Double Dhamaal

Four slackers decide to avenge their humiliation at the hands of a con-man.

Four slackers decide to avenge their humiliation at the hands of a con-man

Double Dhamaal is a funny movie of Farhad Bhiwandiwala (dialogue), Tushar Hiranandani (story & screenplay), Sajid (dialogue). The released year of this movie is 2011. There are many actors in this movies torrent, for example Sanjay Dutt, Javed Jaffrey, Ritesh Deshmukh, Mallika Sherawat, Arshad Warsi, Aashish Chaudhary, Kangana Ranaut, Satish Kaushik, Zakir Hussain, Prem Chopra, Steven Dasz, Shahid Hasan, J. Brandon Hill, Harry Josh, Pradeep Kabra. Movie' genres are Drama. This movie was rated by 3.8 in www.imdb.com. We have a good movie to watch. Please support us via sharing this movies to your friends

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Users reviews

Alex K (nl)

My Favorite Thriller Film Is 1991's The Silence Of The Lambs

Bill R (es)

Remarkable meta-textual reading of Chekhov with an outstanding cast

Harry W (ag)

Scarface may be a rather slow and long story which lacks sufficient development for its supporting characters, but Brian De Palma's brilliant sense of style and Al Pacino's flawless leading performance makes for an exceptionally thrilling gangster epic. Robert Loggia is also a strong supporting player due to the way he presents intimidation at the beginning of the story before succumbing to desperation later on. Mary Elizabeth Mastrantonio's gentle vulnerability creates a strong contrast to Tony Montana's relentless nature while Michelle Pfeiffer creates a powerful enabler to his anger. Despite the limitations with characterization of Manny Ribera, he shares an intense chemistry with Al Pacino and carries his own sense of charm. Steven Bauer lends a strong supporting effort. Al Pacino's leading performance in Scarface is one of the single greatest performances ever given in cinema, and he maintains the audience attention throughout the entirety of the 170 minute running time. He really pushes to project the seemingly immortal nature of the character and never loses focus, delivering every line with raw ferocity that grips the attention of viewers. He is disassociated with his humanity enough to be a real antagonist yet not bereft of human error or some kind of genuine heart, though he does not make this into a vulnerability. Al Pacino turns Tony Montana into the coolest gangster in the history of cinema due to his sheer fearlessness and brute strength while also maintaining the sophisticated wit and charm of a wise business man. Al Pacino reaches his most violent and remorseless in Scarface, going above and beyond the standard for villainy he set in The Godfather Part II (1974) to achieve the truly greatest performance of his career. As a result he becomes one of the most ruthless characters to ever face the world of cinema. The character's ruthless search for power displays a refusal to back down in the face of anyone, no matter how intimidating anyone else may be. Al Pacino buries himself so deeply in the role that it becomes easy to forget that the man is acting and to simple accept that Tony Montana is reality. His Cuban accent is flawless and so unlike the man's natural voice that he immediately becomes someone completely different. The instant Al Pacino enters the screen, he is immediately the clear highlight of the film. But it's Al Pacino who truly makes Scarface an unforgettable film. The musical score is also great because it captures the manic energy of the decade during its fast-paced scenes while also adding subtle reinforcement to the intense atmosphere when things get heavy while the sound editing helps make the feature climactic. The rich use of blood and gore in Scarface may border on excessive for some viewers, but it really does justice to the actual violence of gangster activity with a Martin Scorsese-esq passion for blood. The cinematography emphasizes this all with magnificent wide-angled shots that always maintain Tony Montana as the centre point of each shot, and the action scenes are shot and edited with flawless precision that captures the glory without forsaking the violence. The entire setting provides a glamourous image of the American dream which is reinforced by the expensive cars and costumes, making every image a testament to the supposed glory of success in crime. Building a raw image of the American dream, Scarface is packed with rich scenery and exquisite architecture. And Brian De Palma's sense of style is incredible. At least his efforts to follow Tony Montana are rich and his dialogue is powerful enough to keep audiences consistently engaged. This is where Oliver Stone's screenplay falls short, but given that he has a track record for self-indulgence this isn't necessarily surprising. It makes sense when the focus is all on the titular character's self-obsessed rise and fall while a recurring theme in the film is the line "The World is Yours", but in terms of the longevity of the film there is a need for more characters to support the grand scale of the narrative and its nearly three-hour running time. Their sole purpose in the story is essentially to revolve around Tony Montana and further characterize him through their respective interactions, and though they do this very well there is a sense that we could have gotten more out of them. There are many supporting characters essential to the story in their own ways, but few of them get much of a developed character beyond being an archetype. The central issue with the film is that Tony Montana is the only character who gets any real characterization in the film. However, characterization also proves to be the predominant downfall of Scarface. Admittedly the film is not as consistently fast paced as this one scene as the majority of the film is prolonged conversations which all contribute to creating a 170 minute narrative, but the feature is kept interesting through the rich characterization of the protagonist and Brian De Palma's unapologetic sense of style. The montage itself is really iconic because it captures all the major aspects of the man's rise to power to the tune of the awesome song "Push it to the Limit" by Paul Engemann. One method of doing this is extending its running time to nearly three hours, but in terms of style it's interesting to note that the film uses both the time period ellipsis from the original Scarface and a quick-cut montage which is synonymous with the 1980's theme of the decade it was produced in. But the scale of Brian De Palma's Scarface is far more epic than Howard Hawks', and so it has to capture a much greater period of time. There are many moments which harken back to the original in a manner subtle enough not to interfere with the story but clear enough for fans to appreciate. But by borrowing the elements of protagonist Antonio "Tony" Camonte's power obsession and appropriating them into an updated gangster story with a greater emphasis on the drug trade of the 1980's, the story is able to carry over into the modern day as a loose remake. The original Scarface (1932) is one of the most iconic films of the pre-code gangster film era, but it had very much the same story to numerous other films of its time such as The Public Enemy (1931). Looking back on it a second time I can see several issues that prevent me from giving it the same status, but I will not deny that the film is a real masterpiece of gangster cinema. I got caught up in the glamour of it all very heavily, and I loved it. The first time I watched Scarface as a teenager I thought it was one of the greatest films I'd ever seen in my life because the raw nature of the protagonist and sheer violence in the film was so refreshing and original. Being one of the most critically acclaimed gangster films of all time, Scarface sounded like nothing short of a masterpiece

J K (gb)

Never heard of any of these people

James S (kr)

Not exactly a film to set the world alight but a diverting and enjoyable watch nonetheless. It does come good in the end though and the finale delivers a great action sequence which is both tense and exciting. Switchback is slightly different in that for much of the film it appears to be telling two different stories and pits a huge gamble on it's audience not getting confused or fed up with the seemingly bizarre plotting and scene jumps. Quaid is used to playing this kind of role so it's no great shakes to him while Glover and Leto do exude good chemistry in their many scenes together. Of course, they're not and even though some of the twists are kind of obvious they are done quite nicely. For a long time these two stories seem completely unrelated. Meanwhile Jared Leto hitches a ride across country with Danny Glover in a car full of pictures of naked women. The underlying story is a little thin as rogue FBI agent Dennis Quaid goes off book to pursue the killer who has kidnapped his child. Unconventional but decent cat and mouse thriller

Jeanette D (kr)

Highschool's a bitch and then real life starts anyways. Some of it was hell and some of it was ok. Insightful and interesting since I went to school in Indiana for grade 8, 9 and 10

lauren b (ca)

earnest but not entertaining

neil L (nl)

Kind of overrated but its a cool film

Neville P (kr)

fab fab fab story about a lonely boy who befriends an adolescent middle aged slob living on his fathers song royalties

Reem A (gb)

A beautiful story, beautiful cinematography and ageless classic. Katherine Hepburn is perfect as a 40-year-old spinster who goes to Venice and finds more than she expected to find. Everything about it is loaded with meaning and class. I've seen it many times now, and I never get tired of it. This is one of those movies you never forget