In 1860s Paris, a young woman, Therese, is trapped in a loveless marriage to the sickly Camille by her domineering aunt, Madame Raquin. She spends her days behind the counter of a small shop and her evenings watching Madame play dominos with an eclectic group. After she meets her husband’s alluring friend, Laurent, she embarks on an illicit affair that leads to tragic consequences. Based on Emile Zola’s novel, Thérèse Raquin.
- Stars:Elizabeth Olsen, Oscar Isaac, Tom Felton, Jessica Lange, Shirley Henderson, Matt Lucas, Mackenzie Crook, John Kavanagh, Lily Laight, Matt Devere, Dimitrije Bogdanov, Aleksandr Ivanovic, Filip Dedakin, Richard Sharkey, Miodrag Milovanov,
- Director:Charlie Stratton,
- Writer:Neal Bell (play), Charlie Stratton (screenplay), Émile Zola (based on the novel "Therese Racquin" by)
Set in the lower echelons of 1860s Paris, Therese Raquin, a sexually repressed beautiful young woman, is trapped into a loveless marriage to her sickly cousin, Camille, by her domineering ... . You can read more in Google, Youtube, Wiki
In Secret torrent reviews
(kr) wrote: May be the worst zombie movie ever. Very cheap effects, music is horribly done. Poorly put together. Pass on this movie
(jp) wrote: Basic zombie gore movie. Nothing Special. Dr. Maniac fails his medical experience in mental hospital... -the rest of you know. Running and screaming... ecaping blooduhungry zombies... I have seen hundreds of these.
(it) wrote: This movie was just a crappy horror movie. only thing it has going for it was the plot twist at the end but you cant follow a crappy movie with a good ending.
(ru) wrote: good movie exept 4 ending and zayed khan is soo cute is this move
(de) wrote: Released in 1971, Sunday, Bloody Sunday was certainly a marvel for it's time, due to it's attitude towards sexual politics. Not only did it center on a polygamous relationship, but it did not depict homosexual characters in a demeaning or stereotypical fashion. It's almost an unbelievable concept that Sunday, Bloody Sunday was made at all, no less a financial success. Unfortunately, the storytelling isn't quite as refined as the film's subject matter, as the film has issues with momentum, and it ends somewhat on a whimper. At it's best though, the movie is suitably sad and provocative, and holds a very integral place in queer cinema history.