Desperate Measures (1998) torrents full movies


Desperate Measures

San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ...

Desperate Measures is a new movie of David Klass. The released year of this movie is 1998. You can check list actors in this movie torrents, for example Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden, Erik King, Efrain Figueroa, Joseph Cross, Janel Moloney, Richard Riehle, Tracey Walter, Peter Weireter, Keith Diamond, Steve Park, Steven Schub, Neal Matarazzo. There are many categories, such as Thriller. Many people rated for this movie, Rate is 6.1 in We have a good movies torrent. The runtime of this movie are awesome, about 100 minutes. Fakyougo is interesting uploader, he is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your opinion. Do you know what are users? ChimTo is the best. I don't fight my iPad screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

. . There's only one catch: the potential donor is convicted . San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son

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Download   Desperate Measures [1998]DVDRip[Xvid AC3[5.1]DVDRip43371.36 GB
Download   Desperate.Measures[1998]DvDrip[Eng][Multi-Sub]-VexDVDRip4545699.89 MB
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Download   Medidas desesperadas[dvdrip][spanish]DVDRip5045609.58 MB
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Users reviews

Adam L (br)

still better than temple of doom, though. a sexist, racist, mostly unfunny mess that not even the combined efforts of tom hanks and john candy could save

Alan G (mx)

It almost ruined the franchise for me. Basically, don't watch this movie. It didn't need to be made, as the third one rapped up the series so well (I'm in the minority who actually enjoyed the third one). Also, this movie is pointless. It trades the pirate crew we loved from the first three for Penelope Cruz and her evil father Black Beard, and instead of building on the relationship between Will and Elizabeth, this shameful movie gives us a random pirate we barely know and a one-dimensional mermaid. The 'Pirates' series has gotten pretty tired at this stage, and it shows in this fourth instalment

Andrew M (au)

And it is our job to actualize that "hate" is merely just that -- in scare quotes. This time around (and not last time) Kaufman did teach me that, like in love, his picture's centerpiece, your mind will find ways to "hate" what it loves. What's the point of reading or watching or listening or talking if there's no subsequent progress? Empty carbs they seem, to me. You read the book but never took notes, the adage might go. It is mortifying because not of the haphazard verbiage or the syntactical misfires, but rather the categorical admission that your gleanings are somewhat the same yet you've done nothing about it. ---Revisiting something, anything, written by yourself years later is a mortifying experience. A brilliantly whimsical and off-the-charts seamless history storybook. It screams, "Cherish life for its strengths and weaknesses, for its happy and sad" but most importantly, there's someone for everyone, someone that uproots happiness in you. Murders Malkovich, easier to follow than Synecdoche, and awfully comparable to Adaptation (still undecided which of the two is my favorite). The Dunst/Ruffalo/Wilkinson/Frodo real-time business serves as a diverting yet fresh parallel to the main plot. The incredible irony towards the end where the procedure that originally meant they'd never meet again IS EXACTLY what reunites the pair, inciting the realization of what qualities fused them in the beginning. It's scary, hilarious, lachrymose, and bewildering, all in good taste. It inspires audience members with its statement that the imagination is an intangibly ethereal art that can accomplish anything the beholder wishes. It's jumping into an authentic human brain Kaufman-style as the memories of their relationship are perused reverse-chronologically. " He and the uniquely gregarious yet equally impulsive Winslet team up in this introspectively trippy story of technologically "cheating" life to better the remainder; but one thing's for certain: one cannot escape fate. His role is explicated by his own line, "Constantly talking isn't necessarily communicating. At first it seems like it's going to be a less solipsistic "Punch-Drunk Love" as Carrey greets us with his taciturn, passive, inept self, but no, it's a different tale. Sincerest thanks, Kaufman, sincerest thanks

Angela G (es)

God I loathe Antonio Sabato Jr

JH K (it)

El problema es el de siempre, deja el guion en manos ajenas y se limita a plasmarlo en el escenario, sin intentar crear nada en concreto, personajes poco memorables que quedan en manos del actor darles brillo, y no, DePardieu no lo consigue, no es Russel Crowe. Veo bastante preocupacion en los aspectos tecnicos, el aspecto de la epoca, caracterizacion, musica y demas cinematografia, la cual no podemos ponerle tachas, lo borda. parece que este tipo de relatos son lo que realmente le motiva, pero mas que por contar la historia, por montarla. . . El primer acercamiento de Ridley Scott al cine historico no salio tan bien como cabria esperar; aun asi se ha ido de cruzadas, a roma, al bosque de Sherwood

Julien G (au)

Dj. La marque d'un grand. Ds le gnrique, et grce la musique, le film nous emporte et les premires squences nous prennent aux tripes

Kenric A (ca)

Not as hilarious as Always Sunny or Eastbound & Down but still very funny. It felt more like a TV show than a movie, but I laughed a lot

Kevin M (de)

I was 11 years old when I saw this nuff said?

Lucia S (fr)

Despite the bittersweet ending I still found this movie to be quite touching and enjoyable. it also raised an interesting question of what purpose their "careers" would have if they had to spend years alone on the island. . . It had heart and humor. At first one might assume that this is the typical and formulaic teaming up of mismatched pairs and their resulting misunderstandings; however the chemistry and rapport between Kerr and Mitchum made this film different. A post World War II movie that teams up a hardened Marine with an innocent nun

Mike M (es)

I can report that the film boasts an exceptionally high nipple count, and more pubic hair than would be permitted in Western softcore, and that no-one seems to be suffering unduly for that burden; you may prefer to sample it at home on DVD, where the 3D glasses would presumably shield the viewer from their own shame and filth, even as they might accentuate any squint one might develop from watching. Still, I can appreciate that the usual critical standards really don't apply in this instance, and will grant that its USP extends (just) beyond 3D. Given that the male characters sport such appellations as Horse D**k and Donkey C**k, it scarcely seems fair that the most memorable female role should be that of a man inhabiting a woman's body - hardly an original sight, given the fevered penetration elsewhere. So genially silly is the first hour that I couldn't quite work out whether the attitude towards women (who exist here chiefly to be bought, sold and raped) was knowingly, parodically tacky; only in the second half, which slides into gore as sexual pleasure gives way to sexual jealousy, did events come to seem more dubious than they perhaps needed to be. Much of it proceeds on a level of purest pantomime, with gurning performers, slapdash plotting (I know, I know: no-one watches these things for the plot, but the demands of a - cough - trimmed international cut only renders it even easier to zone out or fast-forward between the bonking), and a bit where a dog runs off with our hero's penis, as the Dish once did with the Spoon