Clueless (1995) torrents full movies

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Clueless

A rich high school student tries to boost a new pupil's popularity, but reckons without affairs of the heart getting in the way.

Clueless is the best movies torrent of Amy Heckerling. The released year of this movie is 1995. We can counted many actors in this movie torrents, for example Alicia Silverstone, Stacey Dash, Brittany Murphy, Paul Rudd, Donald Faison, Elisa Donovan, Breckin Meyer, Jeremy Sisto, Dan Hedaya, Wallace Shawn, Twink Caplan, Justin Walker, Sabastian Rashidi, Herb Hall, Julie Brown. The kind of movie are Romance. The rating is 6.8 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 97 minutes. MongDu is crazy uploader, he is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your opinion. Do you know what are visitors? ChimTo is the best. I can't push my iPhone screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

A rich high school student tries to boost a new pupil's popularity, but reckons without affairs of the heart getting in the way

Clueless torrents

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Clueless1995 torrent

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LinksNameQualitySeedersLeechersSize
Download   Clueless 1995 BRRip 720p x264 AAC - PRiSTiNE [P2PDL]BRRip29690602.21 MB
Download   Clueless (1995) (Alicia Silverstone, Stacey Dash)Other18051707.85 MB
Download   Clueless.1995.BluRay.720p.H264BRRip7744923.91 MB
Download   Clueless.1995.HDTV.360p.H264HDTV4842498.69 MB
Download   Clueless.1995.720p.BluRay.x264-HD4U [PublicHD]BRRip44414 GB
Download   Clueless 1995 720p BRRip x264 viceBRRip54451.9 GB
Download   Clueless 1995 - Dutch subsOther3233893.89 MB
Download   Clueless.1995.x264.DTS-WAFOther44472.06 GB
Download   Clueless 1995 BRRip 720p x264 AAC - PRiSTiNEBRRip5439602.21 MB
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Download   Clueless (1995) - DVDRip.avi - BadGirl2k9DVDRip3751933.53 MB
Download   Clueless (1995) Xvid.J W Lees.aviOther3642700.01 MB

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Users reviews


Alex G (au)

view Number: 25. Staying loyal to the source material and crafting a haunting piece of work that lingers long after the final credits roll. Most important, the man moving the whole show is Anton Corbijn, video clip director close to the Joy Division, he knew them all, and he makes of this work his film debut. It's art in its great state. Cinematically speaking, the film offers a view on things that are close to the object investigated, through an careful cinematography that recreates style, the period, the way we perceived the life and work of Ian Curtis and Joy Division. Going for accuracy in terms of presentation of events, "Control" great poetic sense in presenting their main characters and without surrendering to sensationalism. Director Corbijn clearly had love for the project, and thankfully he was sensible enough to not over do the sentimental aspect of the troubled star. Samantha Morton as Deborah is immense, she nails the emotional see-saw role with professional aplomb, and I would also like to raise a glass for the performance of the criminally undervalued Toby Kebbell (Dead Man's Shoes, Wilderness) his turn as Joy Division's manager Rob Gretton is down pat. As potential home-breaker, it is tempting to hate her, yet her character is shown with the intellectual appreciation and chemistry that Debbie can no longer offer. Established Romanian actress, Alexandra Maria Lara, succeeds in making Annik far more than the two-dimensional bit-of-fluff that would have been an easy course. He demonstrates fine shades of teeth-gritting tolerance. Craig Parkinson is record producer and late TV presenter Tony Wilson (to whom the opening screening at the Edinburgh International Film Festival was dedicated). Toby Kebbell, fast-talking manager Rob, lifts us out of the depressive mood with wisecracks enough to make legless monkeys jump. Supporting cast members come through with believability and sincerity, sparkling with well-honed contrasts. Riley skillfully draws us into Ian's dark world with a range of subtle head movements and facial expressions to a whirling explosion of arm gyrations that came to personify the singer's stage performances. He immersed himself into his own world on stage where the music simply served as the soundtrack. His performances carries the whole film, going through so many different stages, depressed, angry, shattered, afraid of going to the stage, romantic. There's no one like him, so impressive, so young and already acting like a veteran. This marks his first screen credit after a few TV movies but he stands firm on the ground by singing, acting and being Ian Curtis, the late vocalist of Joy Division. For the challenging role of Curtis, Corbijn has on his side Sam Riley. It is a film that has the power to touch and leave memories that are indelible. Control is an extremely moving experience whether or not you have foreknowledge of the events of Curtis' life. Though the subject matter is melancholy, Matt Greenhalgh's script provides a light touch filled with trenchant one-liners from the group's manager Rob Gretton (Tony Kebbell) and witty remarks from band members Joe Anderson, James Anthony Pearson and Harry Treadaway. The film is shot in black and white and the choice underscores the grayness of Curtis' home town of Macclesfield, England and the grim mood of much of the work. Because he knew and worked with the band, the emotional connection to its subject is palpable. The film is directed by photographer and video director Anton Corbijn, a celebrated photographer who took some of the most recognized photos of Joy Division. Unlike conventional bio-pics like Ray and Walk the Line with their star glamorizing propensities, Control delivers a three-dimensional portrait of a real human being and how his troubles affected the people closest to him. His only option is to swallow a daily cocktail of prescription drugs with side effects so terrible, that most of us would rather tempt fate than endure the aftermath of the pills. As he battles epilepsy, the young singer lives in constant fear that his next seizure will be his last. The key to "Control" is understanding Curtis' depression, which the film accomplishes to near perfection. and Metallica. M. E. Corbijn went on to photograph and direct videos for such musical greats as U2, David Bowie, Depeche Mode, R. " It's only fitting that Corbijn serve as director since it was his early photographs of Joy Division that reflected the band's dark, introspective songs. 27 years after his tragic death, Curtis' incredible contribution to music is finally being recognized in Anton Corbijn's film, "Control. Before there was Kurt Cobain, there was Ian Curtis, lead singer of the post-punk band, Joy Division. For every icon, there is an unknown predecessor who paves the way. Based on the 1996 memoir "Touching From a Distance" by Ian's widow Deborah Curtis, the film follows Curtis' life from his teenage years to his tragic death at age twenty three. Twenty seven years after his death, the eulogizing continues. His suicide not only ended his promising young life but also the dreams of a generation. Days away from embarking on a long dreamed about tour of the United States, Ian Curtis, the lead singer of the band Joy Division, hanged himself on May 23, 1980 from a rope in the kitchen of his apartment. Control - An intuitive perspective into the anguished spirit of one of the most influential alternative bands in history, you will certainly find it in this depressing but incredibly beautiful film


Carlos I (ru)

Schlocky jaws rip-off, but it has some great creature tricks and the score (while over the top) is fun


Jacynthe L (es)

. . je crois que je pourais rsumer tous mes comment au fait que les films de william castle me tente pas


Michele (us)

). Call me if you wanna watch it with me. LOVE IT. . . It's got everything! Romance, drama, suspense, mystery, comedy. Nobody's seen it unless I've sat them down to watch it. This is my favorite movie


Richard D (us)

there's that too I guess. . . It's interesting to see a young Jack Coleman so many years before "Heroes" . Still, I think the plot and dialogue are pretty terrible. it's kind of nice to see Mia Sara get a role bigger than her largely thankless role in "Ferris Bueller's Day Off" and Perkins is always a welcome addition. . . This has some things going for it . I would say that it shows. Stuart Gordon directed this for television, but had no hand in writing it


Ronald K (us)

would have preferred more fighting scenes though. horrors of jungle warfare and the reality of it all


Tatsuya F (de)

But running time is too long, and I wonder it is necessary to make Billy Zane's character so bastard. A spectacular and an accessible love story


Zack B (kr)

Valerie Perrine is so natural in her role as well, and these performances together with the cinematography by Bruce Sutrees and the direction by Bob Fosse make for a totally engaging and absolutely moving experience. Dustin Hoffman's performance is otherworldly in how frank it feels. One of the best biographical films I've seen