Career Opportunities

Career Opportunities

Josie, the daughter of the town's wealthiest businessman, faces problems at home and wishes to leave town but is disoriented. Her decision is finalized after she falls asleep in a Target dressing room. She awakens to find herself locked in the store overnight with the janitor, Jim, the town "no hoper" and liar.

Josie, the daughter of the town's wealthiest businessman, faces problems at home and wishes to leave home, but is disorientated. Her decision is finalized after she falls asleep in a Target... . You can read more in Google, Youtube, Wiki

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Career Opportunities torrent reviews

Brandon B (au) wrote: The film explores an interesting subject, however it miserably fails to deliver it. The cast is just pathetic, none of the actors can act, the film has no eye candies (hot guys) to look at either. Most actors, especially the main actors have horrible diction, often mumbles and slurs their words, it is kinda hard to understand the half of what they are saying, also the audio is just horrible. This is just another bad and cheap gay film!!

Daniel D (gb) wrote: A cute little love story.

Stephen D (fr) wrote: When you go out to dinner, and you can choose anything between a Michelin star restaurant or take-out, you nonetheless realize there's value in each choice, wherever your choice happens to land. I've read a lot of the reviews on Bloodsport, and I think many people are expecting Michelin star food at a road-side food truck. Each movie has it's own niche. Not all movies are good, and not all movies are good at what they do. Bloodsport is one of those movies which must be given context before you see it, and most importantly before you critique it.If you're expecting a Bogart, Brando, or DeNiro performance, with a Lucas, Spielberg, Cameron, or Kubrick vision, then you're already set up for disappointment. If you think Van Damme is going to deliver an Oscar, then honestly, you really have no business being a critic that's actually being paid to write. Just like everything else in life, context is often the whole enchilada.This movie is a debut film for a martial-artist, turned actor, not the other way around. Van Damme, despite his critics, was actually a well-accomplished martial-artist, that happened to be good looking, and also possessed some charisma. Another point that I think really gets lost in the fold, is that if you have zero appreciation for martial-arts, the mental and physical training, the spirituality of the art, and the metaphysical properties of the art when practiced at the highest level, then this film will simply fall on your deaf ears and blind eyes.There is something sincere and authentic about this film that resonates with me each time I watch it. I feel this movie knows it's not just about the fighting, but also the mental and spiritual side of martial-arts. If it feels a bit Hollywood, that's because it is. This is not a training video on martial-arts, it's a big-screen movie, so it has to be entertaining to all, and not just the martial-arts enthusiasts. To me, the acting is irrelevant. Bloodsport does it's absolute best in trying to capture the essence of world-class martial-arts in the competitive arena. Statistically, the fighting scenes comprise a fairly small section of the film, although the scenes are memorable. The film is really about a guy honoring his shidoshi (trainer and mentor) while he (the shidoshi) is on his death bed. The significance does not lie simply in someone going to fight full-contact to honor someone. The significance rather, is contained in the fact that Dux was not Japanese, yet became a master of something inherently sacred to the Japanese culture. The film really is about transcendence across cultural boundaries. Van Damme may be awkward in many things, but the seriousness never wavers when the martial-arts are concerned. There is an intense focus going on, that captivates the audience, unless of course, you're still waiting for foi gras on that street taco.This film is all about contrasts, yet bridging that gap in the end. The foil for that whole concept, aside from Dux, is the guide Mr. Luu (the guide into Kowloon City). The guy is Chinese, through and through, yet he speaks english with correct colloquialisms, and is very in tune with Western culture; and that is what makes his character so memorable. He's a hodgepodge of cultures that identifies with many. However, despite Dux's clear mastery of martial-arts, given his "Dim Mak" rendition and his fighting prowess, he never oversteps with hubris. That is a critical point for the films' significance (much like Luu's). Dux masters an art from the East, but still remains humble in that mastery. That is why this film carries significance, and is in fact a quality film. Bloodsport knows what it is, and never tries to pretend it's something else. Van Damme is unapologetic, because he stays within the realm he knows, which is why the training, fighting, and meditation scenes are always so serious and sincere. There is a clear reverence for martial-arts throughout the film. Ironically enough, a western film taking on an eastern art, purposefully makes fun of those whom think martial-arts is all about the flash of knowing how to beat someone up (with the Jackson character). Jackson is a "beer monster" (to reference another review), that is crude and untamed. Although Jackson is a tough opponent in the arena because of his size and the twinkle of crazy in his eyes, he ultimately loses because of his lack of humility and honor for the martial-arts. He could easily have beaten Chong Li, and probably fought Dux for the title, but-for his premature celebration when fighting Chong Li. Thus, the movie reinforces it's original stance of a reverence for all the elements of martial-arts, and not just the fighting aspect. It is this idea that makes Bloodsport such a good movie, for what it's trying to be.The true value and merit of this film is exacerbated by juxtaposing the rest of Van Damme's career. Van Damme tries to become more of an actor, and less of a martial-artist. For obvious reasons, his career deviates from the core theme of Bloodsport. Despite his staggering commercial success, Van Damme's career is probably more on par with the overall critic's rating of Bloodsport. I applaud Van Damme for his overall success, however, the rest of his movies, outside of Kickboxer (just the first one), were mostly laughable. Bloodsport however, is an exception. It's not a coincidence Van Damme's best work was his earliest. The people who don't like this film probably think martial-arts is all about the fighting. If it was all about the fighting, Bloodsport would be an action film, and not a martial-arts film. I don't blame them for that, but why bother watching/reviewing a martial-arts film, if you have such a superficial grasp on the topic? One does not have to rationalize everything about this movie to appreciate it, they simply need to calibrate their expectations to what the movie set out to do. Unlike many other action films, Bloodsport really emphasizes and reemphasizes the complete scope of martial-arts, and not just the glamorized fight scenes. This is what sets Bloodsport apart from most, and why this film has such a divide between the critics score and the audience score. Bloodsport is not just a guilty indulgence such as Roadhouse. There is substance here, you just need to know where it's placed, and not where the low-hanging fruit is typically found.

Chris C (it) wrote: American Ninja delivers plenty of martial arts action with a solid narrative and a skillful performance by Michael Dudikoff.

Larry Y (ca) wrote: Recommended only for people who think DUKES OF HAZZARD is too intellectual. Chuck Norris' kung fu is no good.

Anthony A (br) wrote: This is a pretty brilliant and crazy mix of clips forming somewhat of a narrative. The clips are sourced mainly from Yugoslavia's first talkie entitled "Innocence Unprotected," which was written/directed/produced/starring Yugoslavian strongman Dragoljub Aleksic. This footage is intercut with present day interviews and other footage with Aleksic and the other cast members, as well as WWII and post-WWII footage from Yugoslavia.

Ice R (us) wrote: Sinatria ruins this movie, as usual.

Frdric I (es) wrote: Un film d'Ophuls est toujours un ravissement cinmatographique et celui l plus que tout autre avec son narrateur prsent l'cran et la fine fleur des acteurs franais de l'poque. Un marivaudage dsabus et plein de charme. A voir absolument.

Pete L (au) wrote: "I don't know what you're talking about. I'm still me. I'm still Rose!"Ranks up there with Night of the Living Dead as one of the best zombie movies ever. It's definitely one of the best Canadian horror films.Plot: A woman named Rose and her boyfriend are involved in a terrible motorcycle accident. The boyfriend suffers minimal injuries, but Rose's are far worse. She goes into a coma. Near death, she undergoes experimental plastic surgery that saves her life. A month later she awakens and unknowingly begins to inject people with a stinger that comes out of her armpit and begins feeding on their blood. Soon after the people go crazy, become bloodthirsty, and begin infecting others. Rose makes her way back to Montreal and begins infecting other people and the city falls into chaos.An early film by David Cronenberg(The Fly, Videodrome, Scanners, A History of Violence), Rabid is an excellent low budget Horror film and just like every Cronenberg film, this has plenty of cringe worthy scenes even though it's not nearly as intense as some of his later work. It has the atmosphere of both of George A. Romero's Night of the Living Dead and The Crazies and it is very clear that this was a major inspiration for Danny Boyle's horror masterpiece, 28 Days Later. What I liked most about this was that the protagonist can't really help what she's doing. She has no control over it and this absolutely terrifies her. I also thought the dialogue was pretty well done for a horror movie. As for the acting, Marilyn Chambers does fantastic as the lead, but most of the others are so terrible to the point where it actually becomes funny. My only other real problem with the movie is it's pacing. But that can be overlooked. This has fantastic jump scenes and at times it really is scary. Total Score: 7.6/10

Alex G (kr) wrote: While the two leads do a good job with the material and making chemistry from their roles, the surrounding characters drag the affair down to tropey awkward material. By the end, it follows the pattern you expect and becomes just ok.

Jesse F (au) wrote: It has a Hitchcock-like presence, along with jump scares, great performances and genuinely haunting antagonists.

Sally A (it) wrote: Ugh so ridiculous, I loved it of course. The Sinatra-esque 'Zombeavers' song at the end is just icing on the cake! Warning, only watch if you like this kind of rubbish, because it is truly rubbish.