. . However, their friendship has become strained as Theo is about to . David O'Neil, a plasterer and mature student Theo have been best mates for fourteen years and are practically inseparableForgive and Forget is the best great movie of Mark Burt. The released year of this movie is 2000. You can check list actors in this movies torrent, such as John Simm, Steve John Shepherd, Laura Fraser, Maurice Roëves, Ger Ryan, Meera Syal, Stephen Graham, Roger Griffiths, Huggy Leaver, Charles De'Ath, Isabella Marsh, Jonathan Slinger, Nikki Amuka-Bird, Annette Bentley, June Page. There are many categories, such as Romance. This movie was rated by 6.4 in www.imdb.com. We have a good movie to watch. Share this movies torrent to support us
Forgive and Forget
David O'Neil, a plasterer and mature student Theo have been best mates for fourteen years and are practically inseparable. However, their friendship has become strained as Theo is about to ...
|Download||2000 Forgive And Forget (UK)||Other||44||41||699.45 MB|
Andre R (au)
Decent enough to watch once
Berni E (ag)
Not for the feint hearted for sure. Still :::shivering::: here. A must watch for Social Workers and anyone who questions the difficult job a SW has. Truly dark, sinister and disturbing film
Briana S (br)
this movie is soooooooo FUNNY!!! U HAVE TO SEE IT!!!
") in his 2007 movie Death Proof. . . The film was later parodied in The Naked Gun, and Tarantino used the "trigger" phrase ("The woods are lovely, dark and deep. Bronson enthusiasts will almost certainly find a lot to enjoy about Telefon - it's a fun spy thriller with Bronson in Russian Death Wish mode. Also in the cast is Tyne Daly who's embarrassing as the overexcitable CIA computer expert (hilariously, the computers she uses literally have a brain of their own) and whose role feels at once redundant and underdone. Lee Remick's performance is impassive, and she's an absurd love interest for Bronson. He oozes menace, and is especially sinister while uttering a few lines from the particular Robert Frost poem which triggers a sleeper agent. Donald Pleasence fares a lot better as the main villain of the film. During his career, Bronson rarely acted - he simply inhabited a film with his particular presence, which frequently played off his infamous Death Wish persona. not unlike the sleeper agents of the picture, the stoic Charles Bronson gives a strong impression of deep hypnosis throughout. . . As for the acting. Lalo Schifrin also provides a fantastic score which suitably amplifies tension during key scenes. Director Don Siegel handles the action competently, but this is not among his best efforts (a few terrific set-pieces notwithstanding, there's some pretty dull filmmaking on display here). It's disappointing, to say the least. In all likelihood, budget constraints prevented a big climax from being lensed. The demise of the main villain is underwhelming, and the story is wrapped up irritatingly quickly. Walter Wages' novel contained an excellent climax which could've become an effective action set-piece in this screen adaptation, but alas the film fizzles out with a whimper. And during these hundred minutes, there's a lot of building up with very little pay-off. At about a hundred minutes in length, the film is fairly long considering the '70s action-thriller pedigree. Here's the major problem with Telefon: it's entirely without a satisfying final act. But if said relationship is unmotivated and naff, then there's a big problem. Granted, it's probably unreasonable to expect a beautifully-written relationship in a film like this. An audience would expect these two to somehow end up together, and we get that pay-off, but it seems merely perfunctory rather than natural. Initially, Grigori and Barbara are hostile towards one another. The script's only weak spots are in the characters and the construction of events. activating agents using drug-induced hypnosis) isn't as far-fetched as some of the actual schemes concocted by the overzealous CIA and KGB during the Cold War. e. Though the story is considered by some to be beyond the realms of reality, the driving force behind the plot (i. The script was penned by the screenwriting duo of Sterling Silliphant and Peter Hyams, based on the novel by Walter Wager. At its most basic level, Telefon is pleasant escapism. With the continuing political conflict and military tension between America and Russia in the late '70s and throughout the 1980s, it's kinda heart-warming to witness a movie released in 1977 which features a Russian agent and an American agent working side-by-side. Oh, and Grigori is accompanied by an American agent named Barbara (Remick). Military intelligence officer Major Grigori Borzov (Bronson) is recruited by the Soviets to eliminate Dalchimsky before his actions trigger World War III. Said agents were planted by the Soviet Union at the height of the Cold War but were never utilised, and are primed to execute suicidal missions to blow up key military sites on telephonic phone cue. The story involves a communist zealot known as Dalchimsky (Pleasance) who plots to sabotage dtente by activating deep-cover agents in the United States. With the focus primarily on narrative velocity rather than compelling drama, this is a very serviceable spy thriller supported by an intriguing premise. With renowned action director Don Siegel at the helm (best known for the first Dirty Harry), Telefon is packed with nail-biting suspense and exciting eruptions of action, all the while threading together an engaging plotline (though it's nothing too deep). It lacks brains, it's a tad slapdash and it's an extremely predictable affair, but it's quotable and thoroughly enjoyable as well. "Telefon is an entertaining Charles Bronson vehicle - nothing more, nothing less. Miles to go before I sleep. Remember. And miles to go before I sleep, and miles to go before I sleep. "The woods are lovely, dark, and deep, but I have promises to keep
Chris C (us)
Filled with dark humor and plenty of suspense, Child's Play features an inventive story with praises going to Brad Dourif, Catherine Hicks and Alex Vincent
Curtis R (es)
For the lead we can get a girl that constantly looks like she has been crying and now market this unscary mess of a film to Liftetime-Television for Women because that's the target audience. Somebody in a suit said, "Hey, lets take the principal main cast from Rob Zombie's latest hit film, make their characters good and make the villain of the film as little of a threat as possible
Fernando C (kr)
Maybe it's interesting and rather well made, but rewarding it's definitely not. By the time the film ends, I looked back trying to spot clever symbolism, meaning, or an expression of human nature, but I found none of them. That is absent here, and it hurts quite a bit. Not that I can't enjoy slow films, since they're my favorites, but I like them when they have something to say on every shot, or at least they look gorgeous, or AT LEAST you can think of some explanation to them or their importance whithin the picture. It's supremely boring. Only it's not. It looks, feels and you think of it as art, a really artistic and deep film that is supposed to represent just how great cinema is. The best term I can think of right now to describe this film would be "fake art"
Francisco S (ca)
A little predictable and with some cliches, but with a good and funny cast and good songs
Jacob D (gb)
Not better than Borat but still a comedic Masterpiece from Sasha Baron Cohen
Jose Luis M (mx)
El genio Hitchcock desarrolla esta historia en un pequeo espacio y de que manera, a pesar de ser una pelicula propagandista de la segunda guerra mundial es una pequea joyita, aqui est el mejor cameo de Hitch