Desert Heat (1999) torrents full movies


Desert Heat

In the spring, the full moon shines for the warrior who has lost his way. Coyote is the spirit that leads back to life. If he follows the coyote when the moon is full, the warrior will see the path once more...

Desert Heat is a funny movie of Tom O'Rourke (screenplay). The released year of this movie is 1999. We can counted many actors in this movie torrents, for example Jean-Claude Van Damme, Pat Morita, Danny Trejo, Gabrielle Fitzpatrick, Larry Drake, Vincent Schiavelli, David 'Shark' Fralick, Silas Weir Mitchell, Jonathan Avildsen, Jaime Pressly, Bill Erwin, Ford Rainey, Kevin West, Priscilla Pointer, Robert Symonds. There are many categories, such as Romance. This movie was rated by 5.1 in This is really a good movie torrents. The runtime of this movie are awesome, about 95 minutes. Dat1Phit is funny uploader, he is very fast. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are users? ShinichiKuto is the best. I can't leave my Galaxy screen. Share this movies torrent to support us . You can read more in Google, Youtube, Wiki

. . If he follows the coyote when the moon is full, the warrior will see the path once more. Coyote is the spirit that leads back to life. In the spring, the full moon shines for the warrior who has lost his way

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Download   Desert heat(Van Damme)[1999]DvDrip[Eng]-prithwiDVDRip3028700.02 MB
Download   Inferno.1999.BluRay.720p.DTS.x264-CHD [PublicHD]BRRip49424 GB
Download   Desert Heat (II) (1999)Jean-Claude Van Damme.dvd ripDVDRip3240700.02 MB
Download   Inferno (Desert Heat)(1999)(dvd5)(Nl subs) RETAIL SAMDVDR39384 GB

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Users reviews

Brian B (fr)

I like Raft's mama, especially. . . . . I thought the opening scene of this one was among the most brilliant I've ever seen, so some let down was probably inevitable, though the the rest of it was enjoyable enough

Gloria S (es)

Superb camerawork and timing by the directors, plus the very believable humanity of the actors, make this film a sad but glorious work. The camera lingers, then blacks out into the next shot. It glides out of the frame, and the boy runs after it. Then, the fourth time: it flies. The paper won't fly. His continual failure, and the accompanying apathy, causes the viewer to cringe in sympathy and worry. Fail a second time, then a third. The boy tries this, and fails. His father had earlier told him that at this spot, a piece of paper would fly far away if you let it go. He stands at the top of a hill, at the glider monument. Getting a ride from a friendly truck-driver [about whom I had my doubts], the boy reaches Koktebel, which is now called a different name. " In response, the father calls his son an idiot, showing the man's immaturity and ignorance. He runs off, leaving his father with the final words "All you do here is fuck each other. Finally, the boy leaves. The back-and-forth switches signifies the inner turmoil felt by the boy. Then the camera switches again, back to the below-looking-up shot, and the coldness of the night replaces the glow. We cut back to the behind-shot of the boy, and once again the warm glow surrounds us. The silhouette of the son is once again symmetrically framed. Then, the camera angle switches to below, looking up into the attic. In the attic scene, we view the boy from behind. The boy's maturity is strange, but reasonable as we find out what his childhood was like. The contrast between the warm golden candle-lit attic and the dreary nighttime scenery outside mirrors the contrast between the boy's desire to go to Koktebel and the responsibility he feels towards staying with his alcoholic father. The boy looks out of the attic window in one scene, the light and framing working in harmony to produce an utterly beautiful shot. Little to no background music was used, giving the film a feeling of reality--cold, harsh reality. Khlebnikov and Popogrebsky used long, wide shots to show this growing distance, even between the characters. Even if the characters were separated and distant from the viewer, we still felt compelled to help them and to know them

Jim T (ag)

This is titled as part one of two and it feels like it too, slow and and boring but it knew it would be saved by part 2. The above description is perfect. The one where not a lot happens

Jimmi S (us)

P. 7 minutes and you can see this sucks

Matt G (us)

I do, however, want one of those giant pig-dogs. . . The entire thing is all sound and fury signifying nothing. The world-building is mind-numbing nonsense. The plot is convoluted. It's handling of time and space is scatterbrained. The dialogue is expository and bland. Kitsch has the magnetism of a store front mannequin. I wish we could send this movie to mars

Scott W (gb)

I love tense movies like this and Chris Cooper gives a terrific performance

Siddikha N (ag)

ows that past will always come back to haunt u!. . nice

Steve S (us)

Typical Hollywood drivel. Unexciting and painfully cheesy disaster thriller

Vineet H (ru)

creenplay notwithstanding I hoped (like a fool) to see some good performances but even veteran actors like Sanjay Dutt are being just ridiculous, you wonder if they are working in a school play or something !. And if that was not enough, almost every client they have is interested in talking to them and not what escorts are typically paid for. For some reason the fact that they were escorts is not the main issue for a court of law but that he is a good parent. When they have to include white people in scene apparently they either know Hindi or don't mind sitting like fools while everything goes on in Hindi. For some reason every government position in London is held by Indians - by it social services worker, bosses at places they work or interview at or even the judge. We Indians are the only race who have a heart if you go by Bollywood. Bollywood cannot resist the temptation of showing every white man to be heartless and without principles. Watching this movie reminds me that Bollywood still remains immature at it's core

Wahida K (nl)

The made a cute couple. Anyhow I think Tabu was a great pick although I must say she is NOT 34 she must be in her mid 40`s. Wow that was really interesting. Paresh Rawal vs Big B. The Movie didnt actually focus on a Love Story it showed the circumstances from every ahmm "Main Characters" of the Movie who were involved. She was sort of a "heart" of the Movie as well. That was really funny. What I liked this Movie was the little girl who seemed to command the old man. No songs no Bollywood Kitchy infact I enjoyed it although 64 with a 34 years? Anyhow it is recommendable to Big B Fan. That was really interesting. A 64 years old Londons Best Cooks suddenly fall in love in with a 34. Not a typicall Bollywood Movie. Boy was I surprised