Destination Piovarolo (1956) torrents full movies

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Destination Piovarolo

Nel 1922 Antonio La Quaglia vince il concorso per 850 posti di capostazione arrivando all'ottocentocinquantesimo posto e la sua destinazione è Piovarolo, un piccolo paese dove non succede ...

Destination Piovarolo is a new movie of Leonardo Benvenuti, Piero De Bernardi, Gaio Frattini, Stefano Strucchi. The released year of this movie is 1956. You can check list actors in this movie torrents, such as Totò, Irene Cefaro, Marisa Merlini, Tina Pica, Ernesto Almirante, Arnoldo Foà, Enrico Viarisio, Nino Besozzi, Paolo Stoppa, Fanny Landini, Nando Bruno, Mario Carotenuto, Giacomo Furia, Carlo Mazzarella, Leopoldo Trieste. The kind of movie are Comedy. Many people rated for this movie, Rate is 7 in www.imdb.com. This is really a good movie to watch. The runtime of this movie are awesome, about 89 minutes. Leocuto is good uploader, he is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are users? Maria Ozawa is the best. I don't push my Galaxy screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

. . Nel 1922 Antonio La Quaglia vince il concorso per 850 posti di capostazione arrivando all'ottocentocinquantesimo posto e la sua destinazione è Piovarolo, un piccolo paese dove non succede

Destination Piovarolo torrents

Destination Piovarolo full movie

Destination Piovarolo1956 torrent

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LinksNameQualitySeedersLeechersSize
Download   Destinazione piovarolo.DVDRip.Ita.with.srt.subs.Toto_D.Paolella_DVDRip3129615.73 MB
Download   Destinazione Piovarolo, [DVD5 - Ita] Commedia [Tntvillage.ScambiDVDR48494 GB

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Users reviews


Alex S (it)

Wildly entertaining and featuring a stand-out performance from Richard Gere, Arbitrage grabs the viewers attention and doesn't let go, making for a thrill of a viewing as well as a unique statement on society (particularly the upper class)


Ana M (jp)

Muy, pero muy bueno


Carlos M (nl)

While in the first movie Bridget Jones was an adorable character, here she is a neurotic, irritating and selfish caricature that gets herself in only stupid, artificial situations, and even worse than the fact that this film seems like an unfocused collage of sketches is that it is not funny at all


Cyndi W (fr)

oesn't last long, but it was lovely going down!. This movie, like many R&H ones, was a very sweet, brightly colored, dazzling little confection, much like a divinity- light as air, sweet, and thoroughly enjoyable while taking it in


Dimi R (kr)

Good acting as well. Interesting and education adaptation if real events. 5. 7


Greg W (us)

good family drama from sidney lumet


Isla B (es)

. . I honestly tried, but


James R (ag)

Hard hitting drama film


Jonathan H (br)

Yet the mission of this film, the board, and the registry is summed up most simply in an offhand comment by board member and film scholar Robert Rosen: "Why would you want to save movies? I would ask, Why do we save family pictures?'' They're cultural artifacts, timestamps of bygone eras, and they transform us in a way no other medium can. The documentary surveys the genres covered by the registry, praises efforts to bring attention to women and minority filmmakers, considers the movies as social glue and cultural memory, and makes an implicit plea for continued congressional funding in these draconian times. The importance of recovering uncensored originals and plugging the holes in America's consciousness is only one of the messages here. George Willeman is exactly the sort of character you'd expect the Library of Congress's Nitrate Film Vault Manager to be, and he's great company as he describes the joy of discovering a pre-censorship print of the acrid 1933 Barbara Stanwyck classic Baby Face and getting it out to the world. The people you keep coming back to, though, are the preservationists themselves, dedicated young artisans with offbeat senses of humor and the passion to spend weeks at a time rebuilding a lost film frame by frame. have captured the plight of veterans -- and the absolute necessity to preserve these messages for future generations. An unexpectedly poignant moment comes when Gregory Peck's son, Stephen, a Vietnam veteran, espouses the horrors of war, and how films such as The Deer Hunter, The Best Years of Our Lives, etc. In addition to scenes from 160 of the 550 films in the registry, "These Amazing Shadows'' rounds up an illustrious roster of talking heads: directors like Christopher Nolan, John Waters, Barbara Kopple, and Wayne Wang; film critics Mick LaSalle and Jay Carr; actors Debbie Reynolds and Tim Roth; producers (Gale Anne Hurd), cinematographers (Caleb Deschanel). No one needs to be told what the Zapruder film means to the national psyche. A public-service documentary like "Duck and Cover'' portrays 1950s nuclear fears with now-campy naivete. The World War II-era "Topaz'' is actually one man's home movies of the US internment of Japanese citizens. And in fact the most engrossing moments in "These Amazing Shadows'' focus not on "Citizen Kane'' and "The Godfather'' (or "Alien'' and "Back to the Future'') but more offbeat choices that say as much, if not more, about the movies' central place in documenting American culture for better and worse. The films must be "culturally, historically, or aesthetically significant,'' which leaves a lot of room to move beyond the "greatest hits'' mentality of the American Film Institute and other cultural list-makers. "The board was established by Congress in the late 1980s, and since 1989 has chosen 25 movies per year for inclusion in the Library of Congress's National Film Registry. At 525 films and growing, filmmakers Paul Mariano and Kurt Norton tell us the story of "These Amazing Shadows. Starting in 1989, the Registry began selecting 25 celluloid marvels to save and preserve each year. The hue and cry from those passionate about film preservation caused the formation of the National Film Registry in the Library of Congress. In 1986, Ted Turner, the owner of the MGM film catalog, decided to take classic black and white movies and colorize them


Kimberly W (nl)

. . but this guy obviously doesn't learn his lesson. . . the storyline was cute. . . I find Ben Stiller annoying tbh, and honestly this movie was really no different