Buried Alive II (1997) torrents full movies


Buried Alive II

Clint Goodman, the man whose wife and lover tried to get rid of him by giving him a toxin that made him appear to be dead but wasn't. He would be buried alive. He would wake up in the ...

Buried Alive II is a new movie of Walter Klenhard. The released year of this movie is 1997. You can check list actors in this movie torrents, such as Ally Sheedy, Stephen Caffrey, Tracey Needham, Tim Matheson, Brian Libby, Shawnette Baity, Clifton Daniel, Ron Dortch, Keith Flippen, Tommy Hinkley, Lonnie Horsey, Elaine Nalee, Eric Paisley, Mike Pniewski, J.C. Quinn. There are many categories, such as Thriller. This movie was rated by 5.4 in www.imdb.com. This is really a good movie to watch. The runtime of this movie are awesome, about 97 minutes. NickDan is funny uploader, she is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your thought. Do you know what are visitors? Maria Ozawa is the best. I don't leave my laptop screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

. . He would wake up in the . He would be buried alive. Clint Goodman, the man whose wife and lover tried to get rid of him by giving him a toxin that made him appear to be dead but wasn't

Buried Alive II torrents

Buried Alive II full movie

Buried Alive II1997 torrent

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Download   Buried Alive IIOther3542698.96 MB

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Users reviews

Conrad T (gb)

Good acting from George Scott revealing the weakness of a great general

Daniel G (it)

only redeeming factor is the name. fell asleep during movie, just bad

Frisby 2 (br)

There is nothing magical about this movie, nor even the journey. You're better off watching some the crappy-ass Disney straight to DVD sequels than this. So all in all, this is by far one of the worst sequels to an animated film ever made, as well as the most unnecessary. Plus, none of the actors in here can sing. They have nothing to do with the story & give no emotion to the film as a whole, & they just become annoying as a whole. And the worst thing is that in this movie, the fairies don't even have their wings drawn on them about 95% pf the time, which only makes you ask that why do they need the wings if they're not even using them? Songs: Each song in here is poorly written, bland, & utterly laughable. The coloring is also cheap. Animation: Let me tell you that the animation in this movie is not only stale, but also half-assessed. And towards then end, remember how in the original every fairy in the movie helps by sealing the villain into a giant tree? Well, in this one, they grab all of the villains in a tree, that's it, just grab them with a bunch of branches. Yeah, because a bat that small can pick up a human girl with no problem. There is a scene where the human girl character Budgy(?)is about to fall off a cliff, then Batty, a small ass fruit bat, grabs her & lifts her up to safety. The story uses one plot, then another & another, to the point where you're asking yourself what the hell is the point of this movie? Not to mention that it is also completely illogical at a certain point, & then it becomes completely pointless. So, they used the character from the first one only to not use him as the same character? How does that work? Story: The story has NOTHING to do with the original. But apparently, in this movie, that was not him, it was another character with an accent. But apparently there WAS a character from the other movie that came back, & that was one of the guys handling the machine, the one with the red hat. And don't get me started on how the main characters of this movie just become douches. No, I'm serious, not a single mentioning of Zak or any other human character, or even the villain from the other one film are ever brought up in this movie. And NONE of the other characters mentioned in the previous movie ever return here, nor are they even given a small hint of mentioning. And just to let you know that in this movie, despite the main focus of the beetle gang, they still don't explain what the hell they are. None of the characters sound like themselves, & hell it is painfully missing Robin Williams who played Batty! Characters: The main character from the first one was Crysta, in this one its Pips, Crysta's BF(?) & the gang of what the hells riding on the beetles from the first one. Each actor in here is forgettable & a complete no name. There are so many, many things that this film does wrong, & I will point out only the top ones right now: Cast: Not one person from the original movie came back in this sequel, like, at all. Take my advice, watch the original one, even if you don't like it, it's far superior to this crap. Most of us fans hate this sequel for very good reasons, & I cannot picture anyone of any age liking this movie. Some of you will say that I hate this movie because it's a sequel to the first one, no, the truth is that I hate this movie because there is no redeeming features about this sequel, like, at all. An unnecessary, & completely shitty sequel to the first beautiful one

Johnny A (fr)

Kinda slow. Decent stories

Norm d (mx)

Ford had a significant hand in the plot & direction of a movie that was launched in fits, starts, & stops with the studio(s). In the DVD interview by Trailer Park it seems as tho' H. This is Bullock's "The Net" updated and probably not as scary - but still, a good 1:45. A good actioner that IS a variation on the Ford "Jack Ryan" theme(s), but still good, especially in the last half-hour. Way better than the crits & auds are saying

Ruby B (us)

m not gay, but Chloe Sevigny was hot!. . . Ok

Tara H (kr)

At times the acting is rather wooden, and the 'hip' dialogue unintentionally hilarious, but it's nonetheless an enjoyably quirky, fast-paced B-thriller with a good soundtrack, and lots of rising stars in the supporting cast - including Adam Faith, Christopher Lee, Shirley Ann Field, Oliver Reed and Carol White. Something of a historical curiosity, this exploitation flick documents the beatnik scene in Britain

The Movie W (ca)

This year you've started by putting us to sleep with tea and mediocrity. Last year you thrilled us with 'Sleeping Beauty' and 'The Hunter'. Come on Oz, I know you can do better. Australian readers won't like me saying this but 'TEOTS' feels very much like a British film, the sort that features lots of characters sipping tea and saying "bugger" for comic effect. The problem lies with the script, as bland and uninvolving a piece of drivel as you could hope to find. Schepisi's direction is impressive, clearly influenced by Robert Altman, and the trio of lead performances are terrific, as you'd expect from such actors. Now he's returned to his homeland but, sadly, it's a return as bland as any of his American paycheck films. Schepisi, 'A Cry in the Dark' excluded, found himself lost in the fog of Hollywood mediocrity, helming comedies like 'Mr Baseball' and 'Roxanne'. S, with mixed results. In the eighties, the various members of this movement left for the U. Like the Australian outback, they were beautiful and challenging, often thinly hiding a deep-rooted colonial guilt. Schepisi was part of the Australian New Wave, a collective of film-makers from the country (and New Zealand) who emerged in the seventies with a series of landmark films like Peter Weir's 'Picnic at Hanging Rock', Ted Kotcheff's 'Wake in Fright', and Schepisi's own 'The Chant of Jimmie Blacksmith'. I've often sung the praises of Australian cinema but along comes Fred Schepisi's adaptation of a popular Aussie novel to leave me with platypus egg on my face. Both have a tense relationship with their mother and have shown her little attention previously, something the dying woman is all too happy to remind them of. Basil is a fading star of the London stage while Dorothy is struggling to maintain a lavish Parisian lifestyle following her divorce from a European Prince. Sniffing out their impending inheritance, her two children, Basil (Rush) and Dorothy (Davis), return from Europe for a final reconciliation. Rich matriarch Elizabeth (Rampling) finds herself living out her final days in the hands of two nurses and a devoted Jewish cook

Thomas B (us)

***It's not nearly as good as Locke, another movie set in one location relying purely on dialogue, but Phone Booth did it first, and I've got to give it credit for that

VilaSheree G (br)

It's very cute. I can watch this over and over again