The anime's story is set in 2027, one year after the end of the fourth non-nuclear war. New Port City is still reeling from the war's aftermath when it suffers a bombing caused by a ... . You can read more in Google, Youtube, Wiki
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Aleena K (fr) wrote: Such a cute movie. I love Timothy so much. He is so kind, sweet.
Ethan H (ca) wrote: Anyway you wanna sell out, it ain't working. Terrible movie and something that Stahl and Wilde should try to forget as quick as they can.
Suanne P (ca) wrote: This was Great!!! Everyone should go see it, unless you hate dance movies
Sneana K (mx) wrote: great movie with just enough suspense and thrilling moments. Angie is great in her role as abusive and a bit psychopath mother as well as its Joel as a husband who just does everything his wife tells him too and justifies as much as murder of a child. moody and dark athmosphere adds to the awesomeness of this movie.
Warda P (it) wrote: brilliant...performance by both big B and Akshay
Emma M (mx) wrote: I did not know what to expect from this Italian film when I rented from the public library. To my surprise, it held my interest. I was able to catch a glimpse of Italian middle (office) workers facing the same kinds of day-to-day trials and tribulations as their American counter-part.
Tanner B (it) wrote: The Lord of the Rings: The Return of the King (2003) C-201m. ??? 1/2 D: Peter Jackson. Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, Orlando Bloom, Sean Bean. Vivid storytelling at its best. War continues for Middle-earth as Gollum leads Frodo and Sam further into Mount Doom for destruction of the ring. Big, exciting conclusion to the trilogy, long but richly rewarding both on character and in tremendous action and awesome spectacle; masterfully directed by Jackson. Only flaw: too many endings. Winner of 11 Oscars: Picture, Director, Photography, Music, and plenty of others.
Amr M (ca) wrote: life is a circle.. it's not closed yet .. and it will some day. Coincidences are always happening and we must not wait for it because it happens as we're on the way.It's obvious now that Julio Medem is very fund of CIRCLES .. however this one is much better that Sex and Lucia .. I adore the music of this film.
Matthew Y (jp) wrote: Predictable, somewhat frustrating towards the end. Half the movie, they are at that factory trying to save themselves, and we all know they'll make it out alive. Props for the special effects. No props for the carbon footprint.
Darren L (ag) wrote: Do yourself a favor...See this Freakin' Movie!!!!!!!!!!!!
Brody M (fr) wrote: Haunts was actually a pretty good movie up until the killer's identity was revealed then the movie was here, there & everywhere (It was all over the place) It should've been ended right after.Adding more after just spoiled it.I guess it also didn't help that after I found out who the killer was I truly lost interest.Maybe if it was done in a better way it could've worked out, Maybe if the killer wasn't revealed that soon the last bit wouldn't have felt like extra stuff added on just to add time to the movie, Hmmm..... Maybe
jay n (ru) wrote: Okay but not the brothers best. Vera-Ellen's dance number based on Maugham's Rain is unusual and as always she dances beautifully. Marilyn is in and out within minutes but is a knockout.
Lydia F (de) wrote: aka "Ewan McGregor Bones Everyone." Which would potentially be a great movie, if his character were at all likeable.
Harry W (ca) wrote: Although I was only familiar with Chaim Topol as playing the role of Dr. Hans Zarkov in Flash Gordon, one of my all time favourite films, Fiddler on the Roof sounded interesting enough to bring me in and have me witness his greatest talents.Fiddler on the Roof immediately strikes the viewers' interest as it opens, because it immediately shows off its strong visuals, talented acting a well composed musical score which are some of the film's best elements. Yet possibly the greatest is the directional work of Norman Jewison who combined all these into making Fiddler on the Roof an incredible visual and auditory experience which captures the spirit of the original play, the educational culture of its story and the powerful entertainment value that it holds. His direction is just utterly some of his true best and he exercises a true understanding of importance within Jewish culture as the director of Fiddler on the Roof.The storyYou can tell that the Fiddler on the Roof script clearly doesn't deviate far from its theatrical roots because it clearly has many of the charming anecdotes written for a stage production and all of the clever and charming jokes and friendly characters that would have made the original play so widely successful. It's so charmingly written and so cleverly humourous in such a quirky way, and the characters are all interesting which makes it easy to connect to them and hope for their best. And all this combined makes it a powerful experience in entertainment because when a viewer genuinely cares for the characters it makes it a stronger and more beneficial experience to them, as was the case with me watching Fiddler in the Roof.And the story is a fascinating one. Like I said, it explores the complicated culture of the time of 1905 and the context of a Jewish community living within Tsarist Russia, and the trouble that comes with it. The tale starts so spirited and energetic which fills audiences with glee and life so that they feel what it is to be a Fiddler on the Roof, and it later is struck down by the drama of the film so the depressing atmosphere of the story is reflected in the depressing feeling the viewer gets as he or she experiences the sadness of what it is to be a poor Jewish person in Tsarist Russia. So Fiddler on the Roof is both happy and joyful while also sad and depressing, and it's an emotional roller coaster. And definitely a good one, because a musical that can touch you like Fiddler on the Roof and make you feel as much as it did is worth watching and learning from. It explores what it is to have optimism and suddenly be faced with shocking nihilism, so it's a powerhouse dramatic film. Yet even as it does this it exits on a high note, a beautiful one which may have viewers smiling like it did for me. Really, the story in Fiddler on the Roof is one deserving of immense praise for its themes and development.The production design in Fiddler on the Roof is greatly convincing since the town of Anatevka and the people within it feel genuine, and of course the costumes make them feel more humane as characters which makes them easier to connect to. All the sights in Fiddler on the Roof are beautiful so it's a strongly appealing visual experience. The cinematography is excellent too, and the film is edited in perfect timing for the musical scenes especially so that it's basically a magical musical.And the musical score in Fiddler on the Roof is absolutely hypnotic. Its beautifully written, composed with skill and sung with the voice of true magicians of theatrics. It's incredibly beautiful, and the voice talents of its cast are just perfect. But their acting talents managed to match that.Chaim Topol has the vocal talent of a an old wise man whose voice itself had grown a beard. His Israeli accent and low tone of voice is so energetic and charming that it sucks the viewer into loving Tevye the Milkman in every situation. See, Chaim Topol has an unmatchable theatrical energy in him and such a friendly smile which made him shine as he danced during his solo performance of "If I Was a Rich Man". His performance is some of the most spirited and strongly dramatic in musical cinema history, and Chaim Topol proves that he was born to play Tevye in an deservingly Academy Award nominated performance. Leonard Frey also managed to make a memorable supporting role since he had a real passion in him which showed off in his chemistry with Chaim Topol and Rosalind Harris, and he really has a sense of love in him for Tzeitel which makes it a thoroughly combining emotional performance which ensures that the love in the story is just refreshing. He is a memorable face from Fiddler on the Roof.Rosalind Harris was also terrific because she captured the innocent spirit of Tzeitel very well and sung majestically which made her an appealing presence to the eyes and the ears.Norma Crane was also a powerful addition to the cast, as was Paul Mann.Michael Glaser was also great.Really, the entire cast was strong and energetic without one actor ever slipping up.So although the latter part of the film is less energetic and a little slower than the former, Fiddler on the Roof is an exceptional film adaptation of a classical play which educates and entertains while it mesmerises viewers with its