Cinco (2010) torrents full movies

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Cinco

A creative horror movie made up of five unique short films tied together by a similar theme.

Cinco is a movies torrent of Joel Mercado (story and screenplay). This movie was introduced in 2010. There are many actors in this movie torrents, such as Sam Concepcion, AJ Perez, Robi Domingo, Baron Geisler, Kristel Moreno, Fred Payawan, Jommy Teotico, Johnny Barnes, Jodi Sta. Maria, Barbie Sabino, Jana Cutler, Joy Viado, Shamaine Buencamino, Roel De Villa, Marco Mañalac. The kind of movie are Thriller. The rating is 6 in www.imdb.com. This is really a good movies torrent. The runtime of this movie are awesome, about 0 minutes. Fakyougo is funny uploader, she is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are customers? Maria Ozawa is the best. I don't push my iPad screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

A creative horror movie made up of five unique short films tied together by a similar theme

Cinco torrents

Cinco full movie

Cinco2010 torrent

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LinksNameQualitySeedersLeechersSize
Download   Cinco DVDRip XviD [Pinoy Tagalog] BPNDVDRip44351.11 GB

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Users reviews


Adam R (au)

First full viewing - 8/9/2008). Old Yeller is an emotional coming-of-age classic that everybody should see. Tommy Kirk gives a powerful performance that you will never forget. Watching it makes me feel like I'm in Frontierland. Beautifully filmed


Andrea C (kr)

e it!!. . . This is an incredible documentary - very powerful and stays far away from didacticism


Aprile F (jp)

and she wasn't even a dancer. . But props to Paulette Goddard for keeping up with Fred. Completely unoriginal plot and sometimes a little boring. Sorta disappointed that there were only two dancing performances by Astaire but even though they were few, they were amazing


Chris R (es)

Bound to be enjoyed by all ages for the ages. Love it or hate it, it's an all time classic


George F (nl)

0/10. 6. You will get a fair share of laughs and a couple of heart-warming scenes, but nothing more. The bad news continue; the climax lacks bite, and the creepy plot-twist is simply ignored in order to achieve a happy ending with a (superficial) bang. As the plan (and the movie) progresses, we get to laugh a lot and also wonder what's the guy's real deal; is he a harmless weirdo, or a misunderstood genius? Unfortunately, between the good scenes there is a lot of fat; apart from the forced romance, we have the subplot of the successful outside / empty inside reporter, and as a form of triteness apotheosis, the scenes where the nerdy guy must score. Their escapades bring laughter, but for some reason the movie decides to make her fall for him, and it feels weird and forced. She in turn becomes engrossed with the plan (and him). After our protagonists' initial click, he slowly begins to trust her and reveals to her fragments of his time-traveling plan. A pretty endearing character (if you give her a chance). For those you who haven't watched it (shame on you, please do) she is an eye-rolling, constant-sighing, late teen, who dismisses everything and everyone. Aubrey plaza plays exactly the same character she plays in the early seasons of Parks and Recreation. After the reporter fails to establish himself as a potential time-travel buddy, it is the quirky girl's turn, and sure enough, her odd ways click with our mad scientist (our second protagonist, who works at a super market). A story big enough for him to head to the small town and also enlist the help two interns; an nerdy Indian, and a antisocial girl (our protagonist, played by Aubrey Plaza). A reporter from a big Seattle newspaper convinces his boss that there is a story there. The title of this movie is the warning included in a strange advertisement that requests a partner for a time-travel journey


Gilbert G (de)

Whatever! I freaking LOVE this movie! I don't care if I am the only one!


Harry W (fr)

So Undisputed desires to be a proud B-movie and boasts Ving Rhames' star power, but with a prolonged story which stretches on for too long in a short running time of 94 minutes and little use of grit, action or Wesley Snipes to sustain it, there is ultimately little satisfaction. And like I said, the sound effects and loose choreography limit their impact. This means that the badass actor who fought Sylvester Stallone in Demolition Man (1993) and hunted vampires in Blade (1998) has nothing to do in Undisputed aside from deliver a select few punches. Yet rather than diverting this into the notion of being damaged by the wreckage of his past and the harsh reality of prison, he is simply stuck in repetitive melancholy which fails to put him on the same pedestal as Ving Rhames. In the few scenes he actually has, Wesley Snipes plays out as if he has a dead spirit. I wish I could say the same thing about Wesley Snipes, but the material gives him little screen time and no room to actually put any meaning into the character. Despite the repetitive material in Undisputed, Ving Rhames' natural aggressive charisma and boxing skills make him a fitting lead. He has elements of egotism to him which he uses to fuel the badass nature of the character, yet he restrains it enough not to seem like a straightforward antagonist. There is no way to be certain whether or not George "Iceman" Chambers is truly a guilty criminal or not because Ving Rhames consistently keeps a line of mystey present, balancing intimidation with honesty to the point that he seems fit to be in prison yet not a criminal. But even though Undisputed fails to truly capitalize on its cast, Ving Rhames proves a solid lead. My assumption would be that the intend of this is to add realism to the film, but considering that nobody saw fit to make the sound effects or fight choreography any more realistic I can't see why they would focus on this one element when it just gets in the way of Undisputed's action scenes. There are rare moments where you can see it clearly, but most of the time things are captured from the perspective of the crowd. Attempting to give viewers the feeling of actually being there to witness the climactic boxing match, viewers must watch the fight as the camera pans along with metal bars in the way for too much of the fight. Though the entire boxing match is captured with wide angles and plenty of long-shots, much of the cinematography films everything from behind bars. And to add to it, the cinematography is less than stellar. There is no variation in the effect, no matter how light or heavy each punch turns out to be. The same unrealistic contact blow sound effect is used with such heavy repetition that it hits viewers over the head like the many punches the characters take. From the beginning of Undisputed when it depicts its first boxing match, viewers are forced to confront the fact that someone thought it to be most appropriate to use the exact same sound effects again and again for when punches are landed. The two most major ones are the sounds and camerawork. It is arguably the greatest part of the film, but it is rife with technical faults. Ultimately, it is far from satisfactory. Since the entire film spends time building up to its climactic boxing match, the majority of commentary must be focused on that. However, that hope remains a distant dream for those watching Undisputed. If the film made greater use of the star power it had present then maybe it could have been a stronger dramatic piece, or better yet if it actually saw fit to follow a more energetic and inspiring boxing formula with greater conflict between the main characters, training montages and actual grit that comes with the prison context of the story then it could have been the guilty pleasure audiences would have been hoping for. If there was an equal balance between the characterizations of these two champions going head to head then perhaps things wouldn't drag on so much and maybe Wesley Snipes would be more of an engaging screen presence, but the minimal time he gets puts him into the final fight scene and little else while Ving Rhames is left to hold everything else up. What little depth there is proves to focus on Iceman with minimal time given to Monroe "Undisputed" Hutchens. Both Ving Rhames and Wesley Snipes are prominent stars who portray essential characters in Undisputed, but the balance between focus is far from equal. Unfortunately, that's not the path Undisputed chooses to follow. Considering the generic contract promised by a film which casts both Ving Rhames and especially Wesley Snipes in the leading roles, I would have expected that Undisputed would follow the roots of a guilty pleasure genre picture far more than a pretentious drama. Though there is nothing wrong with the acting in these scenes, Walter Hill's desire to focus on boxing doesn't prove to hold up yet it also means that the dramatic depth of it all is limited, so his directorial work seems truly misguided. Despite this claim, Undisputed spends way too match of the film focusing on George "Iceman" Chambers in his plight to maintain his innocence and the negotiations around his release. His film was intended to be strictly "one that's actually about boxing and not a metaphor", yet the actual amount of the film which is about boxing proves to be minimal. With Undisputed, Walter Hill set out to make a boxing film which had no underlying symbolism. I was willing to accept the unexpected result as I love a good boxing film, but I'm hesitant to say that Undisputed qualifies in that field. I had incorrectly guessed that the film would be an action movie centred on fighting of some kind, not expecting that it would turn out to be a sports film. I went into Undisputed with the wrong expectations. Putting action stars Wesley Snipes and Ving Rhames together under the direction of Walter Hill, Undisputed sounded like a perfectly undemanding action film


Moreticia (it)

LOVED IT MY SISTER WAS NAME AFTER HIM


Paul G (nl)

I still think the idea for the story is great though. Maybe this is a reflection on the very fast editing of todays films, maybe its me being too harsh. The story had the potential to be something really great, but unfortunately the let Gery Anderson of Thunderbirds fame create long and meandering special effects sequences which break the story up too much - its like "yes I get the fact the ship is docking, it has been for the last three minutes". I remeber enjoying it greatly. I first saw this film when I was a child of about 14


Stephen F (us)

I kept watching it thinking that there would be something worth seeing, to no avail