Kinky Boots

Kinky Boots

Charles Price may have grown up with his father in the family shoe business in Northampton, in central England, but he never thought that he would take his father's place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles' ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men's fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola's discomfort in the small town and the selfish manipulation of Charles' greedy fiancée who cannot see the greater good in Charles' dream.

  • Rating:
    4.00 out of 5
  • Length:107 minutes
  • Release:2005
  • Language:English
  • Reference:Imdb
  • Keywords:dancer,   wig,   cabaret,  

After his father's demise, Charlie Price (Joel Edgerton) inherits the family business, a shoe factory in Northampton, England. But in order to keep the business afloat, he needs to diversify his product. That's when a drag queen comes to help! . You can read more in Google, Youtube, Wiki

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Kinky Boots torrent reviews

Irina P (us) wrote: Overall this was a very good directorial debut, a very good martial arts movie. The skill displayed, the choreography of the fights, the camera work, the score and even the sets work together really well to give the viewer an entertaining experience. We get a bit of an education about Tai Chi and Tiger Chen delivers pretty well for a fighter. My only criticism is about Donaka Mark. I didn't feel he came to life as a villain until towards the end of the movie. I loved Keanu Reeves as the bad guy Donnie Barksdale, so I was expecting the same kind of stellar performance. I was quite disappointed and I think it's mostly due to the writing of the character. He appeared as cold throughout the movie, especially towards Tiger; and I feel the character would have had a lot more flavour to it, if he was portrayed as cunning and manipulative, befriending Tiger, making him think he truly had his best interest at heart. It would have explained the shock and horror on the fighter's face at the beginning of the movie, when Donaka finishes the other fighter off. There are also a couple of shots of Donaka, that are from behind; I also feel that Keanu Reeves, as a director, could have added flavour to Donaka if the camera looked at him from the side, thus allowing us to see his expression. Other than that, I have really enjoyed the movie and would recommend it to any martial arts fan.

John R (ca) wrote: 120620: Ouch. Did I say Ouch?? Did I say it loud enough? I looked on Flixter and managed to locate one review which sold me enough to buy this film for Wednesday Night Pizza Night. The review supported my liking of the animation displayed on the back of the box. Man, how bad can one, read me, ignore all the warnings? I just don(TM)t listen. Reign kept saying he liked it to my multiple dumbfounded queries, which is exactly what that one review I located claimed, my kids loved it?. The final scene wasn(TM)t too bad but it hardly made up for the wasted life I suffered. I have to find a way to dispose of this movie without Reign discovering. Ouch!

Ryan B (ru) wrote: Like a realistic version of The Godfather or an Italian City of God. A gritty drama about the people involved in organized and disorganized crime in impoverished Italy. Gripping and shocking from start to end.

Barry N (ag) wrote: This film really could've been better, but it does an okay job. I found the film to be way to choppy and too preachy. However I do appreciate what they were trying to accomplish. I also thought it was nice to see Peter Boyle, in his last appearance, one more time. The film was fine, however in the end, I thought the film could've and should've been better.

Jason M (fr) wrote: Sounds like everyone's elementary school days

Carina V (fr) wrote: Melodramatic! One way to ensure enough mourners at a loved one's funeral is to hire a few. "Crying Ladies" is Filipino writer/director Mark Meily's whimsical story about three women whose lives are changed by such a gig. Single mom Stella (Sharon Cuneta), daughter of a professional mourner, is recently out of jail and working a dead-end factory job in Manila. Approached by a Chinese man to cry at his father's funeral, and to find a few more mourners as well, she demurs, but when Mr. Chua (Eric Quizo) mentions the pay, she realizes that with it she will be able to help her son Bong (Julio Pacheco), who now lives with his father and stepmother. Stella recruits two friends, both interesting characters in their own right. Aling Doray (Hilda Koronel) is an aging former actress, living in the past glory of her last part in a monster movie. Choleng (Angel Aquino) is a pretty, skinny young thing who visits the priest every week to confess her affair with a married man. "Crying Ladies" is a heartwarming little film with charming performances by the ladies, marking a comeback for Koronel and continuing Aquino's transition from modeling to acting. Cuneta, the Philippines' biggest star, continues her string of successes here. If there is nothing "Important" about the film, it is nonetheless a fine, feel-good effort, nicely shot by the director's wife, Lee Meily.

Young K (us) wrote: WARNING!!! VERY BAD MOVIE. How does this movie have 4 stars overall!? I am warning you. DO NOT WATCH THIS! I watch bad movies for fun as well as to warn people. I don't even think the guy on the cover is in the movie! Take my word or be VERY sorry!

Ludwig S (kr) wrote: Ganz nette Unterhaltung

Gary T (us) wrote: Totally related to it. Savage Steve Holland, we miss you. Step back into the director's chair sometime.

Daniel P (es) wrote: A simple story that's simply good fun

Jonny P (jp) wrote: "Fantasia" is a classic but it is not without its faults. This huge undertaking tackles eight pieces of classical music in their entirety, but there comes a point where this feels like the longest Disney movie ever. Its highs are really high and its lows are pretty low, from The Sorcerer's Apprentice (my personal favorite Mickey Mouse cartoon of all time) down to the slow-moving Toccata and Fugue that shows little more than superimposed images of the orchestra in Technicolor. The entire film is incredibly creative with a vast number of characters, memorable moments that will forever come to mind when their respective song plays, and the transformation of some pieces of absolute music into program music. The lowest point of the film is the evolutionary interpretation of The Rite of Spring. Dinosaurs are cool but this sequence is terribly boring. There is also way too much time spent giving this an authentic concert feel with lengthy introductions for each piece, an in depth explanation of the soundtrack, and even an intermission. This is evidenced by the fact that subsequent releases of the film edited out the majority of the introductions in favor of a more compact musical presentation. I prefer the more family-friendly "Fantasia 2000" that focuses on the music, cuts each piece to an appropriate length, and animates its sequences with memorable stories. The film does successfully bring its musical selections to life as the colors in each scene reflect the mood of the music and the pieces are given some sort of story. The various nationalities represented in The Nutcracker Suite are cleverly given their ethnic characteristics, though the racial representations went a bit too far in Beethoven's 6th Symphony (and have since been edited out). The Beethoven is great when the cartoony unicorns are flying around but the centaur love sequences and drunk god of wine detract from the whimsy. Seriously, so much nudity with those centaurs. The Dance of the Hours provides the iconic ballet-dancing hippos and elephants that bring some much needed comedy to the latter half of the film and the Night on Bald Mountain sequence continues to be one of the darkest moments in all of Disney animation. As I mentioned, the highlight is The Sorcerer's Apprentice. This marks the first appearance of the redesigned Mickey who now had pupils to allow for a greater range of expression. The colors are vivid, the story is fascinating, and it is perfectly in sync with every musical cue. It is no surprise that this sequence has influenced rides and shows at Disney parks as well as being reused in "Fantasia 2000." You will be hard-pressed to find a better Mickey cartoon than this one. I know that I should claim this as my favorite Disney film because of the attention that it brings to classical music but I do find it to be longwinded and that it might actually cause younger kids to dislike classical music. Parts of the film are entertaining but the feature as a whole is cumbersome, even for some with two degrees in music. "Fantasia" is a film best suited for classical music experts and die-hard fans of Disney cinema. Everybody else should defer to the pared-down-but-equally-significant sequel that captures the essence of Walt's concept without the length, borderline inappropriate imagery, and questionable message of evolution.

Grant H (mx) wrote: Disappointing. Some good action and good performances from De Niro and Reno save this movie, as the plot is confusing at the beginning and barely gets clear along the way.

Austin G (ru) wrote: While this movie is overly long, I enjoyed the mess out of this movie.