Grand Hotel

A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.

. . Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. He ends up stealing her heart instead. The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. ". Nothing ever happens. Otternschlag "People come, people go. Berlin's plushest, most expensive hotel is the setting where in the words of Dr

Grand Hotel is a new movie of Vicki Baum (by), William Absalom Drake (play). The released year of this movie is 1932. We can counted many actors in this movies torrent, for example Joan Crawford, Greta Garbo, Lionel Barrymore. Movie' genres are Action, Drama, Romance. This movie was rated by 7.6 in www.imdb.com. This is really a good movie torrents. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Download   Grand Hotel 1080p 43 44 1.67 GB
Download   Grand Hotel 720p 31 46 788.07 MB

Users reviews

Bugi P (it)

od hated them!!. But, that's all, destroyed by Daniel Baldwin and his armor suit friends. Enjoyable action and very typical of 90's with memorable bonding performances by Rourke and Johnson

Conor R (ca)

I don't think anyone has bigger balls when it comes to women than Bogey. This was a great flick. what's flixster's problem? Giving this movie three stars is a crime

Greg W (ag)

good pirate actioner no relation to the natalie portman vehicle of the same name

Jason D (gb)

It's really the last 35, 40 minutes of this movie that really packs a punch and makes it very entertaining. Malcolm McDowell shows up to as the school principal, but that role is mostly ho-hum as well. It's up to lead, former bad boy Gregg (looking like a poor man's Corey Feldman) to save the day and kill the 3 cyborg teachers (one of which is the delicious-looking Pam Grier, who is unfortunately wasted in this role). Their computer minds gradually become smarter and the teachers turn Terminators on the students' asses. Forrest (played hilariously by Stacy Keach, equipped with white mullet and contacts to signify that he is evil) develops cyborg teachers with military expertise. That is, until the treacherous Dr. As we delve further into the future, the major metropolitan areas have become increasingly worse with gang violence and youth rebellion. This is a loose sequel Lester's earlier film, Class of 1984

Jeffrey M (ca)

Terribly choreographed action sequences that are not at all exciting. Extreme gore for gore's sake that is so over-the-top that be becomes trite by the end of the film. Style over substance. Like most other modern Japanese films that I've seen of this ilk

Jeremy R (ag)

Corny sequel to the great original

Jim W (kr)

I also think Rupert Penry-Jones did a fine job in the lead as a man mistaken as a murderer of a spy and on the run from police. Rather than being a shot by shot remake, it's pretty different than the Hitchcock version even if the plot is a lot alike. The Alfred Hitchcock version is a classic and this film takes a smarter approach than the film-makers did that remade Psycho. The 39 Steps is a likable made for BBC film based on the book by John Buchan

Jonathan D (nl)

A bit of a bore with nice ending

Josh H (au)

Nonetheless, Tomorrow Never Dies is an entertaining if decidedly mid-level Bond affair. The clunky dialogue, the faceless Red Grant stand-in of a henchman, the unconvincing Brosnan-Hatcher romance, the media mogul who, in 1997, has apparently never heard of the internet. There are many flaws of course. Johnathan Price is an over-the-top matter of taste, though his brief chop-socky impression toward the end is almost worth the price of admission. There's the late, great Vincent Schiavelli as a genial psychotic hit man. There are terrific action sequences that flow masterfully into one another as the mid-section of the movie just keeps coming. There's Michelle Yoeh, great fun as Bond's roundhouse kicking Chinese equal. There's Brosnan, fitting the role like a glove. As escapist comfort food, a by-the-numbers Bond for when you're in the mood for a by-the-numbers Bond, Tomorrow Never Dies has its pleasures. But I'm being mean. I think it's an existential thing for the series: hard to get the tone right when your movie doesn't have a real reason to be other than venerated tradition (and, like most venerated traditions, its purpose is essentially to sell things). " It feels awkward, like the movie is trying to be all Bonds to all people but ends up being unconvincing on all fronts. Basically, it's hard to take a dramatic love scene between Brosnan and Teri Hatcher seriously just a few minutes after Moneypenny calls Bond a "cunning linguist. Meaning, they can't tell whether to be tongue-in-cheek comedic, dramatic, or go-for-broke action movies. Matt Gourley of the James Bonding podcast argues that the Brosnan Bond films suffer from a sort of tonal dissonance

Marcus M (jp)

njoy!. This is a solid 75% adventure film, and should be given another shot by modern viewers who aren't conflicted with the bias this film encountered. This film is the first attempt at continuing with that genre, only when it came out people couldn't see it was following a genre, and treated it like a knock off. Raiders created a whole genre of adventure films, and yet when you look at the serial adventures it was based on you realize it didn't create them either. Who cares? What's wrong with a good adventure flick that follows the style of a film. So, it's not Indiana Jones. It captures pretty well The Indiana Jones style of adventure. The action is good, the performances are good. They nailed the period setting of exotic locales as far as I'm concerned. What about the film though? It's not bad. Can you come up with a juicier bit of fodder for critics? They went to town on that one, as you can read in these old reviews. Strike Two: Tom Selleck was offered the role of Indy and turned it down. As a result this film stood there all alone with no hope of comparing to Raiders. Also, because of this, the copycat films didn't really come out in full force until the mid 80's. It's just that Raider's was too epic to have a follow-up that wouldn't pale in comparison. Not uncommon for Hollywood to come out with a bunch of copycat films all at once, some of which can be better than the original films they're copying. Strike One: It came out a year after Indiana Jones. You'll notice these strikes mentioned in a lot of these old reviews. This film had two strikes going against it when it came out, which squashed it's overall star rating, and buried it's legacy at the box offices