Blackmail Is My Business

Though he has come from a rough background on the streets, Muraki quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his ...

The plot is kind of interesting, digging into the underworld of Japan in this sideways fashion. And then the plan happens, and it's fast and jazzy, in a kind of extended television way. They often say vague things like, "We'll go ahead with out plan," but they never say what they are planning. Eventually, they get in over their heads, but we don't really worry at first. , with people still wearing suits and looking good doing it. S. It's 1968 in Japan, and it feels like maybe 1964 in the U. As rank amateurs they are lucky and, between racing around in their car, show a lot of cool style. The bad guys (four men and one woman, all young and good looking) have a lot of fun, and carry a lot of poise

Blackmail Is My Business is a movies torrent of Shinji Fujiwara (book), Fumio Kônami, Hirô Matsuda, Norio Osada. The released year of this movie is 1968. There are many actors in this movies torrent, such as Hiroki Matsukata, Tomomi Satô, Shinjirô Ehara, Yûsuke Kawazu, Bin Amatsu, Ryôhei Uchida, Hideo Murota, Akira Jo, Eriko Sono, Kenjirô Ishiyama, Torahiko Hamada, Yôko Mihara, Keiji Takamiya, Shirô Amakusa, Sakae Umezu. Movie' genres are Crime. This movie was rated by 7.1 in www.imdb.com. This is really a good movie torrents. Share with your friends and watch this movie together

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Users reviews

Andrew L (fr)

It took him five years to write such an incomplete and scrappy film. It was fun to watch but easily out-stays it's welcome after a few viewings. 2. Tarantino missed the mark with this and Vol

Anthony C (ag)

Full of details in this lovely movie!

Collier W (mx)

You may laugh at the butt rock anthems on the soundtrack, but if you don't root for Lonnie Johnson and Billy, I don't want to know you. You can smell the fuel, the burning rubber, cold dawnings on a deserted racetrack by an alfalfa field, and all those oily characters. Rattling confidently like the ramshackle cars driven by our team, the picture is simultaneously a sports parable about integrity and a deep meditation on the sport of drag racing. Cronenberg is the director for hire here, and he has made a sublime racing picture, with an unforgettable cast of characters

David P (us)

If you aren't a Christmas cynic or if you hate Bad Santa then watch A Christmas Story instead. John Waters considers this the best Christmas movie, and though I haven't seen Santa Clause 3 the Escape Clause, I can say that this is the best Christmas movie I've seen. I thought Bad Santa was the only well made anti Christmas movie but here's another one. Wow! If Christmas leaves a bad taste in your mouth, this one's for you

Dawn K (it)

Cute movie [with a FLAT ending, which is why it only gets three stars] about who we are and who we want to be and what happens when unexpected love knocks us flat

intuciic (ca)

nteresting story. pretty good movie

Juan S (us)

i really love this movie

Muruga D (ru)

None of the films can beat this. Very very nice film

Nathaniel R (ca)

Yet the true genius of the film does not just lie in the players, but by the sure-handed direction of Robert Redford in his extraordinary debut. It's a nice testament to the film, where each roles resonates solo and fortissimo, anchored by the unwavering performances of the cast. To dip into musical terms, Pachelbel utilizes counterpoint, or a feature of music where every section plays their own tune at different times, yet the entirety of the piece sounds in harmony. At the beginning and end, a version of Pachelbel's Canon rings out; a beautiful, grand composition that works as a synecdoche. It's at these moments we understand the struggle Conrad face's with his own emotional turmoil and we can see his only two connections with happiness left; although one character embodies happiness in the past, the other in the future. Director Robert Redford helps bring vibrancy to the film and we see a part of the story develop rather than unfold. We can see for ourselves the insincerity of his upbeat attitude and his attempt at normality. We can see Conrad's struggle discern his own condition in comparison to Karen's. One scene has Conrad meeting with his friend from the psychiatric hospital Karen (Dinah Manoff) and they share the details of their life after their encounter. It's here we are able to connect with Conrad and get a real feel for his pain. the most revealing instances are between Conrad and his two female interests. However, the best scenes in the movie I think involve the supporting characters. Alvin Sargent and Nancy Dowd, who wrote the screenplay, never neglect to give each character their own light and allows each character to operate effectively in separate scenes. Tyler Moore is unforgiving and tragic in her own sense as later scenes in the movie reveal but the film never leans in her favor. Playing the dichotomous couple who battle between acceptance and catharsis in the face of the tragedy, both actors nail their roles as the conscientious mother who struggles to create an intimacy with her son, and the quiet, agreeable father who attempts to find a common ground between the two polarized members of his family, respectively. Another couple that work well together with matching acting prowess is Tyler Moore and Sutherland. Hirsch and Hutton work well here and the dialogue is natural and effortless, reminds me of a young Matt Damon and Robin Williams conversing in a similar setting in Good Will Hunting. Hirsch does a marvelous job here as the seasoned doctor who meets with Conrad and evokes his true emotions about his brother's death not by textbook questions but by establishment of trust and transparency. Berger (Judd Hirsch) who operates with a calmness and assurance that couples well with Hutton's performance. Much of these emotions and complexities are drawn out by a family psychologist Dr. Redford allows the viewer to empathize with each character by their own notion and presents the events in a way that shows without telling. Each character's insecurity is hinted at but it is never too explicit where the audience need not discover it for themselves. The film deals with tragedy and suicide with care, and does not dwell on melodramatic expose. In fact is effortless and allows each character to reveal their intricacies without bombarding the viewer. The film moves at a somewhat leisurely pace but it is never tiresome. All seems right on the surface but the film's uneasy tone never wavers as the frailties of the family slowly begins to unfold. He engages in normal teenage activities: he rides to school in the backseat of his rowdy friends car, attends swim practice, and goes home to eat dinner with his pristine mother (Mary Tyler Moore) and his soft-spoken father (Donald Sutherland). We are introduced to a seemingly normal, functioning family with Conrad at its focal point, from the audience's view at least. Mainly following the life of Conrad Jarrett (a powerTimothy Hutton), we watch a a regular, suburban family adjust to normal life after the death of one of their children. In a film that has all the makings of the standard coming-of-age drama, Ordinary People tackles sensitive subject matter with poise and a rewarding sentiment

Nicky N (it)

. A Great Story About The Legendary Beatle Member,John Lennon. A Well Written Film