In the Army Now

Two misguided youths join the reserves to make some money for their entrepreneurial dreams. No sooner than they finish basic training are they called up to do their part to save the free world.

No sooner than they finish basic training are they called up to do their part to save the free world. Two misguided youths join the reserves to make some money for their entrepreneurial dreams

In the Army Now is the best excited movies torrent of Steve Zacharias (story), Jeff Buhai (story), Robbie Fox (story), Ken Kaufman (screenplay), Stu Krieger (screenplay), Daniel Petrie Jr. (screenplay), F. This movie was introduced in 1994. There are many actors in this movie torrents, such as Pauly Shore, Andy Dick, Lori Petty, David Alan Grier, Esai Morales, Lynn Whitfield, Art LaFleur, Fabiana Udenio, Glenn Morshower, Beau Billingslea, Peter Spellos, Barry Nolan, Coleen Christie, Ryan Cutrona, Paul Mooney. Movie' genres are War. This movie was rated by 4.8 in www.imdb.com. We have a good movies torrent. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

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Download   In The Army Now (1994) - XVID - DVD Rip - 1024x560 (16x9) - Hig DVDRip 41 48 2.3 GB
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Download   In The Army Now.avi Other 34 33 728.84 MB

Users reviews

Allan C (it)

Alan Howard is also good a Lowe's very direct adviser. It's kind of funny to see a college age Julian Sands, who plays one of the nicer posh Brits. And even though this is a 80s style sudo-Brat Pack film, it doesn't really have that much of a 80s vibe to it, so I didn't even get all that good of a nostalgia kick from the film either. The story is pretty dumb, but it's a good cast, which makes the film watchable. Ally Sheedy plays an American girl also going to Oxford. It's a pretty standard story of Lowe being the brash outsider trying to work his way into posh society, getting in good with the snooty rowers and also trying to woo a Princess Stephanie of Monaco-like character played by Amanda Pays. Ho hum story about ugly American Rob Lowe going to school at Oxford to be on their rowing team

Darren H (de)

Was it the towering peer pressure from a government and its military hounds? Or was it just plain rotten group think from a bunch of dumb individuals? I got the impression it was a little bit of both. As if daring his audience to cast the first stone, Morris places the camera directly in front of each guilty party's face while asking them to pinpoint the breakdown of their moral conscience. Errol Morris' probing camera digs deep into the infamous photographs from Abu Ghraib and uncovers more questions than straightforward, ready-to-slam-the-goverment answers, like that other investigative doc on the same subject (Taxi to the Dark Side)

Jaime D (ru)

It's naive, stagy, could use an edit but it's a small unique beautiful film that remains one of my favourites with an eponymous central protagonist that I still feel very connected to. Unsettled. . . Watched this for the first time in about fifteen years a few nights ago and I wondered if it would resonate with me now as much as it did then, when my life was a little more

Jake P (ag)

It's all about that car chase

Jeff B (us)

It's just good, clean, masochistic, shoot 'em up, evil and mayhem with a very little taste of the good thrown in for, as one would say, good measure. Moral of the story? Well, there really is none. In the end, the bad guy gets it, but even though good and ugly escape with a fortune, the only reason they both escape is the perverse connection they've built over time. It is one that is mutually beneficially and mutually abusive, yet at the same time they appear to seek it out. The relationship between Blondie and Tuco is an odd one, to say the least. They're all about as evil as can be, so maybe Blondie is only good comparatively. And whether Blondie is Good, Blue Eyes Evil, and Tuco Ugly is questionable. Yet at the same time, he's so silly, so pathetic, so idiotic, you can't but find a place in your heart for this villain. His character, Tuco, has got to be one of the most selfish, mean, nasty, evil men in film history. Clint Eastwood is his usual cool, cold self, but it is Eli Wallach who steals the show. Some may say the film is unnecessarily brutal, but it's a reflection of one of the most brutal times in American history, the Civil War where more death and carnage occurred than any time previous or since. And even though the story meanders a bit, nearly three hours in length, it is still a captivating story of what is good, bad, and ugly in all of us. From the outset, one is captured by the panoramic shots, close ups, and hunting sound track. I may be a bit biased, for this is one of my all-time top ten films

Jessica S (au)

LOVE Colin as a cowboy! ;)

Jonathan B (nl)

Catfish is one of those documentaries that despite having dark moments and causes for concern about society is ultimately uplifting and refreshing in outlook. Truth really can be stranger than fiction and the fact that the three young filmmakers manage to present this story in a manner that is neither judgmental or sensationalist is a testament to their humanity and maturity. Catfish really drew me in and had me guessing in a way that many movies can only aspire to. What I was totally unprepared for was quite how the story would unfold as what happens really is so strange and compelling that I was left both stunned and moved by the plight of all involved. Right from the offing, as a viewer, you just know it isn't going to be the amazing romance Nev has in mind and gradually suspicions grow as the story begins to fall apart. We see how Nev and the young woman gradually form a bond, how Nev learns about a distant family and begins to construct a story that fills in the narrative. Made up of candid clips filmed by Nev's brother Ariel and a friend Henry Joost, Catfish is a compelling documentary of a modern phenomenon, the "Internet Relationship". When Catfish was made, this kind of situation was less in the public eye and so watching Nev Schulman begin to converse with a young woman, first via a chatroom and e-mail and then on the phone sets alarm bells ringing. We've all heard the stories of dates that have been arranged via the internet and when the person shows up, the photo is about 15 years old and several kilos lighter than the person we saw on the screen. I think that we are all a lot more savvy about on-line relationships these days

ld p (us)

1/2 stars!!. DVD Transfer is very nice crystal clear!! I recommend this move. A love story. Nice intriguing plot great 170th century set decoration at the court of Versailles. Minds Wit and quick thinking are the way to an audience with the king in this 1700 french period piece. The illiterate crowd might not understand this one!! ha ha. Excellent move

Natalie C (au)

Not my kind of show

Ola G (au)

"Star Trek II: The Wrath of Khan" is ok in my book, but not something that sticks to me like it does to a Trekkie. And its nice to see a young and beautiful Kirstie Alley as Vulcan Lieutenant Saavik. Moments that stands out. The top moments are the battle of the mind between Kirk and Khan and Spock's sacrifice at the end. Yes, theres somewhat a nostalgic feeling to it even if the film also carries a campiness like the tv-show did. The film is sort of a sequel to the episode "Space Seed" from the original series as Khan returns with a plan of vengeance against Captain Kirk and his crew. So I never saw "Star Trek II: The Wrath of Khan" when it came out in 1982. That film was a tedious and slow paced vehicle and not that intriguing as far as I remember. Spock action figure from the tv-show as a kid and when "Star Trek: The Motion Picture" came out in 1979 that did catch my attention with more action figures. I didnt grow up with the Star Trek tv-show, however I had a Mr. Among the film's technical achievements is it being the first feature film to contain a complete sequence created entirely with computer-generated graphics. The production used various cost-cutting techniques to keep within budget, including utilizing miniatures from past projects and re-using sets, effects footage and costumes from the previous movie. Negative test audience reaction to Spock's death led to significant revisions of the ending over Meyer's objections. Nimoy had not intended to have a role in The Motion Picture's sequel, but was enticed back on the promise that his character would be given a dramatic death scene. Meyer's approach evoked the swashbuckling atmosphere of the original series, and the theme was reinforced by James Horner's musical score. Director Nicholas Meyer completed the final script in 12 days, without accepting a writing credit. Sowards developed into a full script. Executive producer Harve Bennett wrote the film's original outline, which Jack B. After the lackluster critical and commercial response to The Motion Picture, series creator Gene Roddenberry was forced out of the sequel's production. Negative reviews of the film also focused on the acting, and Empire singled out the "dodgy coiffures" and "Santa Claus tunics" as elements of the film that had not aged well. While Ebert and TV Guide felt that Spock's death was dramatic and well-handled, The Washington Post's Gary Arnold stated Spock's death "feels like an unnecessary twist, and the filmmakers are obviously well-prepared to fudge in case the public demands another sequel". Roger Ebert of the Chicago Sun-Times and Derek Adams of Time Out complained about what were seen as tepid battle sequences, and perceived melodrama. Strong character interaction was cited as a strong feature of the film, as was Montalbn's portrayal of Khan. Variety agreed that The Wrath of Khan was closer to the original spirit of Star Trek than its predecessor. Janet Maslin of The New York Times credited the film with a stronger story than The Motion Picture and stated the sequel was everything the first film should have been. The film's pacing was praised by reviewers in The New York Times and The Washington Post as being much swifter than its predecessor and closer to that of the television series. Mark Bernardin of Entertainment Weekly went further, calling The Wrath of Khan "the film that, by most accounts, saved Star Trek as we know it"; it is now considered one of the best films in the series. The film's success was credited with renewing interest in the franchise. It was a box office success, earning US$97 million worldwide and setting a world record for first-day box office gross. The Wrath of Khan was released in North America on June 4, 1982. After the lukewarm reaction to the first film, fan response to The Wrath of Khan was highly positive. . . Next up is the utter destruction of Kirk. Carol Marcus, and their son, David. Learning of Genesis, Khan attacks space station Regula I where the device is being developed by Kirk's former lover, Dr. He implants Chekov and Terrell with indigenous creatures that enter the ears of their victims and render them susceptible to mind control, and uses the officers to capture the Reliant. Khan blames Kirk for the death of his wife and plans revenge. After they were marooned, Ceti Alpha VI exploded, shifting the orbit of Ceti Alpha V and destroying its ecosystem. Kirk (William Shatner) exiled Khan and his fellow supermen to Ceti Alpha V after they attempted to take over the Enterprise. 15 years prior, the Enterprise discovered Khan's ship adrift in space; Admiral James T. Reliant officers Commander Pavel Chekov (Walter Koenig) and Captain Clark Terrell beam down to the surface of a possible candidate planet, which they believe to be Ceti Alpha VI; once there, they are captured by genetically engineered tyrant Khan Noonien Singh (Ricardo Montalban). In the year 2285, the USS Reliant is on a mission to search for a lifeless planet for testing of the Genesis Device, a technology designed to reorganize matter to create habitable worlds for colonization