichte zu verstehen und auch fr den casual viewer" ein belohnendes Erlebnis.

Anson H (ru) wrote: It's not good for realism, but everything else works so well

joe b (mx) wrote: if you want to lust after pam greer give it a watch ...if not..leave it on the shelf