Cry-Baby (1990) torrents full movies

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Cry-Baby

In 1950s Baltimore, a bad boy with a heart of gold wins the love of a good girl, whose boyfriend sets out for revenge.

Cry-Baby is the best funny movie of John Waters. The released year of this movie is 1990. We can counted many actors in this movies torrent, for example Johnny Depp, Amy Locane, Susan Tyrrell, Polly Bergen, Iggy Pop, Ricki Lake, Traci Lords, Kim McGuire, Darren E. Burrows, Stephen Mailer, Kim Webb, Alan J. Wendl, Troy Donahue, Mink Stole, Joe Dallesandro. The kind of movie are Musical. Many people rated for this movie, Rate is 6.5 in www.imdb.com. We have a good movie to watch. The runtime of this movie are awesome, about 85 minutes. Fakyougo is crazy uploader, he is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your opinion. Do you know what are visitors? ChimTo is the best. I can't fight my laptop screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

In 1950s Baltimore, a bad-boy with a heart of gold wins the love of a good-girl, whose boyfriend sets out for revenge

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Users reviews


Ai C (nl)

Hiss could have been much better if the director worked a little more harder on the script. It certainly has more standards than a B-grade movie. It is not so convincing at several places, but still we can watch it. Hisss is not at all a great movie, but it is not the worst one too!! There have been more worse films than Hisss, In fact, it is a watchable one, in my opinion


Alexandria M (it)

UMA!!". . . Oh, and "PUMA. That's about it. Middle-aged "students" are awkward and fat people are a laughingstock


evilnstuff (br)

Jeremy Davies did an excellent job in the movie, I especially enjoyed watching his rehearsal footage - awsome! I've watched this version at least 8 times and wont be long before I see it again


Harry W (gb)

The Editor has plenty of blood, gore and nudity to live up to its status as an exploitation film, but with a ridiculously incoherent narrative that takes itself too seriously weighing down on the structure of the film, it ends up unable to find the balance between being a serious Giallo film and a self-parody. It's not too common that male nudity pops up in an exploitation film unless it is for the sake of some moment of genital mutilation, but The Editor takes a more equal approach to exploiting the physical appeal of all their cast members regardless of gender. But rather than just having female nudity, there is a higher than average quantity of penis in The Editor which puts elements of homoeroticism into the film. And to add to that, there is a lot of nudity in the film. The Editor is a proudly violent film which throws blood and gore all over the scene with clear humourous intentions. And with all these murders comes plenty of violence to support it. With the story surrounding a mysterious collection of murders, The Editor manages to kill off its many characters in a clever variety of ways. Plus, in keeping with the exploitation nature of the film's intentions there ends up being a fairly effective quantity of blood and gore in The Editor. There is constantly a sense of shadow over everything which keeps everything feeling grim, and it proves effectively atmospheric. The colour scheme is also a key factor in the memorable imagery of the film as it stirs up a surreal atmosphere, one which is both glamourous and grim. The cinematography uses a lot of extremely close-up shots with intense use of focus, as well as some quick zooms for the melodramatically intense moments to the story. It only does so much to support the film, but The Editor has a very distinctive look to it. There is a lot of tenacious dedication to getting every part of the imagery just right, and the two directors responsible for The Editor manage to make the stylish focus of the film one which does give them some credibility in face of such ridiculous narrative incoherence. Nevertheless, I will admit that the directors have a fine grasp over the visual style of the film. There's surely an audience who will appreciate its cult value, but the convoluted narrative will give no mainstream appeal to the film. Giallo is not necessarily the most widely recognized or popular genre, so the satirical intentions of The Editor will appeal predominantly to a very small fan base in the western world. With every segment aimed at satirizing some new part of the Giallo formula, there ends up being too much for anyone to keep track of and so audiences end up bombarded with an endless array of characters who have little lasting value to the actual story. If you actually try to keep up with the story in The Editor, you'll find that the structure of the narrative collapses into a collection of aimless sketches. Any attempts at actual storytelling in The Editor get in the way of the experience, and the heavy-handed narrative does favours for nobody. The Editor wants to be a legitimate Giallo thriller and a parody of one at the same time, but the directors fail to find the correct balance to make it work. It certainly has a lot of passion to it and certifies that Adam Brooks and Matthew Kennedy know what stylish assets makes Giallo cinema such an effective guilty pleasure, but coherent writing lies beyond their ambitions. Ultimately, The Editor is a film made my amateur filmmakers. I'm certain that there are cult audiences who will neglect the confusing story just for the stylish nature of the film, but given that the story is so bent on cramming new melodramatic twists in at every turn it really weighs down on the experience without making it any better. The Editor should have had a really simple narrative because giallo cinema is not a style of filmmaking aimed at the most intellectual of viewers. As far as characters and story goes, The Editor spends less time playing with its generic conventions and more time jamming too many twists and turns into the story for anyone to keep up with. Quite a few of them are used for the purpose of adding nudity to the experience or getting killed, but the effect of this comes from the efforts of the makeup department more than anyone else. In the end, most of them are stereotypes, murder victims or generic stock characters. There are so many random characters that come with their own stories and subplots even though the film uses them purely for melodramatic effect with no intention on expanding upon them. Unfortunately, the feature quickly becomes convoluted as the story insists on jamming way too many characters into the film. Being a story about a film editor embroiled in a string of murders, the mystery behind the story should have some intrigue to it. On the surface, The Editor has a very simple premise to it. Unfortunately, The Editor suggests that it is best left contained far below feature length as the gimmicks do not provide the extensive support that the film needs. As we learned from Alrugo Entertainment's Italian Spiderman (2007), there is certainly room to explore this style with an effectively satirical edge. Its a genre which mixes crime, mystery and supernatural elements into an eroticized film style with a distinctive Italian vision. Giallo cinema is a style that viewers should hopefully be familiar with in one form or another. Unfortunately, it quickly becomes misguided due to poor storytelling. Centred around taking viewers back to the glory days of an Italian film style known as Giallo Cinema, The Editor has a lot of room for clever satirical edge within its style and its narrative. The Editor is a film with proud ambition. As with any film released under the Monster Pictures label, The Editor sounded like a real cult classic experience


Leon B (fr)

/10. Budget: $12millionWorldwide Gross: N/AI recommend this movie to people who are into there road movies about a man who get kidnapped to drive for a man who steal from the mob. Anyway, this film isn't one that I will remember in a hurry. The same goes for Thomas Jane who did do quite a bad Punisher but he was good in Thin Red Line & Face Off, even though they were made years ago. I'm just surprised that he agreed to do the movie after reading the weak script. Disappointing!Round-Up:After watching John Cusack's excellent performance in the Butler and Paperboy, I think that he's allowed to make a couple of Boo Boo's which won't hurt his career. I can understand why it went straight to DVD because it definitely wouldn't have worked on the big screen. I think that the whole film is set in Australia, on the cheap, which didn't fit with the 2 American main characters who seem a bit out of place. I'm usually a fan of John Cusack movies, but I think that he made this film just for the pay day. Review:Man, this film was bad! I think that the director was trying to make a comedy/road movie about a racing driver who gets kidnapped and told to drive for a thief on the run, but it's totally not funny and the storyline is ridiculous


Sean C (kr)

I would rate it lower but Alec Baldwin was quite good. The stories are connected by very little and the city itself is a mere background; it does not come alive as it often does in his best work. However, the cast looks bored most of the time. A good cast could have saved these tropes as it certainly did in other Allen films. That is the whole film, and the number of Allen tropes is so common as to be dull. Woody Allen sticks a bunch of short film ideas and places them in Rome


Tsubaki S (ru)

Drug cartels using pigeons to transport cocaine? HURR DURRR! The religious propaganda doesn't help either


Zane T (es)

Something tells me this was supposed to be a lot darker like Raimi's Evil Dead movies. And that may be the biggest problem. While I think both him and Brion James really understand the outlandishness of their characters, they seem to cartoonish to be killers. Smith's voice. Be that as it may, it probably wasn't a good idea to redub Paul L. He would have never worked as the dorky security guard. Bruce Campbell is nice as the heel. I think Raimi just gave up and decided to make a movie to fulfill some contract. This movie never really achieves what it was intended to. Studio interferrence in casting and production, actors hooked up on coke, something about exorcising demons from the hotel room, etc. Unfortunately, the production of Crimewave, aka The XYZ Murders, is the stuff of Hollywood legend. This movie is an attempt at screwball slapstick comedies, such as The Three Stooges. I remember watching this when I was a kid and thinking how I had never seen a movie with dark humor before. I laugh at some scenes and smile at the goofiness of it. At least something with a cult tatus attached to it, but this movie isn't that good. You'd think a movie directed by Sam Raimi and co-written by the Coen Brothers would be gold