Young Jimmy accepts a ride home from a friendly stranger, Ralph. Jimmy likes Ralph. Ralph likes Jimmy. Ralph REALLY likes Jimmy. Ralph likes Jimmy so much he persuades Jimmy to go to a ... . You can read more in Google, Youtube, Wiki
Anti-homosexual film targeted at teenage boys, urging them to avoid encounters with potential molesters.
- Stars:Sid Davis,
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Sean S (br) wrote: Interesting documentary.
Lynn N (it) wrote: I LOVE BEN 10 U RELY HAV 2 C THIS MOVIE
Michael P (fr) wrote: so bad It's actually good
Peter K (es) wrote: This is a most inspirational movie, those that think otherwise, seem to miss the point.
Hans J E (jp) wrote: Another quick rating of a Danish movie.
Tabatha T (au) wrote: I bought this movie really not knowing anything about it but I'm so glad I did its AWESOME. Go rent it.
Connor D (jp) wrote: I found "Rat Race" to be a surprisingly fun time. I went in to this film, which is about six teams racing to Silver City for a two million dollar reward, to be quite enjoyable and very funny in some scenes. This is by no means something spectacular, but that isn't what this film is going for, and it knows it. I think if you go into this film knowing what it is and not expecting anything amazing, I think you will find yourself having a great time in this crazy, off the wall film. 7.0/10
Brian P (ca) wrote: didnt like this one.........
Leena L (ru) wrote: Permesso? Avanti! Jack Lemmon is funny, as usual, but the film is a bit too long and does not seem to go anywhere, much. It does have dead bodies and a full frontal, and bare white naked male butt but that about sums it up. Plus the continuous " See the pyramids along the Nile......" on the back ground...
journei c (fr) wrote: this story is so great no matter what other people say you should look at it and see for your own it is lovely
Debbie w (ag) wrote: like shirelly temple movies
Ryan L (us) wrote: This movie is the best Die Hard movie in the series!
Casey P (ag) wrote: never feed it after dark, gotta treat it like a gremlin this is low key a Christmas movie
Liam C (ru) wrote: This film may look like it is just a lot of fun, and it is, but there is also a very dark undertone to it all and the longer the film goes on, the more it corrupts. 'Cabaret' is a mesmerising film that is truly an experience. The way this film starts is very smart and it very easily draws you into its world, the songs are all memorable and are excellently choreographed, but of course they are as this is Bob Fosse we're talking about, they also come fully alive and jump out of the screen. The film is funny but in a rather cynical sense, and the characters are well written and smartly developed, the acting is also fantastic. Joel Grey might seem like he isn't in it enough but he makes his presence known and really stands out; and once more, the male actor from a stage production is in the film adaptation and wins an Oscar with the female lead not even being in the film adaptation but at least this time the female lead won as well! I felt like she wasn't in the film enough and that she didn't really have enough musical numbers but in those numbers she, like Grey, make their presence known. And, hey, Maggie Smith won the previous time Minnelli was nominated and now it's the opposite, funny how it all works out like that. I never have any expectations when I watch a film but when I saw promotional images of the film I did think it was going to be a balls to the wall, rush of a film where you feel, the good kind of, exhausted by the end of it, the kind of feeling found in 'Moulin Rouge!'. I thought it'd stick two fingers up at the establishment or 'the man' as it were, but, in its own subtle way, it kind of does, given the smart themes it tackles. Also, when I first read the synopsis I thought this would be a club that was oppresses by the Nazi's and they would have to secretly work their way of it behind the scenes. I am a little surprised in the direction this film went though, if someone were to show me a screenshot of an hour into this film I'd be surprised at where our characters end up. I understand the point of those scenes as it reveals some key details, even if it looked like poor Brian was a third wheel from just what we are shown, it just ultimately felt like those scenes could have executed another way as it seems like they're pointless after they are over and how that character exits. The side characters were a nice addition and help compliment the theme as well but I just didn't feel like it was all that necessary either, considering how fast that story wraps up. The film ends the way it began and it leaves us rather suddenly on an ominous and sad note. It goes quiet all of a sudden and it's very effective, I found myself just watching the silent credits and taking in what just happened and how truly depressing it is to know what will happen next. I was thinking the ending was going to be rather sudden with everyone getting killed or something, but the smart and subtle way this carries its story and perfect ending, it does it fantastically. This might sound negative but that's honestly because I loved everything else and simply can't say anything more than that, this is a groundbreaking, hugely influential and dark film. It's funny how this and 'The Godfather', two films seemingly on totally opposite ends of the spectrum, went up against one another at the 45th Academy Awards. I remember reading a review of this film saying that 'The Godfather' had already won Best Picture, as well as its other two wins, before it was even made, and while I love that film and the next two parts, from the outside looking it, it does look kind of strange for this to win as much as it did and not the highest honour as well as its Writing nomination, it's still a rarity now. Still, 1972/3 were good years for Fosse as he had won quite a number of awards all across the board. Bob Fosse knew exactly what to do and he has made an excellent film, he probably isn't appreciated as much as he should be, but everyone knows his works even if they don't know his name. Like the rest of Fosse's work, this film is indeed hugely influential as the musicals of 2001/2 that helped revitalise the genre feel hugely inspired by this; even if by that point, some of the unique things about this had become clichs at that point, but still this is a classic for a good reason.