A coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress. . You can read more in Google, Youtube, Wiki
A shy teenage boy trying to escape the influence of his domineering mother, has his world changed when he begins to work for a retired actress.
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Rohit R (mx) wrote: Let me start by telling you that Seedan is unbearable. It does nothing to stand on its own feet. Absent of ideas, the film is so formulaic in its plotting and clichd in its dialogue that within the first fifteen you know exactly where the film's heading. Even if I wanted to, I wouldn't be able to spoil the film for you. Here, predictability is at its most abysmal. There are a number of reasons for you to avoid Seedan but I can't think of a reason for you to watch Seedan. Mano will be leaving abroad to work soon. He visits his grandmother's place and ends up lusting after the housemaid, Mahalakshmi. Coincidentally, she dreamed about their marriage the previous night despite not having met him. Mano's mother is a chronic insomniac attributed to his marital status being single. Assuming that he's still the same momma's boy he always was, she arranges for a girl to meet with him without his consent. This girl isn't just a trial; she's been fixed as his bride. Do I need to go on? You can fill in the rest yourself. Mano is portrayed by newcomer Krishna and Mahalakshmi is portrayed by Ananya (the black sheep of Naadodigal cast). Dhanush plays an extended cameo as god in the guise of a cook. Vivek who carries a stigma of a retarded clown, lives up to his reputation by playing a fraudulent sage. One joke involves him swallowing a terrorist's cell phone which explodes out of his rear end. If you find this funny, you've not had a taste of good comedy. I can't help but wonder what kept the actors working on the film. A constant reminder of their paychecks, I suppose. This story has been done so many times. You don't have to be a film critic to know that. The one-dimensional characters are treated as good people caught up in a bad situation. The dialogue isn't new either. Even before the actor reaches the middle of the sentence, you know what is being said. Debutant Director Subramaniyam Shiva has started off on the wrong foot. You've had a hard week and you need some time off in the theatre? Don't worry about it. There're five best picture Oscar nominees in theatre and two excellent Tamil films, Aadukalam and Nadunisi Naaygal. This film will just make it worse. Seedan spirals downward and falls flat on its face. Rating- 2/10
Dan T (au) wrote: It's impressive that the filmmakers were able to take a bunch of mostly long shots of sheep and wilderness accompanied by few human voices (and no narration), add in a few conversations between cowboys at varying degrees of audibility and create a compelling movie that tells a story and never feels draggy. They didn't even tell me exactly what's going on in the movie until the very end and I didn't mind. The movie captured the types of scenes I might go out into nature and stare at and compiled them together so I could watch them in my living room. And there was narrative.I especially loved the textures, light and colors they were able to get out of the video footage.
Michael K (fr) wrote: Loving tribute to 1950s sci-fi craze. iLOVE all those beautiful cars from that time. Also I wouldn't mind dating Jenni Baird...what a doll ;-) Great movie iReckn.
David T (au) wrote: Shrek Forever After was the only one which teached me we have to appreciate each moment of our lifes... Em, CARPE DIEM and talking about it I have to say that was far better than the third, but now as well as the second nor first one.
Zachary D (ag) wrote: more stupid than a thai pron movie
Andreea C (gb) wrote: Belgian humour over dinner with the director ;)
RA L (ru) wrote: WEB. Ingeniosa y conocedora del humor negro y minimalista, pero an as un poco montona. Cruza la lnea de la crueldad en par de ocasiones. / Clever and knowing in its use of black and minimalist humor, but still a bit monotonous. Crosses the line of cruelty a couple of times.
Tori M (mx) wrote: The plot can be really confusing at times, though Kurt Russell does his best to make the film watchable at least.
David E (fr) wrote: great Aussie classic...
Lisa C (jp) wrote: was not as good as the first one but still really good
Leonard Z (au) wrote: both zhang yi mou and gong li's debut film... zhang yimou's pre hero tragedies pulls no mercy for the audience. Tastefully graphic, sensual, raw, and honest. an original masterpiece...and i'll let him have it
Luca D (ca) wrote: Un film che prende molti degli stilemi degli spaghetti western, qualche occhiataccia alla Leone e una trama fin troppo lunga. Il film che ne esce migliorabile ma neppure brutto, la scena decisamente meritevole la sparatoria finale, con la pallina che gira nella roulette che si incrocia con gli sguardi dei duellanti.
Jenn M (kr) wrote: despite having terrible reviews, I thiught this movie was great! The subject matter was dark and quite disturbing but the beginnings of Hannibal Lector aren't going to be sunshine and rainbows. The mood was set from the start, it was an on the edge of your seat kind of suspense and a gut wrenching, sickening sense of despair and gore. I thought that the balance was spot on and that the story was cleverly written
Justin H (es) wrote: Absolutely terrible, just terrible. 5 minutes in I wanted to turn it off, I should have turned it off. Terrible.