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Grande, grosso e... Verdone

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Grande, grosso e... Verdone is the best excited movies torrent of Piero De Bernardi, Pasquale Plastino, Carlo Verdone. The released year of this movie is 2008. There are many actors in this movie torrents, for example Carlo Verdone, Claudia Gerini, Eva Riccobono, Vittorio Emanuele Propizio, Andrea Miglio Risi, Martina Pinto, Clizia Fornasier, Geppi Cucciari, Alessandro Di Fede, Nicola Di Gioia, Roberto Farnesi, Pier Luigi Ferrari, Vincenzo Fiorillo, Massimo Marino, Marco Minetti. Movie' genres are Comedy. Many people rated for this movie, Rate is 5.5 in www.imdb.com. This is really a good movies torrent. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Grande, grosso e... Verdone 2008 torrent

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Links Name Quality Seeders Leechers Size
Download   Grande Grosso E Verdone, [XviD - Ita Mp3] Other 52 27 702.72 MB

Users reviews


CJ F (ca)

I'd recommend it to anyone looking for a laugh. I loved this movie! It's a little corny, but absolutely side-stitching! Marsha Thomason is fabulous as the owner of the Cat Cafe and the characters are well cast


Farshid E (gb)

har ki in filmo nadide nesfe omresh be fana


Glynda W (us)

I wish her much success and would like to see more of her work. She is a wonderful director, actress, writer and human being. It was great to see this movie come to fruition through Cathryn Michon's genius and hard work. It keeps you laughing from start to finish while also delivering an important message to a female audience and to men as well not to be so hard on themselves. I loved Muffin Top: A Love Story


John T (kr)

BUS 174 - 8 out of 10


John T (ag)

There is nothing about this movie that I can recommend to anyone. This raises the question: why remake this? If you're going to remake a movie, there should be some kind of compelling reason to remake it such as a new take on the original story or improved special effects based on today's technology to take the concept further. Bartholomew as its underlying theme, but this film has no such subtext; leaving only a ridiculous plotline plainly obvious to the viewer. The original Rollerball had the struggle of wills between Jonathan E and Mr. The only good thing about the soundtrack is that it drowns out the inane dialogue. Instead we are subjected to blaring rock music that distracted from the thrill of competition. Moreover, this film failed to duplicate one of the best aspects of the original: hearing the sounds made by the athletes, fans and motorcycles during competition. If the score doesn't matter, the characters have nothing invested in the outcome of the game and the audience is not liable to care. There were three games played in the film, but we were never told what the score is not through the incredibly annoying announcer or through graphics. At no point during the film are we ever shown a score for a game. In the remake, there's a track that crosses at points like a figure eight, but because we're never shown an entire "play" in this game, we never understand the inner workings, so it's like watching a sports highlight film for a sport we've never seen before. In the original, we understood how the game worked on a circular track. It was an incoherent collection of random and rapid fire shots, sometimes repeated in slow motion for needless emphasis, that amount to a number of muddled and disjointed action scenes. The editing is a textbook case of how not to edit a movie. Jean Reno came off as nothing more than a caricature of corrupt Central Asian warlord. Rebecca Romijn-Stamos flits through half of the film with a bad Eastern European accent and a helmet over her head. LL Cool J seems vaguely lost in his role as Jonathan's sidekick. Chris Klein is not a leading man and his performance was tepid at best. The acting is bad. The plot (what there is of one) is bad (or baffling might be a better word). Rollerball goes wrong in almost every single area. This is one of the worst movies I have ever seen


Kevin M (jp)

At least it's a pure fusion of methodologies, if not wholly satisfying. With exquisite camera work and lighting, "Enfants" is always a joy to watch even if its moribund storyline reeks of Cocteau's personal hang-ups and obsessions. 38 automatic at a dramatic high point, it's eerily similar to the climaxes of most of Melville's existential gangster epics. When the sister produces a . Most every scene in the increasingly grim second half is lit like a noir, or perhaps a German expressionist horror film with its stylized, stage-like set. When he bequeaths the mansion to them, they live in the massive parlor (watch out for the checkered floor!) and re-create the cramped living conditions of their formative years. The sister falls in love with a rich Jewish fellow, who clogs narrow French country lanes with his gigantic Chevrolet sedan, later serenading the siblings with an Irving Berlin tune on his grand piano. "Les Enfants Terribles" is first and foremost a Melville joint; while he honors the original text, there are occasional digressions and stylistic decisions that're totally his. Glaringly obvious symbolism aside, Melville makes sure the story doesn't get bogged down in melodrama, keeping the pace nice and fluid. Most of the story deals with the sister's bizarre, unmotivated manipulations of her brother's "romance", testing the limits of his "weak heart". Cocteau's gender dissociation, carried over from the novel, forms the basis of the brother's lifelong quasi-relationship with his would-be "killer"; later on, the boy reappears, played by the same actress, as the beautiful friend of his sister. Nicole Stephane, as the icy, dominating sister, gives an intense performance to offset the bland, innocuous presence of Edouard Dermithe as the brother with a weak heart, who nearly gets killed in a snowball fight in the semi-fantastical prologue. Melville updates the novel, which took place mainly around the turn of the century, and puts it in the "modern day" of late-40s, post-occupation France. Put together, they made an occasionally engaging tale of two siblings with a vicious love-hate relationship, a story that is at times grating and obvious but distinguished by vivid mise-en-scene. Melville with his love of American culture, especially gangster potboilers, and Cocteau with his sentimental yet strange nostalgic visions. P. The talents of these two Jeans could not be more divergent; J


Milo M (gb)

Excellent and heart breaking, a must see


Noah S (ag)

I'm greedy, I'd like to keep most of it for myself and a few of my friends, keep that superlative high on the cusp of each day so that I can radiate sunshine. . . that soaring sense of perfection, like, oh god, a 24-hour climax . . . " . . . It worked like a charm when were consumed by Edie's narrative . Why the director felt he had to bring us back to the reality of now is beyond me. I couldn't help feeling that the movie would have been better if had been just that instead of a series of flashbacks. " - Facebook user. "This movie is an odd little contrived exploitative capsule of a real scene and real people


Randy T (br)

Good story but a bit of miscasting knocks this one off center and off the mark


Reem A (nl)

Excellent in every way, shape and form. It has everything one could ever want in a movie that is based on a true story. I LOVED this movie