Kanehsatake: 270 Years of Resistance (1993) torrents full movies

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Kanehsatake: 270 Years of Resistance

A film account about the military 1990 siege of a Native American reserve near Oka, Quebec, Canada and its causes.

Kanehsatake: 270 Years of Resistance is the best movies torrent of Alanis Obomsawin. The released year of this movie is 1993. We can counted many actors in this movie torrents, such as Alanis Obomsawin. There are many categories, such as Documentary. Many people rated for this movie, Rate is 8.1 in www.imdb.com. We have a good movies torrent. The runtime of this movie are awesome, about 119 minutes. MongDu is interesting uploader, he is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your thought. Do you know what are customers? Maria Ozawa is the best. I don't fight my Galaxy screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

A film account about the military 1990 siege of a Native American reserve near Oka, Quebec, Canada and its causes

Kanehsatake: 270 Years of Resistance torrents

Kanehsatake: 270 Years of Resistance full movie

Kanehsatake: 270 Years of Resistance1993 torrent

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LinksNameQualitySeedersLeechersSize
Download   KANEHSATAKE: 270 Years of Resistance | Alanis Obomsawin 1994Other2939700.81 MB
Download   Kanehsatake: 270 Years of Resistance (1993) documentaryOther3936626.34 MB

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Users reviews


Ben H (au)

Plus, Ed Asner as a gruff by-the-book captain and Pam Grier as a strung-out hooker don't hurt either. Great interplay between him and Rachel Ticotin. Newman is excellent as always as a cop with a code who masks his pain through tough-guy humor. A little disjointed at times and some odd 80s movie quirks, but a nice little movie about the difficulty of dealing with rampant crime and apathy and the effect that has the police who try to stop it


ChadPoop G (de)

On My top ten best films of 1999!!!!


Faris A (au)

Nevertheless, Woody Allen has done better in the past, leaving this film thinly sloppy. It's an alright film, and tends be slightly cliche at times


Frances H (fr)

It made me glad that this time I ignored both the critics' and audience reviews, taking a chance on watching it anyway. An interesting take on the idea of Groundhog Day, turning it into more of a dark morality tale that I found fascinating


Gemma M (ca)

t didnt go anywhere and the ending was disappointing. Rather slow and dark


Harry W (nl)

Unfortunately, the uncreative premise, slow pace and reliance more on drama than on actual horror mean that it is a sporadically effective film at best and a rather full feature for most viewers. So City of the Living Dead has a powerful sense of atmosphere to it and a creative use of blood and gore which works to the credit of Lucio Fulci's directorial style. His role as the director of the film is the most key aspect to its sense of success, and he produces just enough flair to show promise. It all falls onto the directorial work of Lucio Fulci, and though it is not a perfect feature, it is certainly a step in the right direction for him which left me intrigued to further explore his films and in particular the rest of the Gates of Hell trilogy just to see where he went from there. The musical score in City of the Living dead ties into the visual elements of the film really well meaning that even though the film is not the best treat on the mind, it does a good job for the eyes and the ears of viewers who can appreciate its virtues. Following a more iconic style to fit in with the genre, the music in City of the Living Dead ranges between strong bass points and an eerily classic piano theme which makes it tense and horrific but also creepy, constantly alternating between them. The thrills are all present because of this, but a large amount of the debt is owed to the musical score. Everything in City of the Living Dead looks grim and dark without being difficult to actively see what is going on since the lighting is moderated well. The dark colour palette of the film is entertaining because it casts a sense of shadow over everything. Admittedly, City of the Living Dead is a very atmospheric film. There are some versatile uses of it in the film, and so even if the story is not perfect in City of the Living Dead, the priorities of director Lucio Fulci are made clear and his work is admirable especially since he finds the correct ways to divert the low budget into the production. The use of blood and gore in City of the Living dead is sporadic but brutal, relentless on blood and gore and sure to move slowly so that the viewer never misses the sights for a second. Instead of throwing them at the viewer in a rushed pace, the viewer is forced to wait for them as the atmosphere builds before they are unleashed in unexpected moments. But more importantly than its comedic value is the fact that the makeup effects in City of the Living Dead are so confronting and disgusting that it is difficult to ignore the shock effect of them. Although the laughs in the film were sporadic, they were certainly there at some key horror moments in the film. It doesn't render the film an unintentional comedy, it just means that City of the Living Dead goes down with the entire exploitation genre as a collection of hilariously violent low budget films. By today's standards, the low budget exploitation style of a film like City of the Living Dead would provide a sense of deadpan comedy to the right viewer. Though it does not tackle a more common zombie approach at the title would suggest, the body horror nature of the film is very exploitation style in the right way. With the high point of the film being the quality of the makeup effects in the film. True to its roots, most of the gimmicks in City of the Living Dead come from its shameless use of blood and gore. I wouldn't say that as a whole it was good simply because all it had to boast about was a series of dark and gory imagery thrown together into a story with a loose narrative to it, but City of the Living dead certainly has enough effective moments for it to succeed as a guilty pleasure with the correct market. The slow pace may get in the way of this at times, as well as a lot of the pointless dramatic plot points in the narrative, but all in all City of the Living Dead is a sporadically entertaining horror film. But then again, you don't go into a film like City of the Living Dead for its story when as a low budget Italian horror film it all succeeds based on its technical aspects. So getting any sense of connection to them is unlikely because the film is shorter on characters than it is on narrative. There are no characters in the film, just a bunch of people being dragged through witchcraft waiting to be killed in gruesome ways. It is a film which is very limited by the formula of its genre and does not even attempt to transcend them. City of the Living Dead hides nothing. Romero, it is simply another. But the film could not have less to do with anything by George A. Romero's horror cult classic Dawn of the Dead, it is not the first time he has done this. Considering that director Lucio Fulci is also the director of the film Zombi 2 which was marketed as an unofficial sequel to George A. Romero's many films under that name. Either way, the film uses the Living Dead title to capitalise on the success of George A. Though City of the Living Dead is also known as The Gates of Hell, the literal translation of its Italian title renders it named Fear in the City of the Living Dead. There is no denying that City of the Living Dead is a generic low budget Italian horror film. With an entire world out there full of low budget Italian horror films waiting to be explored, City of the Living Dead sounded like a good place to start


Heather M (fr)

This is all the proof I need that you CAN be too old to go on Spring Break. Fun times with a few wacky ladies


Karsh D (gb)

Spin off from the hit TVs series as the pitfalls of getting a film on the big screen come thick and fast for the group of friends


Kevin M (br)

Cheap and deserted like the land Simba is trying to get back. It feels cheap. If you want great story telling you have to be honest. The longevity of the character development falls apart after the 2nd scene. The symbolism between the characters is blended in an unrealistic setting. Overrated


Rishabh20 G (jp)

The best romantic drama movie ever