Keiji monogatari

Keiji monogatari

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Keiji monogatari torrent reviews

Maggie S (gb) wrote: Glenn Close as Albert Nobbs was brilliant acting. Couldn't take my eyes off her portrayal of a waiter in the 19th century. A must see if you can.

Lee M (ca) wrote: The story and your emotional involvement with the main character will overcome its limitations and grab you tight.

Chris (nl) wrote: Amusing low-budget Zombie flick

Lee M (us) wrote: More likable than good, there's no disguising the fact that, beneath all its talk, this is a very traditional, very predictable romance.

Kristal C (au) wrote: I have always loved this movie and its dead-on depiction of the '70s. It's a meaningful snapshot of a loving, lower class family that avoids melodrama and all of the usual after school special antics. It's clear a lot of heart went in to it.

Magill F (au) wrote: Go for the nudity, stay for the boom mic...which appears in almost EVERY SCENE.

Byron B (fr) wrote: Keaton is the title son of a rough steamboat captain. Willie Canfield has been staying with his mother in Boston and developed a sort of French style in appearance and demure style in personality. Willie's pop, the big strong Steamboat Bill (Torrence), has a hell of a time showing Junior the ropes and forcing his son into the masculine mold he expects. Steamboat Bill also has a huge rival in J.J. King (McGuire), who owns everything in town except Bill's old fashioned steamboat in need of repair. King's daughter "Kitty," the adorable Marion Byron, arrives in town too around the same time as Willie. Turns out they know each other from Boston. The younger generation doesn't know or care about the fighting between their families. It is a classic star-crossed-lovers story. There are plenty of sight gags throughout to keep your attention. Eventually King has Steamboat Bill thrown in jail on a bogus charge. It is up to Willie to save his father whether he wants saving or not. This frustrating situation couldn't have happened at a worse time too, as a big storm is passing through. The recent Oscar winning animated short The Fantastic Flying Books of Mr. Morris Lessmore is partially based on the hurricane like destruction we witness in this comedy. Buster Keaton is excellent at planning pratfalls and set destruction for maximum visual humor. When Junior pulls himself together and really plays the hero to save his girl and his dad, you can't help but cheer.

Muffin M (ru) wrote: The devil will find work for idle hands to doso what happens when he chooses the laziest teen slacker in the world to do his dirty work?Anton Tobias (Devon Sawa) is a channel-surfing, junk-food munching, couch potato burn-out who can't control the murderous impulses of his recently possessed hand. With the help of his zombiefied buddies, Mick (Seth Green) and Pnub (Elden Henson), Anton's got to stop the rampaging devil appendage before it takes total control of his life and ruins any chance he has with class hottie Molly (Jessica Alba).also stars Christopher Hart, Vivica A. Fox, Jack Noseworthy, Katie Wright and Sean Whalen.directed by Rodman Flender.

Harry W (ca) wrote: Teaming up John Carpenter with Sam Neill, In the Mouth of Madness served as a collaboration between a talented director and actor alike.It is really hard to articulate my thoughts on In the Mouth of Madness because it is certainly a rare breed of a film. It is clear that John Carpenter had greater creative control over In the Mouth of Madness than the bigger budget pictures that left him disillusioned with Hollywood, but that doesn't guarantee the greatest quality of material in the first place. I was certainly left with a polarized mind by the end of the entire experience and struggling to confirm how much I honestly enjoyed the film.The story is one with very much potential as it chronicles characters in pursuit of a lost novelist who soon find themselves living out the stories written within his books. It's the kind of tale which wants to make audiences question the boundaries between reality and dark fantasy. Alas, in its pursuit of an oscillated combination of surreal horror and psychological thrills, the story makes it all too clear that the horror is real from early on. There is little that plays with the idea that the horror could be an illusion to the main characters as they are dragged into it far too often. And once this becomes apparent, the entire film is just a series of different horror concepts which are dominated by whatever visuals John Carpenter can muster up. The film seems to give up on its story halfway through to take a backseat to visuals and a scattered collection of different arbitrary horror plot points. This does help to build up an unpredictable universe of the tale, but it's also rather tedious. The psychological concepts are tossed back into the story close to the end as the means of creating a twist, but the manner in which the story is structured makes it difficult to believe it. It is theorized that everything goes on inside the head of protagonist John Trent, but upon the first arrival in Hobbs End there are many strange occurrences that he fails to witness since they are only seen by Linda Styles. Yet even her entire existence is thrown into question. Frankly, there are many small elements of In the Mouth of Madness which makes it structural logic collapse when the viewer chooses to pick them apart due to an endless array of changes to the story's path.In the Mouth of Madness offers a mystery which completely pervades viewers, but it's almost as if Michael De Luca's own ambitions exceed his narrative grasp. By the end of the film there is an ideal ending which is distinctive of John Carpenter and ties things up nicely, but the journey up until that point is an inconsistent one. There is some strange intrigue that comes with the imbalance since it gives viewers a certain sense of uncertainty, but a lot of the time this is a simple reliance on basic methods to convey it. The concepts take a back seat and there ends up being little story to keep things moving, ensuring that the overall development in the narrative is ultimately rather meandering. The problem is that In the Mouth of Madness is a horror film pretending to be a psychological thriller, and the elements of the former are too obvious while the latter are underdeveloped and rather generic. The film essentially stops having a story midway through and becomes an endless flurry of horror themed visuals handed to audiences. The special effects are cool, but they can only take the film so far. And occasionally there is a sense that the lighting is a little too dark to provide audiences with the right perspective on it all even when the cinematography is placed nicely.But as with any John Carpenter film, the musical score is a nice touch. In the Mouth of Madness benefits from Johhn Carpenter's composition because it enters the feature in a gentle manner, mixing elements of both synthesizer 80's style with an eerie dark glamour. The rock-themed elements perhaps fail to match up to the overall feeling of the feature, but they are few and procure some climactic moments when they enter the auditory field.And though the writing for In the Mouth of Madness limits the amount of character development available to the story, the cast still manage to deal a powerful effort.Sam Neill manages to provide an effective leading performance. John Trent is a pretty basic protagonist whose confidence is his key staple, even in the face of such complex horror he finds himself facing. Though the development in the role is very gradual, Sam Neill stands strong in the role and progressively grips a greater sense of confusion and insanity which grows more intense as the film draws to its climax. Sam Neill develops John Trent from a one-dimensional archetype into a twisted product of his own psychology which is characterized by blunt insanity and unpredictability. The repetitive sophistication of John Trent at the beginning of the film turns into a hard-edged brutality by the end of it all, effectively embracing the mood of the story. Sam Neill proves his worth for In the Mouth of Madness, even if the story takes its time to let him do so.Julie Carmen's vulnerability in the role of Linda Styles makes for a compelling case which she similarly turns into an embrace to the world around her, and the manipulative subtlety and tenacious darkness of Jurgen Prochnow makes him a perfect antagonist within meagre minutes of screen time through his raw confidence in understanding the convoluted world around him. The supporting presence of Charlton Heston is also a credible touch.In the Mouth of Madness displays John Carpenter attempting to challenge the borders between a horror reality and a psychological thriller with an unbalanced narrative which relies more on imagery than story, but there is no denying the innovative ambition behind its concepts and the dark atmosphere that embraces this all.

Jon P (ru) wrote: Casey "Fuckin" Ryback. . . Classic Seagal movie