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Iowa

A cautionary tale of love, crime, fantasy and addiction that follows two young Iowan lovers who decide to go into the "batch" business - cooking their own methamphetamine - only to watch it burn a searing hole in their lives.

A cautionary tale of love, crime, fantasy and addiction that follows two young Iowan lovers who decide to go into the "batch" business - cooking their own methamphetamine - only to watch it burn a searing hole in their lives

Iowa is a great movie of Matt Farnsworth. This movie was introduced in 2005. You can check list actors in this movies torrent, such as Matt Farnsworth, Diane Foster, John Savage, Rosanna Arquette, Michael T. Weiss, David Backus, Amanda Tepe, William Wayne, Mickey Jones, John Tracy, Muse Watson, Jack Orend, John Bliss, James Serpento, Stephen Whitney. The kind of movie are Drama. The rating is 5.1 in www.imdb.com. We have a good movies torrent. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Links Name Quality Seeders Leechers Size
Download   Iowa 2005 XviD DvDrip[Eng]-greenbud1969(HDScene) DVDRip 27 50 701.1 MB

Users reviews


Adam B (mx)

I love Fritz Lang, and this is just a good 1950's adventure film


Andrew L (br)

. . This is a very well done movie, chick-flicky message and girly fashion theme aside. I laughed out loud for a long time at that. The most ridiculous of requests got the greatest response. I just cared about seeing what nonsense Streep was going to put Hathaway through and how she'd respond. But that's not what I cared about. I actually didn't care for the message of the movie. A number of great moments. The energy between Streep and Hathaway was great


Andy C (mx)

I think. Bah, who cares about underlying themes? I just want to watch guys play with guns


bernard a (it)

9 / 10. I can see how some may find this dated - extramarital affairs not as big a stigma as it once was, or is it still? Maybe? I really don't want to say too much else - as the fun in watching this is in watching the drama unfold. But it's also fascinating to watch them play a straight drama as they do for most of the film. This is the humorous side of Cary Grant we are well familiar with. The barbs in the dialogue is as good as it gets. but it's never so serious that the film is without it's humorous moments - as in the scene when Grant and Lombard are trying to eat a Thanksgiving dinner onboard a train. . . The script is smart and well written. This story pulls you in from the beginning and I love the way the different characters are introduced and how they interact with each other as the film progresses. As is Maida's best friend, Suzanne (Helen Vinson) who secretly has the hots for Alec. Maida - and boy, does she! Kay Francis as the scheming wife is just delicious here too. . . or is it? The only thing that can hang up the relationship between Alec and Julie is. . . We soon learn that Julie is a widow raising a 6 year old daughter, Ellen (Peggy Ann Garner) - and this, as they say, is the beginning of a beautiful relationship. Julie doesn't catch anything except Alec's attention. During the ride, Alec meets Julie Eden (Carole Lombard), a neighbor out trying her hand at fly-fishing. That's how much he hates his wife. Alec should be home with his wife and parents - who are hosting a party - but Alec would rather be out riding around his estate on his horse. Shhhh!!! Alec Walker (Cary Grant) is a wealthy businessman whose marriage to his wife, Maida (Kay Francis) is on the out and out. . . Yes, I admit it's quite soapish, but. shhhh, never you mind that it's supposed to be some sort of a chick-flick romantic melodrama. . . It's also one hell of an entertaining story. Cary Grant, Carole Lombard and Kay Francis play this drama as straight and serious as a heart attack and they are just terrific in it. IN NAME ONLY is as far from a comedy as you can get. Wrong. You'd think with a cast like that - you'd be in for some sort of screwball comedy. What a terrific line-up of names: Cary Grant, Carole Lombard and Kay Francis - which is what prompted me to record and watch this film in the first place


Blake P (de)

But De Palma is an auteur of huge means, and it stands alone as a daring passion project. In any other hands, "Blow Out" would inevitably be compared to "All the President's Men" or "Three Days of the Condor". Even the opening scene, meant to be somewhat comedic and overdone, is poetic in its use of the interaction of sight and sound. The high-angle shots, the point-of-view showcases are presented in a less than subtle way. De Palma's famous split-screen techniques are on display, but also are his homages to Alfred Hitchcock. He is able to evoke any mood he pleases with just the right placement or shot. He is an extraordinary visual storyteller. But what "Blow Out" is really all about is De Palma and his relationship with the camera, and it never gets old. Travolta is zealous but understated; Allen is ultra lovable as a hooker with a heart of gold; John Lithgow is terrifying as a killer who views murder in a scientific, effective way of deleting error from a possibly explosive situation. The pay ups are in place, the coverups are ever evident, and the bad guys (disguised as good guys in the public eye) are ruthless. It's an art film disguised as a political thriller. "Blowup" was a brilliant exercise in the mundane, leaving more questions than answers; "Blow Out" takes the the pitter-pattered lifestyle of an unsatisfied man and places him next to unstoppable corruption. "Blow Out" is Brian De Palma's homage to Michelangelo Antonioni's "Blowup," trading photography for sound, mod London for downtown Philadelphia. And when a sleazy photographer (Dennis Franz) steps out with a series of photographs of the accident, it seems that a conspiracy was at store, not an accident. He listens to the tapes from that night repeatedly, and comes to the conclusion that someone shot the tire. Jack quickly realizes that it's too much of a coincidence: a politician gets into a freak accident that ends his life? Preposterous. When they arrive at the hospital, we find that the man was a presidential hopeful; the woman, Sally, was a high-class call girl. He finds a young woman (Nancy Allen), still alive, and a man, surrounded with blood. Jack quickly dives in to save whoever is inside. A car tire blows out, and in response, it lurches over a bridge and into a river. Then, a shot and a screech erupt from the road. In another, the sound of a distant frog gives thumping life to a scene of deadly silence. In one frame, Travolta shares the spotlight with an owl. De Palma's execution is so visually inventive, you'd think he were part of the French New Wave. Late one night, Jack goes to a local park to record some audio effects for an upcoming outdoor scene. He is simultaneously content with his job and hungry for something more. Jack is a sound engineer who works his magic on B-movie projects, the ones that make sequels to slasher movies that no one saw in the first place. The audio and visuals of the opening in "Blow Out" are a loud-and-proud ripoff of 1978's "Halloween," but it's a more interesting version, an operatic one, if you will. "You mean you didn't dub that?" the mixer scoffs. "Jesus, that's terrible," Jack Terry (John Travolta) groans. She sounds like a dying cat. We enter the building, make our way into the showers, and lethally surprise an ingenue who lets out a scream that Drew Barrymore would roll her eyes at. We're spotted, but it doesn't matter; we're thirsty for blood, and this is the perfect place to get a drink. Our feet move along the side of a dormitory, peering in the windows like a demented peeping Tom. Our breathing is loud and rhythmic. Our bodies are consumed by a thudding heartbeat. Our eyes are holes within a mask


Dann M (kr)

Battle For the Planet of the Apes is a challenging science-fiction drama that has a lot of solid action. The film finds a nice balance of drama and action in which to tell this tale, and still maintains some ambiguity and mystery. Once again the series returns to themes of predestination, human nature, and prejudice. Several Ape series veteran actors return, including Roddy McDowall, and John Huston makes a featured appearance. In the wake of nuclear annihilation Caesar sets up a new ape society, but it's soon threatened by war when human survivors from the fallout discover his ape city. The series come full circle in Battle For the Planet of the Apes


Frank L (jp)

The fight scenes are undoubtedly gripping, but the plot is a bit trite


Gursheen B (fr)

cant remember whethr i watched it or not


Kathleen C (br)

This movie was just ok nothing spectacular, but good for some laughs


Lee Anne W (au)

It is beautiful to look at, and I even sort of understood it. Look at me, watching a Bergman movie