Hammerhead (1968) torrents full movies

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Hammerhead

An American agent has tracked down the stronghold of an evil criminal mastermind, determined to take over the world (what, another one ?).

Hammerhead is the best great movie of William Bast (screenplay), Herbert Baker (screenplay), Stephen Coulter (novel), John Briley (adaptation). This movie was introduced in 1968. There are many actors in this movies torrent, such as Vince Edwards, Judy Geeson, Peter Vaughan, Diana Dors, Michael Bates, Beverly Adams, Patrick Cargill, Patrick Holt, William Mervyn, Douglas Wilmer, Tracy Reed, Kenneth Cope, Kathleen Byron, Jack Woolgar, Joseph Fürst. Movie' genres are Thriller. This movie was rated by 5.5 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 100 minutes. Leocuto is crazy uploader, he is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are visitors? Maria Ozawa is the best. I can't push my iPad screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

An American agent has tracked down the stronghold of an evil criminal mastermind, determined to take over the world (what, another one ?)

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LinksNameQualitySeedersLeechersSize
Download   Hammerhead - 1968 (British Spy Thriller)Other53461.46 GB
Download   Hammerhead.1968-Dvdrip.XvidDVDRip45311.46 GB

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Users reviews


Al M (de)

Will no doubt please fans of 80s horror. Gore, humor, and creepiness blend together in this film about marines fighting against one another and against some form of creatures at a secluded farmhouse. Scarecrows is not really briliant or classic horror, but it is original and fun-filled


Andrew W (mx)

nah, I don't care if you have James Earl Jones


Dan B (us)

Very moving, and at times very difficult to watch


Garett T (mx)

You may enjoy this movie more if you are already a fan of jazz, as music speaks just as much as the characters do here. I wanted to believe his character was real; you will, too. It was a complete experience that he delved into, completely embodying the drinking flaws and all. However, I was fully in awe of Dexter's performance, no matter what he was doing. . . Strangely, what I liked most of this film's music was any music that Dexter didn't contribute to! That may be because I'm not much a fan of the saxophone, and Herbie is just so good behind the ivories. This film is both very relaxing and enthralling, as can be jazz music


Harry W (gb)

Essentially, Deliverance is a masterful thriller constructed excellently on a low budget with shocks and fears that are haunting in their imagery and are absolutely unforgettable. Ronny Cox was also good. The scene is unforgettable and his work is deserving of serious acclaim. Ned Beatty also worked tremendously hard to secure a powerful performance in Deliverance , and since his character is put through a forcible male rape sequence it's difficult not to feel shocked by the dynamics, but Ned Beatty works with this and conveys the horrific fear from the moment in his character perfectly. Deliverance is a front for his immense skill at dramatic work very early in in his career and foreshadows some of his most acclaimed work in serious dramatic character roles, such as his Academy Award nominated turn in Boogie Nights. Before he became iconically comedic for his work in Smokey and The Bandit he worked immensely into his character in Deliverance, portraying a character with strong physicality but a weak ego in his characterisation of Lewis Medlock. And Burt Reynolds makes a breakthrough in Deliverance. He strongly conveys his internal struggles and psychological dysfunction after a series of cataclysmic events leave him shattered, and the way he frantically is forced to turn strong in a hard situation is an excellent scene for the characters development. Jon Voigt leads the story strongly in Deliverance portraying Ed Gentry, the character perhaps most haunted by everything, even when what happened to Bobby Trippe would be significantly more scarring. And the cast of Deliverance keeps it alive. But what's the best part is how a story as simple as that of Deliverance can be so thrilling and so clever in the manner that it psychologically manipulates its characters, and its truly an excellent spectacle. It's incredible. But in Deliverance it's different. How they attempt to deal with it individually is emphasised excellent, particularly since death has grown to becomes such a commodity amongst film and something characters can cause without flinching. They actually realise "We just murdered somebody!". They don't play it off as something that just happened. The development is flawless, particularly at one scene where the characters deal with murder. They drown themselves in fear and paranoia of what will happen, and slowly they collapse psychologically. It develops into the fear the characters gain of the wild land as they become trapped in it, forced to commit actions which they cannot comprehend doing in their own town. It makes it abundantly clear that the land does not welcome them, nor do the people. One reason it does this well is by never tying the characters to the setting. And it's special, particularly because handling such a story is rough territory to charter into, but he treats it as the author and screenwriter James Dickey has clearly intended, and in due process turns it into a landmark thriller movie. His direction perfectly contextualises the story. It just maintains a constant atmosphere so strongly that we see the main characters as the fishes out of water the normal folk see them as, and John Boorman's role as director is truly deserving of very much acclaim, because his handling of the story takes a laid-back approach to the events so we understand how the atmosphere naturally exists in the world the characters are in. It's an excellent and memorable moment with terrific music, and similar music plays later on in a slower pace to convey the slow moving structure of country life, even when it's used as the characters are rushing down the rapids of a river. Yet the music used at the beginning of the film is an eccentric and energetic country piece which conveys the type of land the characters have entered. The atmosphere is masterful, as director John Boorman makes use of silence to enhance the mysterious feel of unknown land. It conveys the beauty of the natural land as well as the darkness of it, ensuring Deliverance is given a strong setting to be based in, especially as it is conveyed as if the land has never been seen by anyone and is unknown territory, just as the main characters would view it. It explores the land deeply, mainly through excellent cinematography which is used to angle the land in views from all different directions. The locations used are beautiful as they convey the more grey side of the country, more dark and gloomy land against a river running rapidly. Deliverance is a film that holds a strong cultural line between country and city life which it conveys in an excellent manner. Deliverance stands today less shocking than it was upon its original release in 1972, but its brutal thrills and psychological issues stand as effective as ever


Heather M (us)

This movie was outrageously silly, but it had a fun ending and characters that you have to watch to see how things turn out for them


James S (de)

Loses points for having monsters with rigid unexpressive faces


Jesse O (jp)

I'm sure not everybody is going to like it, but I thought it was quite entertaining. And that's about it really, this is just a fun horror flick, though it's more of a comedy than a horror movie. The script is fun, there's some gross out moments here but there's also some clever dialogue and fun performances from the cast (especially Kristen Hager, Shawn Roberts, and Stephen McHattie). This film achieves that, even if it follows a formula. The film, as mentioned, isn't out to innovate, but I think the film took this and made it into a positive because sometimes horror films are just meant to be escapist, silly fun. This film also has a great cast and it was clear they were having a blast doing this film and, to me, that's always important. Instead of taking horror conventions and turning them on their heads like Cabin did. Though this film is simply content to on trying to entertain you first and foremost, without much in the way of reinventing the wheel. This might be the most fun I've had watching a horror film since Cabin in the Woods


Joseph H (ag)

This movie is the disowned offspring of the Star Trek episodes that even Trekkies admit were stupid, and Batman TV shows that were left on the cutting room floor. George Takei is forced to deliver lame Star Trek lines time and again throughout the unbelievably bad script. Absolutely awful


LeMarcus S (de)

Okay movie I enjoyed it since I like those type of movies don't expect a lot from it but still good to see