Gingerdead Man 3: Saturday Night Cleaver

The gingerdead man travels back in time to 1976 and carries out an epic disco killing spree.

The gingerdead man travels back in time to 1976 and carries out an epic disco killing spree

Gingerdead Man 3: Saturday Night Cleaver is the best funny movie of Muffy Bolding, William Butler (story and screenplay). The released year of this movie is 2011. You can check list actors in this movies torrent, for example Mike C. Manning, Jacqui Holland, Carrie Lazar, Kimberly Pfeffer, Jean Louise O'Sullivan, Robin Sydney, William Butler, Peter Stickles, Junie Hoang, Steffinnie Phrommany, Kyle Morris, Amanda Barton, Caley Chase, Sancho Martin, Paris Wagner. Movie' genres are Horror. Many people rated for this movie, Rate is 3.9 in www.imdb.com. We have a good movie to watch. Enjoy this movies torrent and share to your friends

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Download   Gingerdead.Man.3.Saturday.Night.Cleaver.2011.1080p.SOURCE.READNF Other 38 43 117.44 MB

Users reviews

Allan C (ag)

The film is visually striking at times and I do like Rose McGowan, but overall the film was not that scary and not at all credible. Ray Wise also appears in the film as a detective who's skeptical about McGowan's claims about her dangerous paperboy. It's not that I expect horror films to be believable, but I do expect plots hole to be filled and for characters to make generally logical decisions. Salve knows how to shoot a scene well and the film is well crafted from a technical standpoint, but the story about Rose McGowan being stalked by her paperboy was just silly. I'm a huge fan of writer/director Victor Salva ("Jeepers Creepers" "Powder" "Clownhouse") but this film was a real disappointment

Barney o (ru)

VERDICT: It doesn't stand-out in the slightest, and it isn't funny at all, but Cheaper by the Dozen is unquestionably a charming and fun film that the whole family can enjoy. WHAT I DIDN'T LIKE: It really is nothing remotely profound, emotional or even at all funny, and as a result it's extremelly forgettable and lacks any sort of genuine purpose. Yes the appeal of this so-called comedy can more so be found in the endearing characterisation and simple messages, rather than where its cheap, slapstick laughs are concerned. WHAT I LIKED: 'Cheaper by the Dozen' is a pretty fun movie that will occasionally produce some giggles, but will always produce a smile

Bill T (br)

Some lapses of sanity abound, but oh well, it was the 80's. But he doesnt know the police and the LA government have secret plans for this chopper! So plenty of helicopter chases abound, and ut's actually a lot of fun. Fun, maybe slightly underrated movie about an LA cop willing to test out a new supercopter the police are interested in acquiring from the military

Chalen K (jp)

Bardem is worth watching. Fun but a tad bit tepid

Christy P (fr)

The fact that people even have such internal conflicts is proof in itself of our God. Like Seventh Seal, this expresses thoughts and feelings and beliefs that are important to consider

Gergely K (kr)

Edith Massey m (C)g maghoz k (C)pest is gusztustalan, de (C)n pont ez (C)rt imdom. Zsenilis Waters klasszikus! Divine trt (C)net (C)n kereszt 1/4l t (C)rezhetj 1/4k a puberts kori lzadsok kvetkezm (C)nyeit, a rosszul siker 1/4lt hzassg b (C)klyjt (C)s a hrn (C)v okozta neh (C)z tervet

Harry W (kr)

Maximum Overdrive has a ridiculous premise and detracts from its source material's tone and themes, but fueled on a rush of violent 80's energy it delivers as a proud guilty pleasure of action horror. Yeardley Smith doesn't moderate anything in Maximum Overdrive, and the result is a really dissenting performance. When this prophecy goes unfulfilled, it's a true disappointment. As her character does little more than scream and complain the entire film, her high pitched voice gets really annoying in doing it and so viewers are left to just hope that one of the trucks kills her. Notorious for voicing Lisa Simpson on the longrunning animated sitcom The Simpsons (1989-present), Yeardley Smith's voice pushes the limits of toleration with Maximum Overdrive. Yeardley Smith is a frustrating presence though. Emilio Estevez makes a convincing hero for the story and helps to epitomize the 80's nature of the film. He never stretches beyond believability in doing this as he maintains a gritty nature, giving him an effective bad boy charm in the process. Given that the man was big in the 1980's, it is great to see him leading such a ridiculously oddball film like Maximum Overdrive where he gets to use his handsome charm in an action hero role. Nevertheless, there is a certain nostalgic value that comes from the presence of Emilio Estevez in the lead role. As a result, there is not a high demand for performances and so the cast leave no distinctive impression. Since the dialogue in Maximum Overdrive detracts from its roots, characterization is clearly not a strong point for the film. It lacks the gothic nihilism distinctive in so many Stephen King films, but it's too damned fun to disregard. Maximum Overdrive is a well-constructed mix of imagery and music, so for all its efforts to be a relentless guilty pleasure it definitely succeeds. They effectively keep the mood of the film set in that of a music video with intensity and glorious rock n' roll. And the fact that AC/DC was responsible for the soundtrack is just amazing since they perfectly capture the manic energy of the film and its hardcore 80's tone. The result leaves a lot of memorable imagery in the film and plenty of entertaining action, and it is captured with strong cinematography. Skating by with a story that happens essentially within a singular location, Maximum Overdrive diverts the majority of funds into hiring cool-looking trucks and blowing them up. Maximum Overdrive is a low budget film, but for a first timer it is clear that Stephen King is aware of proper funds management. Maximum Overdrive carries the concept and some of the story elements from Stephen King's original short story but exists heavily more in the style of a music video than a legitimate horror narrative, and it manages to stand as a fun experience of its own right in the process. Even though this neglects the thought provoking elements of the source material, it still manages to stand on its own two feet as an entertaining action horror film. The shortage of character development and simplistic dialogue means that many of the scenes in between the action and slashing comes up short, but Maximum Overdrive is a film proud of its ridiculous premise and bent on having as much fun as it can in the process. There is a fair share of blood and gore to support this all as well as plenty of explosions and gunfire, so the exhilaration is kept alive throughout Maximum Overdrive. Through creative use of his concept, Stephen King finds a versatile series of ways to kill his characters in a variety of original and even funny ways. It's clear that he has gleeful fun with this, and the result is actually rather entertaining. Rather than taking the time to develop an intense atmosphere, Stephen King simply begins killing off random people fast. Rather than having the sombre and nihilistic tone of his more gothic works, Maximum Overdrive functions as a distinctively 80's guilty pleasure with a campy tone and a lot of black comedy. Maximum Overdrive is not a typical Stephen King narrative. The ambiguity and nihilism of the original short story stood out as a source of its distinctive greatness, but this becomes forsaken for a more comedically oriented tone in the adaptation process. In the case of Maximum Overdrive, this feeling is rendered absent by our awareness of the situation. This left the narrative to be very open-ended, suggesting apocalyptic possibilities. In Trucks, there was no way of telling how long the titular Trucks would dominate society for and the narrator envisioned them taking over the world and even multiplying. This betrays the source material by removing the mystery of how the machinery has come to life, but worse it informs us that the characters only have to survive for little more than a week. We are also informed that Earth will only remain within the path of the comet for little more than eight days, suggesting that the timespan of the technological turmoil is ephemeral. The intro text informs us that planet Earth has passed through the tail of a comet which is signified to be the source of the technology running independently haywire. Even though Maximum Overdrive is based on a simple short story, it still alters the premise of its source material in poor ways. The film is clearly not one that would be able to capture the same insight due to the medium being visual rather than written, but given that the central antagonists of the stories are trucks it makes sense that a spectacle would do a lot to bolster the material. But having read the short story, I'm capable of understanding how Stephen King was able to make the story work and just what themes he was able to fit into the short narrative. Based upon his short story entitled Trucks which was first published in 1973, Maximum Overdrive is a film with a rather ridiculous concept. Being the one film ever directed by horror writer Stephen King, Maximum Overdrive sounded like an interesting change of path for the man

Heekiah J (es)

Not one I can recommend on a 'pleasure to watch' level, but one I can recommend on the interest in Indian culture level. It is pure propaganda, and is fairly bad all in all, but worth the watch on the sociological level. This is an interesting insight to Indian culture regarding the Partition

Matt S (jp)

Interesting doc about the relationship between a father & daughter (a whole family really) and how they grow together and how they deal with saying goodbye before she leaves for college (and adulthood)

Matthew L (ag)

Terrible. Was. That. That was terrible