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Imogène McCarthery

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lle s’appelle Imogène Mc Carthery… du clan des McLeod !. Elle a un fichu caractère et une sacrée descente au whisky. Elle vit à Londres, mais se considère en exil. Elle aime le rugby et la cornemuse. Elle est écossaise. Elle est rousse

Imogène McCarthery is the best new movie of Charles Exbrayat (novel), Alexandre Charlot (scenario), Franck Magnier (scenario). The released year of this movie is 2010. You can check list actors in this movie torrents, such as Catherine Frot, Lambert Wilson, Danièle Lebrun, Michel Aumont, Lionel Abelanski, Pierre Laplace, Francis Leplay, Nicolas Vaude, Sara Giraudeau, Michel Duchaussoy, Laurent Gamelon, Anne Benoît, Laurent Gérard, Bruno Lochet, Marie-France Santon. There are many categories, such as Mystery. Many people rated for this movie, Rate is 5.2 in www.imdb.com. This is really a good movie torrents. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Links Name Quality Seeders Leechers Size
Download   Imogene McCarthery.FRENCH.DVDRip.XviD-AYMO[cvsj] DVDRip 36 37 699 MB

Users reviews


Ahkah L (ru)

great storyline. Pretty funny


alex f (ca)

Annoying doesn't come close. . . Collin had terrible taste in women


Andrew B (br)

I recommend that any one who enjoys a good horror film see The Beyond. Seeing this film on 35mm with an audience is recommended, but the recently released blu ray is very nice. The final culmination is that of the dreams of a madman giving the audience no sense of closure, but providing one hell of an entertaining film. As an audience member we are forced to sit through long stretches waiting for the next gruesome death. What is perhaps Lucio Fulci best film can only be described as a surreal nightmare


Brett C (es)

I apologise for the lack of comprehension in this review. I will need to watch this film again in the future in order for me to completely understand the film's intentions and also to give it a proper review that it deserves. My Own Private Idaho was a good film, and definitely one that proved to the general audience that he is a great director. Both actors were able to do convey the subtle pains and thoughts of their characters, while also being able to bring this energy and Shakespearean dramatics that was needed for the scenes in Portland. They don't know what's ahead of them, all they know is they have each other right now and they need to do what they need to do for this day in order to get to the next one. They both seem to really grasp this sense of loss in direction. The film's acting was definitely top notch boasting the best performance I have seen from River Phoenix and Keanu Reeves. The songs that I do remember were quite nice to listen to and each track seem to represent a certain moment in the character's lives and not always connected tonally with each other. I am not sure whether or not the film contains an original score as I only remember the film only using soundtracks from various artists. I thought having that was really clever. The film's ending also has this clever reference with the camera starting close to a character and goes further and further away vertically almost as if we were saying goodbye. The film contains flashbacks and visions of Mike's life with his mother, and they were shot similarly to a home video recorder, giving that feeling of age and a sense of time. I can definitely say that some moments were shot in a way that was quite unexpected and hilarious, like the film's sex scenes, which has characters freeze at a certain way while the cinematographers are shooting. I don't really wanna go into it as I was way too invested in trying to understand the film's ideas and themes, not giving myself enough time to pay attention to the film's photography. Campbell and Eric Alan Edwards. The film's directors of photography were John J. Saying that, I still think the film is just a tad too long, and would have benefited from a 10-15 minute trim. I didn't have a problem with the use of this style of pacing as it helps build the character faster and not take too long on a specific point in the character's journey. Van Sant was able to have us feel how Mike feels, we never seem to have a sense of time and place until we are fully awake and be filled with the details. I found it clever for the director to use the character's Narcolepsy also as a tool in controlling the film's pacing. I need to watch this film a couple more times to comprehensively understand the film's characters and themes. It's neutral footing makes me wonder on why there was such an emphasis on it. The film also explored the lives of these young adults and what they have to do in order to just get by, again I wasn't sure what Van Sant was trying to do here as he doesn't seem to judge them or praise them. The film shows us footage of Mike's mother which is clearly meant to mean something important for the character and his journey but I wasn't entirely sure on what the director was trying to say. Surprisingly the film still has that Shakespearean quality, especially in scenes when Mike and Scott are with Bob Pigeon in Portland, where dialogue and blocking seems to come close to the line of over-dramatic. The ending of the film just screams out Easy Rider but Van Sant avoids it from being too similar by giving it a sense of hope as the car drives on. On some spots of the film, I can see it's influences from other films, particularly Dennis Hopper's Easy Rider. I was also surprised on how funny the film was, though the comedy at times was a bit dark and may come off differently with others, but nevertheless I laughed. Van Sant gave My Own Private Idaho, for the most part, a melancholy tone with only some moments containing a sense of energy and optimism. The film was directed by Gus Van Sant, and this was his third film. The film also never goes where you expect it to go, keeping me interested and surprised throughout. He lets the characters develop in their own way, building it brick by brick as each scene passes. Van Sant doesn't beat us over the head with the film's ideas and messages, instead lets us find it ourselves. The film's characters just keeps on searching and searching for that certain something, hoping to not come back where they started from, Idaho. Van Sant has explored this idea very well, with Idaho always being the starting point of a new journey. The point of the film is to observe the journey that these two protagonist go through together and separately; searching for that something to keep living life, a sense of purpose with the ultimate goal being happiness. Maybe it would get better during a second viewing, as l know what I'll be getting into. The film doesn't contain a clear plot for us to grab onto, and this was something I found disappointing at times because some moments in the film feeling close to empty, with only a hint of character development to keep it's audience engaged. The film is essentially about the life of two individuals, Mike and Scott. I have not read Shakespeare's Henry IV, so I came into this film blind. The film was written by Gus Van Sant, and the film is based on William Shakespeare's Henry IV. I was happy with the film, but there were some aspects about it that needed improvement or needed for me to understand more. This is a film that is not something one would just choose for a casual watch, as there are things here that are quite depressing and an ending that could have people be feeling frustrated or confused. My Own Private Idaho would be the first film I have seen from Gus Van Sant, which is a director I am eager to explore


Cole E (au)

One hell of a good time


Jason T (it)

Takes a bit too long to get started too. It's a well made film but needs more excitement or suspense as I was getting bored in many scenes. Good acting, dialogue and I liked the story


Jun Hao T (jp)

A heartwarming French comedy illustrates the friendship between a handicap billionaire and his caretaker


Scott R (ca)

Enjoyable; what a cast!