Set on the quiet campus of Yellowstream University, this comedy follows the rivalries that build between two of the college's fraternities. When they're not mooning everyone they pass and throwing garbage on the lawns of rival frats, the members of the Pi Kappa Delta fraternity are mainly interested in drinking and... well, drinking. When a campus-wide farting contest is announced, Grossout, the leader of the Deltas, is all too eager to stand up, bend over and defend the honor of his fraternity.
- Stars:John DiSanti, Charles Pitt, Roy Sekoff, Robert Small, Dan Chandler, Mike Grabow, Ray Mann, Suzina Volpina, Dan Fitzgerald, Tom Tully, Glenn Scherer, Lee Krug, Taryn Hagey, Teri Kelso, Karen Gold,
- Director:Ken Wiederhorn,
- Writer:Ron Kurz
Frat boys -- or is that fart boys? -- compete in a farting contest. . You can read more in Google, Youtube, Wiki
King Frat torrent reviews
(kr) wrote: Josh Radnor is a lot like his character in HIMYM I think, I mean he seems to love New York as his setting, he likes the arts, Music, Imagery, Lighting and Emotions. All of his passions (or what I think is his passions), seem to blend great into this film and really make a nice and sweet film, maybe a bit of a strange film and plot, but the storytelling really works and I was entertained.This is a easy passed comedy, maybe even a Romantic Comedy, but with more Comedy then Romance.It has a handfull of different locations, but centers New York and is kind of rough in its expression, but very likeable and witty and charming.
(gb) wrote: Fun little romantic comedy Shannon stumbled upon. Predictable and pretty status quo, but so is almost every romantic comedy, right? I don't watch much romcoms, but as they go, this was pretty good.
(fr) wrote: I watched this on Hulu because the original was one of my favorite books (and later, my favorite book based movie) and less than 10 minutes in I found myself thinking most of the crap Disney daytime TV is cranking out these days looks better than this. There's a shot 17:27 through where they actually forget to color some of the scenery in. The way the characters move reminds me of "Home Movies" from Adult Swim. Everything is clunky and melodramatic. The voice acting is unnatural, save the tiny handful of original actors they managed to get and the song lyrics sound like the stuff children come up with when playing with dolls. This is a classic example of a low quality sequel that shames the movie it tries to honor.
(br) wrote: Jodie Foster, Scott Baio, Sally Kellerman, Randy Quaid (as a creepy old dude marrying a 16 year old), Laura Dern, Robert Romanus (yeah the guy from Fast Times), and the band Angel formed by Greg Giuffria. Surprisingly good movie takes place in 1979 LA about 4 teenage girls.
(nl) wrote: (15%)(Thanks RT for making this clearly not from 2001 movie so difficult to find, great job) A low budget Charles Band production that plays a bit like ET, only 100% worse. The script is awful, the acting wouldn't be out of place in a early afternoon soap opera, and the effects are as shoddily put together as a giveaway toy. But then again it isn't all bad. You can for instance make it until the end without wanting to die, and the movie's shortfalls can be mocked which is a lot more entertaining than the movie itself. The plot doesn't really make a whole lot of sense, and when a eight inch brown alien starts prancing around a little girls bedroom it becomes clear that this really, really, really isn't going to get much better any time soon. This ins't worth a look, but to claim it as the worst ever is a touch too harsh.
(jp) wrote: Cary Grant and Irene Dunne were the cream of the crop of silver screen romantic duos. Drawn out by the incredibly sensitive nature of George Stevens's direction, they reveal great versatility in the dynamics of their on-screen repertoire, playing a couple who meet, suffer tragedy, and experience great highs and exasperation alike. What I find funny is that I do not want to describe the story very much at all for fear of diminishing the effect of going through the experience freshly without any knowledge of it, but the film is nothing more than a film about a middle-class couple trying to start a family! That's the movie! There is nothing dull about it, either. Stevens, perhaps the ablest filmmaker of the era next to Hitchcock, saw the profundity and catharsis in it, and the receptive, insightful control and room to allow his particularly personal vision to make it feel like the experience cinema is meant to be, a chronicle ensuing the life-changing happening of falling in love, and the innate personal longing to make a family and a home with the one you worship, and the trials and grief that can be as intense, though never really more, than the pleasure and gratification it begets.There is not a single insincere frame in this picture. Even its story being told in flashbacks is done to remind us how significant music is as it synchronizes the soundtrack to our lives. In effect, whenever music plays in the film, and it is predominantly source music rather than underscoring, there is a magnified reaction on our parts. Moreover Grant and Dunne's urge to settle down in a traditional American lifestyle is a minor supplement to their purely individual intentions behind it. Their innocence, their artless simplicity, is refreshing. The screenwriters, Martha Cheavens and Morrie Ryskind, have unspoiled grace in their phasing of the sequence of narrative that you become interactive with the characters.Aside from the inimitable lovability of the beautiful, graceful, flexible, hilarious, touching and gifted Irene Dunne, Cary Grant is pitch-perfect in his entirely assured performance, especially during his moving monologue in front of a judge. The energy between the two create such endearing realism. You become aware of yourself laughing out loud with the day-to-day surprises and farcical obstacles with which they get involved.
(ca) wrote: A showcase for a top shelf incredible cast, Glengarry Glen Ross takes great actors and gives them a great script full of biting humor and vicious rhetoric. Alec Baldwin is probably the best part of the whole thing with a monologue that will make you shit yourself in awe.
(fr) wrote: A fascinating and well executed premise. Slightly falters in the last quarter but a great commentary on infidelity.
(jp) wrote: These brothers never disappoint, my dad showed me this as a kid and I laughed the whole time even when I didn't get the adult humor, when I got older my love for this movie grew so much more and easily one of my favorite comedies ever