Det var paa Rundetaarn (1955) torrents full movies


Det var paa Rundetaarn


Det var paa Rundetaarn is the best excited movies torrent of John Olsen, Paul Sarauw (dialogue). This movie was introduced in 1955. We can counted many actors in this movies torrent, for example Dirch Passer, Ove Sprogøe, Clara Østø, Kjeld Petersen, Bodil Steen, Lili Heglund, Karen Berg, Bodil Miller, Anne-Marie Juhl, Ole Monty, Buster Larsen, Sigrid Horne-Rasmussen, Volmer Sørensen, Mogens Brandt, Asta Esper Hagen Andersen. There are many categories, such as Romance. The rating is 6.5 in We have a good movie torrents. The runtime of this movie are awesome, about 105 minutes. NickDan is funny uploader, she is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your opinion. Do you know what are users? ChimTo is the best. I don't push my laptop screen. Share this movies torrent to support us . You can read more in Google, Youtube, Wiki

Det var paa Rundetaarn torrents

Det var paa Rundetaarn full movie

Det var paa Rundetaarn1955 torrent

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Users reviews

Adam D (kr)

I've heard quite a bit about this movie

Barney o (es)

What an enjoyable film. VERDICT: It's a shame that Dalton couldn't stay because this is Connery level stuff. . . WHAT I DIDN'T LIKE: Perhaps the last act is a touch silly. Match that with one of the best protagonists, a gritty revenge plot and some of the greatest relationship dynamics we've ever seen, and you're onto a real winner. WHAT I LIKED: One of the best in the series, 'License to kill' sees Dalton settle into the role to bring an excellent performance with the right levels of grit and charm

Christopher B (ru)

atch for Shannon Doherty, Kevin Costner, Ashley Cox, & KC Winkler too!. Yes, obnoxious jerks like that really exist!! Always a pleasure to see the under-utilized Clint Howard. Winkler is convincing as a non-Fonzarelli type, Long is likeable and lovely as ever, and Keaton is spot on in his portrayal of one of my past co-workers. Good basic script and pacing. Adequate screwball comedy even today

Dale K (fr)

I love both Dustin and Steve but this movie failed to keep me engaged, didn't finish watching the whole movie

Felisa Z (es)

I wonder how my friends who've recently had kids would identify with this movie. Nothing is ever simple. What a delightful movie

Jeff B (de)

Not a good film, and I don't know why De Niro or Duvall would be involved with it. It just revels in the seedy underworld of its own creation, which is probably mostly taken from old movie cliches. The story kind of meanders and never really attaches itself to any sort of interesting idea of a plot. A boring movie about two brothers (one a dirty cop and the other a rising star of a priest) who are somehow involved in a murder investigation

Kenneth L (es)

Go for the far less schmalzy Truly Madly Deeply. This, however, comes too little too late, and by the time the floodgates are released and David's tears begin to flow, the final effect is ambivalence. a fact made ironically clear when Rachel finally corrects David that it wasn't Gillian who held the family together, but him. Coupled with his largely absent sexual chemistry with Pfeiffer (is that even possible?), the result is a missing emotional core. Not as fortunate is the distractingly good looking but inexplicably asexual Gallagher, whose David, as written, seems decidedly self indulgent even as he struggles to mine the part for all its levity. But the film belongs to Danes, who wades through stilted dialogue and emerges as one of the most compelling characters in the film. Together with Altman, the duo provide an honest and fascinating dynamic between a married couple seldom seen on film. Making the most of an underwritten part, Wendy Crewson's Kevin is a compassionate presence amidst the family drama, and Kathy Baker's Esther threads skilfully the thin line between self-righteousness and true concern. Unfortunately, like David, the film fails to pull itself out of morose sentimentality and, but for a few strong performances, winds up manipulative and hollow. The film version goes off the deep end (puns intended) with an overt romanticism of Gillian (played by the ridiculously beautiful Michelle Pfeiffer) who appears under moonlight by the beach - an effort, no doubt, to underscore David's romanticized point of view of his dead wife. Based on the stage play by Michael Brady, one could imagine the theatricality of having a dead character walk right onto stage in the flesh - thereby fermenting our lead David's 'very real' relationship with a dead woman made complicit by witnesses in the audience. Saturated with sacharine romanticism, To Gillian at times reads like a Gap ad replete with beaches, barefeet in the sand, khakis and sailboats - in this case, a Gap ad gone terribly awry since a fatal accident occurs

Kevin M W (ag)

The chemistry between the leads add mucho spice too. All of the clichs you'd expect in a romcom, but roughly covered over with a patina of snappy patter to make it seem as if the whole concoction is a fresh thing

Marti E (nl)

xcellent!. But after just a few minutes I was drawn in. . At first I thought this wasn't going to be something I was interested in

Steve G (us)

Only the '80s-ness made it watchable. There were moments of sweetness, & good music, but it was quite a mess. I figured it was best not to attempt making any logical sense out of it