Hold My Heart (2002) torrents full movies

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Hold My Heart

A young father kidnaps his daughter, Lisa. But the mother, the police, media and Lisa ruins his plan. On a trip around the country, everyone must realize they have a fault in this.

Hold My Heart is the best excited movies torrent of Trygve Allister Diesen, Knut Kristiansen. This movie was introduced in 2002. You can check list actors in this movies torrent, for example Jørgen Langhelle, Vera Rudi, Andrea Bræin Hovig, Kari Simonsen, Ingjerd Egeberg, Anders Nyborg, Trond Høvik, Ingar Helge Gimle, Sari Price, John Sigurd Kristensen, Lars Funderud Johannessen, Sina Langfeldt, Hans Marthin Granlund, Even Rasmussen, Kristin Zachariassen. The kind of movie are Drama. Many people rated for this movie, Rate is 6.9 in www.imdb.com. We have a good movies torrent. The runtime of this movie are awesome, about 92 minutes. Chich1Phat is crazy uploader, she is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your opinion. Do you know what are customers? ShinichiKuto is the best. I don't leave my iPad screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

The police, meanwhile, have organized a manhunt for Harald, and only one policewoman believes he is not a dangerous man. Over the course of a few days, the father and daughter grow closer. Furious, Harald kidnaps his 7-year-old daughter, Lisa, who he has been forbidden any contact with. The father, Harald, has divorced Cecilie, his wife, after an ugly breakup which involved accusations of spousal abuse and child molesting. Tyven, Tyven ("Hold My Heart") follows the tense relationship between a father and his young daughter

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Download   Hold.My.Heart.2002.DVDRip.XviD-YYddrDVDRip2831698.06 MB

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Users reviews


Aaron R (es)

This film is simply great with all the castrophic events that take place in this epic and destructive film


Cameron J (jp)

3/5 - Good. In closing, uneven focus and pacing all but aimlessly drag the film along a path so sentimental and formulaic that it threatens the final product, but on the backs of a solid unoriginal score, well-characterized script, strong acting and chemistry, - particularly between Rob Brown and Sean Connery - and tasteful direction, all behind worthy subject matter, "Finding Forrester" compels and rewards as an urban melodrama on embracing the opportunities handed to you in life. I suppose the film stands to be more consistent in his realization, but the fact of the matter is that this is a worthy story, and Van Sant knows it, doing what he can to craft a generally rewarding character study. Working with a conceptually sensitive drama, Van Sant holds the power to either drive the film as consistently compelling, or cut it short of realized, and while Van Sant stands to have a more comfortable grip on this sometimes sentimental affair, his steady and thoughtful approach, more than it is slow, is charming, with a tastefulness that allows you to get a feel for the weight of this intimate endeavor, particularly when backed by highlights in dramatic kick that move. Brown and Connery take this drama with subtlety and grace, and that's more than you can say about many of the storytelling attributes of this drama, but not too much more than what you can say than most storytelling touches, from Van Sant, that is. These performances are underwritten in a drama this minimalist, but just about everyone plays his or her part as best he or she can, with leads Rob Brown and Sean Connery carrying the film, not just with charisma and nuance, but with a thoroughly endearing chemistry that helps in defining this intimate character study. Mike Rich's script is overblown, both with its histrionics and, of course, with its structure, which is often uneven and overblown, yet still pretty tightly extensive in a lot of ways, particularly when it comes to characterization that is well-rounded in crafting derivative, but intriguing characters, brought to life by strong performances. The film is rather held back by its story's sheer familiarity, which you have time to ponder upon due to the draggy telling of such a story concept, and yet, no matter how familiar, this subject matter is worthy as a tasteful and surprisingly not-too cloying portrait on working to better yourself, both on the path to a new life and in the twilight of life, whose effectiveness can be made or broken by its interpretation. Deciding to give Danny Elfman a break for a while, ostensibly because he didn't want to run the risk of drawing yet more comparisons between this film and "Good Will Hunting", Gus Van Sant plays with an unoriginal soundtrack that recycles modernist minimal compositions and even a couple free jazz pieces which do anything from liven up entertainment value to compliment dramatic tenderness in a manner that is genuinely unique, and therefore helps in compensating for the lack of uniqueness to the narrative. Of course, it is ultimately firmly secured by inspiration that outweighs the shortcomings, anchored by good tastes, even in music. Like I said, there are lazy spots in Van Sant's storytelling, and they shine a light on shortcomings in the narrative itself, until the final product finds its reward value threatened. I suppose a sense of inspiration within Van Sant's direction gives the film something of a refreshing feel, but once you cut through the veil, it's hard to deny that this story is hardly anything new, even for Van Sant, being not much more than an urban/white savior answer to "Good Will Hunting" that takes tropes both from the Van Sant classic and a number of other urban dramas, until it feels hopelessly derivative on the whole, no matter how hard Van Sant tries, to an extent that is. A no point is the film ever all that corny, but honestly, it can get a little overblown and ambitious with its dramatics, almost in a dramatically lazy fashion that reinforces a predictability which is established in the first place by conventions. Of course, once these heights come into play, they are themselves a little problematic, placing certain cheesy and far-fetched themes in a dramatic context that results in a certain sentimentality which kind of betrays the drama that is generally realized in its bite. An intimate drama which flirts with a relatively whopping runtime of 140 minutes, this film, no matter how compelling, outstays its welcome, and it really begins to try your patience once you begin to get used to Gus Van Sant's thoughtful directorial pacing, which then devolves to limpness that all but bores you while you await a height in storytelling. It's a relatively long while before such major characters as Sean Connery's titular William Forrester character comes into play, and focal inconsistencies don't end there, peaking at that point, sure, but convoluting narrative structure throughout the course of this layered drama, thanks largely to the film's spending a touch too much time focusing on each individual layer. However, with that said, I don't know if it's quite "Good Will Hunting" good, for a number of reasons. Forget the titular character of William Forrester, because I think I'm more baffled at how they found Connery himself, or at least at how they were able to put Connery in a good, non-"James Bond" film. On top of all of that, I mean, come on, the mentor in question is Sean Connery, who may as well be black, because he's such a notorious player with all of his smoothness, or rather, "shmoothnesh". Well, I don't know if you could call this a sequel of sorts, because "Good Will Hunting" was white something fierce, whereas this film is so the opposite of that that it's about a black kid, and actually has the audacity to give Busta Rhymes a supporting role. That's a little joke for Gus Van Sant fans out there, seeing as how they seem to be the only ones who remember this film, but I am kind of serious, because, like "Good Will Hunting", this film is about a humble, but troubled older man who helps a promising, but disturbed lad realize his potential as a genius. Yes, people, to continue my lame puns, after all of this "Good Will Hunting", it would appear as though we finally found Forrester. I'm sorry, but I just can't help but think of "Forrester Gump", which is wrong, because no matter how much he ran, Forrester appears to have been found


Daniel D (nl)

Entertaining Seagal film, and that's it


daniel s (jp)

Grips you till the end. Brilliant film


Dann M (br)

Still, while the lack of cleverness in the writing holds the film back a bit, Hot Tub Time Machine is entertaining and has a lot of good laughs. However, the time-travel aspect of the film isn't that effective: as it focuses too much attention on '80s fads, and the humor isn't organic to '80s culture. The cast includes John Cusack, Rob Corddry, Craig Robinson, and Chevy Chase, who all deliver great comedic performances. When three friends take a trip to a ski resort they end up accidentally going back in time to 1986 where they have to relive a seminal weekend of their lives in order to prevent disrupting the timeline. Hot Tub Time Machine delivers a wacky adventure that's outrageously hilarious


Dee T (it)

Not to mention a very young Pierce Brosnan as a speechless extra. Command performances by Hoskins & Mirren portend future greatness. The apex of Brit gangster flicks IMHO


Frances H (kr)

Godd performances. One of the better political satires of the 80-90s period with a dramatic end


I am A (ag)

pretty good movie about friendship and all that coming of age stuff


Jacob M (nl)

Is it just me or does D'Onofrio always make every role he has slightly psychotic. Caught this on late night TV


John S (ru)

I heard this was terrible