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Hercules: The Legendary Journeys - Hercules and the Lost Kingdom

Hercules is provoked till he has no other choice then fight Gargan, a giant who had absolutely no quarrel with him- and decks the mountain of aggression easily. Then the last survivor of a ...

. . Then the last survivor of a . Hercules is provoked till he has no other choice then fight Gargan, a giant who had absolutely no quarrel with him- and decks the mountain of aggression easily

Hercules: The Legendary Journeys - Hercules and the Lost Kingdom is a movies torrent of Christian Williams (creator), Christian Williams. This movie was introduced in 1994. We can counted many actors in this movie torrents, such as Kevin Sorbo, Anthony Quinn, Renée O'Connor, Robert Trebor, Eric Close, Elizabeth Hawthorne, Nathaniel Lees, Jay Saussey, John Sumner, Lee-Jane Foreman, Onno Boelee, Chic Littlewood, Alex Beasley, Te Whatanui Skipwith, Daniel Warren. The kind of movie are Adventure. This movie was rated by 6.6 in www.imdb.com. We have a good movie to watch. Please support us via sharing this movies to your friends

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Links Name Quality Seeders Leechers Size
Download   Hercules and The Lost Kingdom Other 36 52 700.21 MB

Users reviews


Alexandre B (us)

ne belle introduction au travail de George Mlis!. Scorsese fait apparemment aussi des films pour un jeune public


Chad D (ca)

albeit, it is better than any slasher film that is being released at the time it was released. . . . While it may be a shining homage to the slashers of the past, Hatchet falls victim to the fact that while all the bad aspects of the film are done on purpose, it creates a horror film that, at most times, fails to present anything of quality


Dan L (es)

A slow burning revelation on the nature of relationships. Spectacular performance by Charlotte Ramping


jen b (ca)

here wasnt really anything to it tho. . . it was ok


Juan Diego L (ru)

muy buena, los personajes muy buenos e icnicos, la historia muy chevere y sencilla, un clsico


Julio S (fr)

There was just nothing likable about this one, a complete 180 degree turn from Funny Girl. And then Sharif was just plain creepy in this one just standing around trying to get by on looks that are waaay behind him at this point in time. Yes, the show was supposed to be horrible but do we need to WATCH it be horrible completely instead of just snippets? So instead of a rooting for a girl who has nothing and seeing her become something, we have the same woman, but now is a bitch and wants more, but thinks so lowly of herself she's willing to take a sleazy guy like Caan's character who's so unlikable I don't see how anyone could want to see them work it out. Most of the musical numbers did not have anything to do with forwarding the story or letting you in on a person's personality, but seemed to just exist for the sake of "we need a number". It tried too hard to be "stage-show"-ish. Wow was this movie bad


Justa C (au)

o see it!. Great movie with a terrific plot! DMX's best by far! Gives you a very realistic feel of the consequences of aggravated vengeance, disaster, sadness, and the devastation left behind


Kevin N (br)

It doesn't matter if you like the blues or not; if you're interested in people, this is a must-see movie. Besides being about such an interesting subject, the film also contains some mesmerizing musical sequences (thanks to said subject), and these moments, which feature Bluie and pals collaborating on sporadic tunes in their home or on the street, are so raw and unique. It's a fascinating combination. I think that book is probably one of the most personal things Bluie ever did, as it seems to mirror his personality; as the film progresses, we get to see two sides of the man- one is sweet, thoughtful and passionate and the other is crass and dirty. He calls it the ABC's of Pornography, and it is a book containing pages devoted to prose, photos and drawings that make sex both poetic and obscene. In one of the best moments of the film, Bluie shows a fellow musician a piece of art that looks as though it probably took years to compile. Alongside playing fast, hard and soulful blues music, he is also a drawer and poet, and part of the brilliance of Zwigoff's hand is that he intertwines these talents. Here he is nearing the end of his life, yet he shows no signs of stopping his art. Zwigoff gives us an hour of time with the titular Louie Bluie, or more formally Howard Armstrong- one of the most interesting musicians ever committed to celluloid. Yet perhaps it is the film's short running time that makes it so special, so interesting. Terry Zwigoff's debut film is a brief hour in length, but it's the kind of absorbing documentary that I could have gone on watching for five or six


Pascal L (es)

Can barely remember it


Stewart F (br)

It has its fun moments, but there's something missing - maybe there are just too many implausible events. It was a bit slow in places, but has some good clearly-delineated characters in it. Mixed feelings about this