Haridas Choudhury, a wealthy and honest shoe company owner, faces a moral dilemma when his Chauffeur's son (Bansi) is mistakenly kidnapped instead of his son. Inspector Amar is assigned to the case and while the search for Bansi is on-going Haridas is losing control of his company.
- Stars:Vinod Khanna, Vidya Sinha, Shreeram Lagoo, Sadhu Meher, Amjad Khan, M. Rajan, Lily Chakravarty, Master Rajesh, Bharat Kapoor, Raju Shrestha, Ranjita Thakur, Sheetal, Harish Magon, Shekhar Purohit, Kamaldeep,
- Director:Raj N. Sippy,
- Writer:Sagar Sarhadi (dialogue), Jyoti Swaroop (screenplay)
A police detective helps a wealthy shoe company owner search for the young son of the owner's chaufeur whom was kidnapped by a disgruntled ex-employee and his gang for a large ransom. . You can read more in Google, Youtube, Wiki
Inkaar torrent reviews
(gb) wrote: The thing that stood out in this film (that I couldn't bear to watch fully) was Kristen's acting. The way that she stuttered out each cluster of words like everything she said was dramatic and important was near impossible to listen to. Critics on here leave her glowing reviews, but I beg to differ. Some things Stewart said you couldn't even understand - they were so rushed and mumbled and generally incoherent. To me, random pauses in each sentence you speak like you forgot your lines is not good acting. Also, the constantly-depressed look on her face made me want to hire a good make-up artist to paint her on a smile because that would probably be the only method to obtain one with Kristen Stewart.
(fr) wrote: Commendable acting and one of the most fantastic movies you would ever watch. The love story is phenomenal and makes you realize how much you can actually love someone. The last tattoo and the feelings behind it are unexplainable. My 5 stars without a doubt.
(nl) wrote: This is quite a disappointing movie version that didn't live up to the standard of the TV series. At least they got all the voice actors back, but still, the animation has changed quite severely. It did make me laugh quite a bit, but it seemed cheap.
(us) wrote: This old-school adventure of the JLA super-hoeroes deserve to be be seen by comic books fan. The others will find a classical film, with surprising artistic direction and references.
(it) wrote: what a serious pile of shite, it's an hour and half i won't get back.. awful writing, Defoe is crap ewwww jsut rubbish
(gb) wrote: Emotive real drama of a gladiator who became a symbol of hope.A Russell crowe with no waste
(br) wrote: I give it 3 stars because of the eye candy.
(kr) wrote: I thought it was bad enough when he went west...
(us) wrote: Loved the movie! It could have had a better love story though!
(kr) wrote: Want to see it! Will have to take into account!
(de) wrote: Blackthorn is one of the cleanest westerns that I have ever seen. I don't mean the content, such as the language or the violence; I mean the sets, the actors, and even the dirt look polished and cleaned-up as it were prepared for a commercial. That might work for a John Wayne picture, but modern westerns need a little grime. Having recently seen the down-in-the-dirt reality of Kelly Reichart's frontier adventure Meek's Cutoff, this movie comes off a little phony. Even the gunshot wounds have a little too much preparedness to them Blackthorn presents a "what-if" scenario that might be potentially interesting. What if the notorious outlaw Butch Cassidy wasn't gunned down in Bolivia in 1908, but survived his wounds and lived incognito under the assumed name James Blackthorne? That's the idea here, the movie is set 20 years after his legendary death and finds the elder Cassidy, played by the ever-reliable Sam Shepard, to be a man who, after all these years, still has the pep and cleverness that made him famous. This is not a follow-up, by the way, to George Roy Hill's 1968 film Butch Cassidy and the Sundance Kid, but one might be tempted to think so. Fans of that film wouldn't find this a worth follow-up anyway. We first meet the legendary outlaw still living in Bolivia in a kind-of blissful retirement under his assumed name, living (and sleeping) with his Mexican housekeeper Yana (Magaly Solier) and frequently checking out the town's wanted posters just in case his own mug turns up. But something is nagging at the old man and he longs to return to the United States, to a son that he frequently writes letters to. Why he needs to return to the states isn't very clear. He seems to have an okay life there in Bolivia, why did he need to pull up stakes? I suppose, if he stayed in Bolivia, the movie wouldn't set out of the dusty trail for gunfights and pretty horses. On the road, Butch's plan of traveling back to America is undone by a wet-behind-the-ears mining engineer named Eduardo who scares off Butch's horse whose saddlebags contained his retirement. Butch knows that the kid has robbed a rich man and leads him down a mine shaft where he has hidden it. Eduardo needs protection from the millionaire's head hunters who want the money back. Butch doesn't need this kind of heat especially when the pursuit gets the attention of McKinley, an agent of the old Pinkerton Gang, who has been tracking him these past 20 years. All of this sounds more interesting than it plays out. There's nothing in this movie that is really distinctive. It is your garden-variety, standard shoot-em-up, nothing that suggests that this is Butch's story. Throughout the picture we get flashbacks to the good old days, to Butch and his outlaw buddy The Sundance Kid. Those scenes are propped up to show up the glory years, but they don't seem to have a point. Shepard does an okay job at playing the lead, but there's something too polished and relaxed about this Butch Cassidy. One might think that a notorious outlaw who has spent two decades looking over his shoulder might seem a little tense or a little more cautious. Plus, someone with his past might have eyes that would suggest a little more regret. This whole movie comes off at that level. It never presents a western landscape that feels like a real place. Everything is cleaned-up and propped up to be a movie.
(us) wrote: When I walked into Philomena, I expected a lovely film. After it's numerous Academy Award nominations, I thought it would be very good. Well, Philomena is a magical, lovely and utterly brilliant film that I enjoyed every second of. The overall acting is exceptional! Steve Coogan is great as his character and the entire supporting cast worked very well. The main thing about the acting that I must compliment is Judi Dench. Oh wow, she was wonderful! Her performance was spot-on and I only gained more love for this incredible actress. The story in this film is excellent. It blends a mystery with phenomenal writing, very witty moments and an overall superb experience. It is based on a true story, which makes this film all the more believable. It was extremely well directed and shot, with some beautiful cinematography. The film had a very fast pace and a huge heart.OVERALL: Philomena is definitely one of my favourite films that was released in 2013. It blends drama with witty comedic moments in a brilliant screenplay. It deserves all of the nominations it has.RATING: 9.5/10
(it) wrote: Key Largo is a film noir piece set in the Florida Keys where Frank McCloud (Humphrey Bogart) arrives to visit the family of a fellow soldier that died during the war (Lionel Berrymore and Lauren Bacall). Problems arise when the gangster Johnny Rocco (Edward G. Robinson) has holed up the hotel run by the family, waiting to sneak back into the country after being deported. Add into this the hurricane that will be making a direct hit on the south Florida island.Whenever you get John Huston and Humphrey Bogart together you're going to get something special and Key Largo isn't any different. The film has a deep noir feel, yet it transplants itself from the typical locale of seedy neighborhoods of the inner cities to what was a more quiet area that becomes isolated even further by the hurricane hitting. Bogart is the reluctant hero, beaten down by the war and the post war world that wanders into this situation by accident. He's not looking for trouble, but is prepared to deal with it if necessary. There is an attraction between McCloud and Nora (Bacall, the groomless fianc), but nothing really comes to fruition due to the situation they're in, giving us believably that wasn't seen in films of this era. There's too much going on for this people to become romantic. Other circumstances may allow it, but not this set. Of course, Edward G. Robinson playing an egocentric gangster is his calling card. He's great in the role and plays it over the top when needed, but still has the ability to tone it down when the situation requires.Key Largo is a movie that builds onto itself, with a kind of snowball effect that compounds itself as the film goes on. There is a sense of claustrophobia when the film begins, that opens up as the film rolls on right along as Johnny Rocco loses control of the situation. And yes, the hurricane represents a huge character in the film is the boss over all that it surveys. Huston plays this card, but doesn't over play it, a great move by a master. Key largo is one for the ages, a great noir piece that paces great with wonderful acting. A testament to all of those involved in the film.