Bones Brigade: An Autobiography

Bones Brigade: An Autobiography

When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.

When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too - as they evolved from insecure outsiders to the most influential athletes in the field. . You can read more in Google, Youtube, Wiki


Bones Brigade: An Autobiography torrent reviews

Carol G (br) wrote: Changed my thinking and my health and must watch!

Wendy K (br) wrote: Wow, this was just a fucking depressing movie. My eyes are pretty dry and it wasn't sad enough to make me cry, but this movie was just really depressing. Asian movies are so effing melodramatic. I've forgotten how much they love their melodrama. There's a line in this film that talks about how everybody loves their melodrama, and that's funny, because I don't think that's true. It's sort of like "Adjustment Bureau", but instead of a love story and a team of ninjas that make sure you follow fate, you basically get handed a "death letter". Depressing.Story is what pulled me into this movie. Cast was what kinda kept me through the film. Music was ok; there was this scene were the violin piece just came in from nowhere and it was just so blatantly obvious, it made it horribly melodramatic.Positive thing: I want to run my hands through Takayuki Yamada's long hair. I mean, even though his character looks and acts like a complete douchebag, just look at that hair. It's so shiny and it looks like he rewashes it for every scene. Glorious.

Ben W (mx) wrote: it's a pretty decent film

Liam G (es) wrote: see this is what happens when you take time to dub a movie right. well animated stuff to, nice littel moral, even sets itself apart from the old Astrix stuff playing around with the Obilix relationship makeing less of a bummbleing tit and more of a comic wife.enjoybel well cast and thought out animation like saddly, they just dont make anymore.

Tim M (br) wrote: It's slow to start. When it finally does, the camera is often too shaky during the action, and the characters wear way too much clothing. It's a shame Miike didn't direct. The silly yet satisfying ending almost makes up for the poor direction and costumes. Nice concept, one can only hope for a remake. Kitamura wins the duel easily.

Tommy K (es) wrote: Despite Rosie O'Donnell's presence and a weak villain, the movie manages to redeem itself with some dark and emotional moments, brilliant chemistry between the two love leads, breathtaking animation, and an awesome Phil Collins soundtrack.

santosh k (ru) wrote: Super song, natural acting , a great story is there in this movie. ****

Jeff H (gb) wrote: It grew on me a little bit. I intially watched it due to the now famous cast. It reminded me of a real college house. This was before american pie which set a standard that every college movie had to be slapstick humor. I didn't feel like the guy with dreads fit and it would have been better with out him. On netflix streaming.

Daniel S (ca) wrote: Tom Savini once famously stated that he considered Tales from the Darkside: The Movie to be the official second sequel to the Creepshow franchise. This view reflects that of the majority of fans, even to this day. The reception of the first Creepshow film categorised it as being a box office success which resulted in Laurel Entertainment, the production company behind the first two Creepshow films, toying with the concept of creating a Creepshow horror anthology television series. Following a period of negotiations and changes due to complications with the holder of the rights, a decision was agreed to change the series title from Creepshow to Tales from the Darkside. The series was well received by its audience and three years following the commercial release of Creepshow 2, Tales from the Darkside: The Movie was released in 1990, sharing many of Creepshow's production team, making it the successor of Creepshow and its first sequel. The film in question follows three individual stories; Lot 249, Cat from Hell, and Lover's Vow. These three segments are all orientated around a wraparound story which focuses on a little boy being held captive by a middle aged woman who intends on roasting and serving him at a dinner party. In order to prolong the wait for him being put in the oven, young Timmy reads short horror stories to Betty, the woman who has imprisoned him. This is where the individual stories are incorporated into the film. The first segment, Lot 249, focuses on an ancient mummy being resurrected from the dead and participating in a killing spree. Initially, this story is rather slow but once the resurrection takes place, some considerably grisly killings occur that you can't help but cringe at. This is followed by an interesting series of events which ultimately leads to a rather bleak ending, in a typical horror anthology fashion. Lot 249 has a strong cast in the form of Christian Slater, Julianne Moore and Steve Buscemi in which the slow opening can be forgiven through their performances. The atmosphere present throughout this piece is significantly unnerving which makes the conclusion come across as being even more chilling. The second segment, Cat from Hell, focuses on the assassination of an evil cat with a mysteriously murderous past. This story was written by Stephen King and adapted for screen by George A Romero, the two minds behind the original concept for Creepshow. This story was initially going to be featured in Creepshow 2 but due to issues with financing and the budget of the film, it was scrapped. Although this piece has a slow, nonlinear structure, an interesting eerie atmosphere is featured throughout and has a similar feel to film noir, only a killer cat is featured as opposed to a femme fatale with a pistol. In comparison to the cast of Lot 249, Cat from Hell mainly focuses on the characters portrayed by David Johansen and William Hickey. Halston, played by Johansen, has an irritating factor to his character which makes him somewhat unlikeable and therefore, partially ruins this segment. Like with Halston, William Hickey's character, Drogan, also has an irritating factor to his character which also makes him somewhat unlikeable. Combining these two characters together into one episode results in the whole piece not being as strong as potential would allow. However, the reoccurring bleak endings throughout the film make this particular story worth watching. The third and final segment, Lover's Vow, is by far the most powerful story featured in the film. The storyline focuses on a man falling in love with a woman who isn't what she seems. The beginning and the end of the segment presents itself as being of the horror genre but throughout the middle of this piece, it's a romantic drama. The codes and conventions of the romance genre make this piece somewhat addictive to watch as you feel compelled to follow the relationship of the characters of Preston and Carola. However, this makes the conclusion of the segment all the more heart-breaking. Whilst Tales from the Darkside: The Movie doesn't always take itself seriously, Lover's Vow is definitely the darkest piece as explores the deepest of human emotion. Not only this, but the ending is genuinely creepy and is enough to send shivers down your spine. Overall, I feel that Tales from the Darkside: The Movie is a highly underrated horror film that's due more credit than it receives. Although it isn't as mainstream as the original Creepshow films, it could be argued that Tales from the Darkside is a stronger film in terms of narrative and acting in comparison to the second Creepshow film.

Robert I (nl) wrote: So many brutals among the reviewers.Not a film for idiots.

Jeff B (nl) wrote: I recently watched Evil Under the Sun and thought it was kind of fun, so I had to check out another Poirot film. Much better than Evil Under the Sun, this has a very fun ensemble and a pretty clever script. Best in show are probably Angela Lansbury and David Niven, though I loved the relationship between Maggie Smith and Bette Davis. Some good surprises throughout (though I'll admit the final reveal was one of my possible theories). I guess I'll have to check out some of Margaret Rutherford's version of Agatha Christie's films now.

Bahar K (mx) wrote: Ramanujan'?n etk?ley?c? h?kayesi ..