Blood: The Last Vampire

Blood: The Last Vampire

In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.

Set in 1966, Japan, the film tells the story of Saya, the only remaining original vampire, who hunts Chiropterrans, which pose as humans and live only to drink human blood. . You can read more in Google, Youtube, Wiki


Blood: The Last Vampire torrent reviews

bill s (es) wrote: A fun time at the theater until this movie stared.

DragonsFoe (ca) wrote: They Came Together is laugh out loud comedy with great chemistry from Rudd and Poehler. With welcome cameos and funny pokes at Tom coms. But as funny as it is, it is very forgettable.Rating: 6.7 (C+)

Asif K (us) wrote: not interested .... never was never will

Blake P (mx) wrote: There's a scene in David Lynch's Mulholland Dr. where Naomi Watts, in her breakthrough role, auditions for a coveted part in a romantic thriller, or something like that. In it, she is practically forced to seduce the old guy she is acting alongside, all the while maintaining the tension of the scene, owning it, feeling it. To act is one thing - to act to act is another. As the scene, and the film, progresses, there's a sense that Watts is pulling out every artistic fiber from her body and placing them onto a silver platter for us to scrutinize. This isn't going to be some film she does in desperation to pay the bills; this is going to be her big break, and whether you like Lynch's style or not, you're going to remember the name NAOMI WATTS, in big, bold letters over a 1940s style marquee, no less. It's one of the greatest performances ever committed to the celluloid - would it have been so astonishing, though, if Watts had not lived the life of a struggling actress for so many years? After Mulholland Dr. was released, Watts became a sensation seemingly overnight; leading roles in The Ring, 21 Grams, King Kong, etc. etc. etc. uniformly followed. Today, she is considered to be one of Hollywood's top actresses, but for about a decade before her big break, she was traveling from audition from audition, rejection to rejection; in interviews, she has said that she almost quit the business several times. Can you imagine if she had? Typically, when an actor describes their early struggles, stories of sympathy seem to go out the other ear. You're sitting before us on the guest chair of a talk show - who cares about what happened to you all those years ago? You're successful now, aren't you? It all seems far away, part of an eventually glamorous storyline. We forget that everyone has to start somewhere: not everyone can be Lauren Bacall or the Apparently Kid. For some, it only takes a few minutes to achieve worldwide fame; for others, it can take years and a ridiculous amount of dedication. Ellie Parker, a passion project for Watts (she produced), is a semi-autobiographical account of her horrendous years trying to "make it" (and failing), and the results are outlandish but also sad-funny, extremely well-acted. Filmed with a video camera possibly even worse than the one you used to record your family's Christmas vacation in 1999, Ellie Parker bears the texture of the fragile emotions of the actors who aren't quite successful enough to afford an expensive lens. It's all very strange, to say the least - the close-ups are really close up, mind you - but I really admire a film like this. It's like a Cassavetes reject that has just enough heart to really stick with you when the story doesn't always want to. Watts portrays Ellie with harrowing truthfulness. She's a mess, to put it nicely. Outside of her ferocious auditions, she's dating a loser musician (Mark Pellegrino), confessing her every thought and feeling to her slightly uninterested therapist (Ellie later notices that the word therapist also could be pronounced "the rapist", which seems like a more accurate label anyway), figuring out show business with her equally dissatisfied friend (Rebecca Rigg), and slowly discovering that the more rejection she receives the more she loses her sense of self. She also sleeps with an aspiring cinematographer who thanks her for crystallizing the fact that he's gay (he simply imagined she was Johnny Depp), and she also goes to a callback in which every single producer is seriously stoned. There's no business like show business, sure, but damn, Ethel Merman was lucky. At least she could sing about it like it wasn't totally soul sucking. Ellie Parker has already been forgotten as some weird experiment Watts attempted with some pals - few liked it (except for the always open minded Roger Ebert) - but I think it's one of her best films and certainly one of her best performances (in a career full of many). Several major actresses have attempted to go back to their roots by, for example, starring in a movie where a respected director is at the helm and they play a drug addict/single mother/stripper/prostitute who doesn't wear any makeup, ultimately winning an Oscar along the way (then going back to sizable paychecks); but hardly any, if any, have gone as far as Naomi Watts goes with Ellie Parker. If it seemed like Watts was giving a piece of herself to David Lynch and us viewers in Mulholland Dr., then consider Ellie Parker to contain her soul. It's hard to really know how much of the film is based on fact, but one can infer that Watts did humiliate herself in auditions and did contemplate quitting more than a few times. The fact that the film ends on such a depressing note (Ellie eventually decides to quit acting, only to come back for the unexpectedly and disappointingly pot infested callback I mentioned earlier) speaks louder than anything Watts ever had to say when she was preaching on Inside the Actors Studio all those years ago: acting is a tough occupation, and anything even resembling success is good enough. And if you have to transform yourself from a Southern Belle to a Brooklyn junkie/ho/Mafia item in the driver's seat of your car in exasperation, so be it. Ellie Parker is abrasive in its style and intense in its acting, but it's anything but the unwatchable mess so many critics sidelined it as originally. This is a funny, sad, but surprisingly admirable account of a struggling actress.

FanGirl B (jp) wrote: Really quite bad. So bad in fact it's actually kinda' fun. And if you're a Luke Goss fan it's a must see, lots and lots of close ups. lol

Kirk B (de) wrote: Not my kind of movie. Dark, slow, depressing and there really isn't a good guy. Very meh.

Scott O (es) wrote: Should have done part of this for forensics, I might have gotten better scores

Bruce B (es) wrote: I watched this film on Netflix Instant Watch and the Film was of good video quality. The Audio is very low on my laptop so I have to wear earphones turned up 100 percent, if anyone knows how to correct this problem please contact me. The film itself spent little time with the native Friday, more time was spent with Crusoe getting a out of season slave trade ship, the cruise, the shipwreck and after that little time was left for the Island Adventure and Friday. The story seems to have been modified, either that I don't the real story. I just don't remember the slitting of throats and the beheading of black natives for a native ritual sacrifice. I can only give this one 2 1/2 stars

Vijay L (de) wrote: This adaptation of a Forsyth novel has nothing much to recommend for itself. Christopher Walken gives a ridiculously intense performance.

Alexandre S (ag) wrote: vu sur ARTE en VF dimanche 28 fvrier 2010 vers 21h !

Private U (it) wrote: Sergio Corbucci was like Sergio Leone's psycho mate. He made loads of films with Franco Nero, the Italian Clint Eastwood, and Jack Palance. This one is classic Corbucci. "A Professional Gun" is much better though.

Joanna P (ag) wrote: Errol Flynn and a young Dean Stockwell work well together in this classic tale

James L (ru) wrote: Lacked the humor I expected with this cast ; but still found a way to entertain.

Farah R (kr) wrote: The songs are catchy as is the case with most musicals but this one isn't memorable after the last shot. Browning gave a decent performance but not well enough to be great.