Capitães da Areia (2011) torrents full movies


Capitães da Areia

About the life and adventures of a gang of abandoned street kids known as Capitães da Areia (Captains of the Sands), in Salvador, Bahia, during the 1950s.

Capitães da Areia is the best new movie of Cecília Amado (screenplay), Jorge Amado (novel), Hilton Lacerda (screenplay). This movie was introduced in 2011. You can check list actors in this movies torrent, such as Jean Luis Amorim, Ana Graciela, Roberio Lima, Israel Gouvea, Paulo Abade, Marinho Gonçalves, Ana Cecília Costa, Jussilene Santana, Zéu Britto, Elielson Conceição, Edelvan de Deus, Felipe Duarte, Diogo Lopes Filho, Elcian Gabriel, Jordan Mateus. There are many categories, such as Adventure. Many people rated for this movie, Rate is 6.3 in This is really a good movie to watch. The runtime of this movie are awesome, about 96 minutes. DeGea is interesting uploader, she is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your opinion. Do you know what are users? Maria Ozawa is the best. I don't push my Galaxy screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

About the life and adventures of a gang of abandoned street kids known as "Capitães da Areia" (Captains of the Sands), in Salvador, Bahia, during the 1950s

Capitães da Areia torrents

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Users reviews

Andrew B (nl)

The two work well together, but there just is not enough substance there to make this a great film. Ledger is great as he normally is, and Abby Cornish is very stellar as well. I would classify the movie overall is pretty emotional, but rather boring. A very disturbing sequence where the couple in the film decides they are going to kick heroin cold turkey and buckle down for what is about to hit and hit really hard. But Candy is pretty spot on when it came time for that scene. In most drug related movies anytime they show one of the characters going through heroin withdrawal it is usually a little bit overboard and overblown as in The Basketball Diaries. Candy at its basic is a love story about two heroin addicts trying to remain happy while feeding their addiction by just about any means necessary. Heath Ledger in a movie about heroin, I figured it was worth a shot since I am a fan of his. I had no idea going into Candy what I was in store for with this movie

Daniel O (us)

Has everything u could want in a movie!

Ethan P (it)

This a film filled with a ton of interesting ideas and no concrete answers. I didn't totally understand if this film had an environmentalist message, or if this girl was just trying to understand her place in the world. The beasts thawing from the icecaps and running to meet her, the girl's hiding in a cardboard box from the fire and the community's fireworks celebration are all powerful. This film has an angry realism and amazing imagery. Hush Puppy's performance is incredible as a resilient little girl who survives through a terrible situation. There isn't a lot of dialogue or an overabundance of characters or setting. There were many things I liked about this film, one of them being its minimalism and simplicity. It has a desperate, determined energy and a wild, rugged look. It's a tale of poverty and perseverance, a poetic illustration of youth. Beasts of the Southern Wild was a unique and visceral experience

Gimly M (de)

%-Gimly. Still, it's a Hell of a lot of fun. The films got one of the best soundtracks I've come across in a while, but other than that there isn't anything particularly special. 14K is still around, and so is Lists, but that's really it. I just say to do it that way, because you'll be less disappointed by the absence of almost every character from the prequel in Death Race if you watch them that way around. Honestly I say give Death Race 2000 a miss all together, but do you watch them in the order they were released, or their set chronology? I'm thinking #1 then #2, but I'll never know which would be better. I can't decide which order to suggest to people you should watch this franchise in. At least Chains of Olympus and Gods of the Arena are upfront that they're only prequels, not "Origin Stories". It doesn't matter how good the film itself may be, I'm sick of movies like Rise of the Lycans, The Scorpion King, Exorcist: The Beginning, Ginger Snaps Back: The Beginning and Paranormal Activity 2, (most of which were crap by the way) that advertise they will let you "see how it all began", and they don't! Sure, maybe you find out how SOMETHING began, but it doesn't take you all the way back. Now we know. Simple. World is bad, prisons get full, corporations buy prisons, prisons make money, not enough money, prisoners riot, rioters die, news coverage of deaths make money, prisoners fighting to death becomes reality show, reality show loses popularity, change fight to death to fight to death in cars, fight to death in cars makes money. The actual "Death Race" part of Death Race didn't come up until half way through the film, which I'm sure caused plenty of people a lot of grief, but seriously, this is what I like to see from an origin story, the origin. She was even worse then the navigator from Death Race, which is bad. Goss's love interest wasn't quite as annoying, but the navigator really didn't do it for me. Weyland (hopefully this was a deliberate throw back to Alien, and they don't honestly expect us to believe they come up with it themselves) who owns (but doesn't run) the Terminal Island Prison, is a minor one. Though thankfully his role as Mr. Ving Rhames is a terrible actor, how he keeps getting work is beyond me. I had to watch the film through twice before I really understood half of the characters motives. That's not to say it's not without fault. It may be just another action movie, but it's got great re-watch value, which is what I most admire in a film. Honestly though, after having seen Deathrace 2, which was made for only a tenth of the cost of Death Race, I'm quite glad they did. I was doubtful that Death Race warranted any furthering in its franchise, given that it was a quasi sequel to Death Race 2000 to begin with. Also Sean Bean (of Boromir from The Lord of the Rigs fame) and Danny Trejo (From Dusk till Dawn, The Devil's Rejects, Rob Zombie's Halloween, Predators and Machete) are both always money well spent in my books. So far I can honestly say I've loved everything I've seen that Goss has done to date (Hellboy 2: The Golden Army, Blade 2, Tekken, Fringe and The Dead Undead). Though it was sad not to see Statham in the film, Luke Goss did an excellent job of picking up the reins of protagonist. I think this movie copped a lot more flak than it deserved, and honestly, I liked it better than Death Race (which also copped more flak than it deserved), or Death Race 2000 (the 1975 film the former two are based on, which is not as good as people say it is)

Jay B (de)

Pretty charming little Sandler pic, even with its overly emotional moments

jen m (jp)

well-directed. nice symbolism in this film

Ola G (es)

The movie challenges you to think about the universal things in life, about humanity and the actions taken. "Last Exit to Brooklyn" is a powerful piece of film for sure and it gives us a different vision of the 50s, normally portrayed as colourful and glitzy. I reckon due to the fact that the director wanted to include all the different storylines and characters in the book, we get a bit of a uneven story since some characters and their stories are not as strong as Harry and Tralalas descend into darkness. Despite the fact that the movie sometimes feels a bit over theatrical. The general vibe is gritty, dangerous, dirty, ugly and dark plus that the movie carries an "authentic" stamp all over it. Both Stephen Lang and Jennifer Jason Leigh is at the top of their A-game. The gang-rape of Tralala is truly emotionally strong and difficult to watch. The violence is harsh and unjustified/brutal as in real life, which is also a strength in the movie. The film handles also violence and the weak human nature when instincts takes over. " "Last Exit to Brooklyn" puts the focus on love and the strong bond between humans, both in love relations and in family relations. Ralph Bakshi referred to Edel's film as being "like a hot dog without mustard," saying that the film "was done horribly. The film version received excellent reviews and won a few critics' awards for Leigh's portrayal of Tralala, though its limited distribution and downbeat subject matter prevented it from becoming a commercial success. Mark Knopfler of Dire Straits provided the film score. Selby made a cameo appearance in the film as the taxi driver who accidentally hits the transvestite Georgette (played by Alexis Arquette). The screenplay was written by Desmond Nakano. " In 1989, director Uli Edel adapted the novel into a film. Selby and I tried a few other screenplays after that on other subjects, but I could not shake Last Exit from my mind. It was a disappointment to me and Selby. According to Bakshi, "the whole thing fell apart when Krantz and I had a falling out over past business. Selby agreed to the adaptation, and actor Robert De Niro accepted the role of Harry in Strike. Bakshi had sought out the rights to the novel after completing Heavy Traffic, a film which shared many themes with Selby's novel. One of the earliest attempts was made by producer Steve Krantz and animator Ralph Bakshi, who wanted to direct a live-action film based on the novel. There had been several attempts to adapt "Last Exit to Brooklyn" into a film prior to this version. It was the subject of an important obscenity trial in the United Kingdom and was banned in Italy. Although critics and fellow writers praised the book on its release, "Last Exit to Brooklyn" caused much controversy because of its frank portrayals of taboo subjects, such as drug use, street violence, gang rape, homosexuality, transvestism and domestic violence. The novel has become a cult classic because of its harsh, uncompromising look at lower class Brooklyn in the 1950s and for its brusque, everyman style of prose. "Last Exit to Brooklyn" is a 1964 novel by American author Hubert Selby, Jr. . . The connecting thread is the desperation for love and confirmation. Intertwined with Harry and Tralala, other people in the same neighbourhood struggles with various personal problems and issues. On the same streets Tralala (Jennifer Jason Leigh), a lost soul who works as a hooker, tries to trick soldiers and other drunken males of their money. During a labour strike in the early 1950's in the gritty streets of Brooklyn, Harry Black (Stephen Lang), the leader of the strike office falls suddenly in love with a sensual transvestite and while he struggles to deal with this swift change in his life, his wife and child are neglected at home

Pablo D (mx)

uyy profesional!!!. . . MUYYY simpatica, buena ejecucion

Sofia B (jp)

In one word - strange

Zahi S (mx)

Now, as it is so applicable to my life, I only remembered it when I found the soundtrack CD in my collection. Then I completely forgot it. I learned to play Chopin's Berceuse because I couldn't get enough of listening to it. Also, the music was wonderful. I'm the type who sees things in dreams too. I was so in love with this movie