La belle Hélène

La belle Hélène

Prince Paris of Troy runs away with Queen Helene of Sparta!

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La belle Hélène torrent reviews

Michal P (it) wrote: Great actors and funny dialogues, but the screenplay is sort of half-baked.

Rahul B (fr) wrote: A Nazi Holocaust film without actually showing the usual gore... bt somehow seemed too melodramatic for my taste... bt a good watch nonetheless ...

Lee M (au) wrote: Though overlong with culturally specific humor that may not translate well to Americans, it is rich in local color with wonderful cinematography and a wry sense of humor. Certainly an original take on the vampire (and/or zombie) genre.

Matt M (ca) wrote: A supernatural thriller about a widower who is constantly subjected to visions, premonitions and witness to paranormal activity. The film doesn't feel original, and has the same flaws as most other films of the kind, with the slow plot developments and not enough frightful gripping moments to make the ending rewarding.

John B (de) wrote: The raw footage is phenomenal. One of the most detailed chronicles of a police raid ever captured. Questioned who the most dangerous presence was on that fateful day - the cult leaders or the FBI.

Brittany S (br) wrote: HATED IT EVEN MORE THE A RAISIN IN THE SUN

Anja K (fr) wrote: Hallo, can tell me how I can see this film? i search the english version oder french with german subtitles. thank you!

Jeremy N (ca) wrote: A classic tale of witchcraft starring Peter (Jason King) Wyngarde.

paul s (it) wrote: Adoration is a film written and directed by Atom Egoyan, which of course means that conventional story telling is not in the forcast. Primarily dealing with a high school student, his French (and drama) teacher, his uncle and his grandfather, the film delves into several topics, including race discrimination, religion and religious discrimination, and terrorism. With Egoyan you get a plot line that likes to double back on itself, showing the interconnectivity of people and their reactions. This often makes for a disjointed narrative, and in the case of this film, gives a very surreal tone, as if the time and place of the story are inconsequential - so the foundation on which most films are built is, in this case, a bed of quicksand, shifting in time and for me, never quite giving a feel for where in the world this story was taking place (which, given its subplots, should matter a great deal). Adding further to the surreal tone, and putting distance between the film and the viewer are some incongruities involving money. The uncle and his ward, the student, are suffering some financial difficulties, and yet the student has tons of expensive toys in his room (computers, cameras, electric guitar and amp, etc). Along the same lines, the teacher at some point loses her job, and yet is throwing cash around like she has some kind of trust fund. All of which gives the viewer the feeling that the director was saddled with a script that should have been thought through a bit more - but since Egoyan wrote the script himself, he only has himself to blame for the cardboard feel of the characters and the clumsy introductions to obvious set pieces (where with a good script and direction, these things become seamless). There are some inventive touches on display here, specifically the partial telling of the story through the student's video camera, and the use of an internet chat room to give Egoyan the opportunity to riff about terrorism and the net itself. I found it interesting that Egoyan had the more impassioned dialogue coming from the chat room where people were venting their feelings concerning an abstract topic - as if the caring about theoretical topics was more real than what was going on outside in the real world. I wanted to feel a certain pity for the student's uncle, who ended up being the student's ward, but the acting was very uneven and the script had so many set pieces that weren't fully realized that the only time I really felt for him was when some snooty woman commented that he was "only a tow truck driver"; as if his occupation defined who he was as a person. I also wanted to feel something towards the student, but again, the story line kept getting in the way, as if Egoyan had so many plates spinning on all these varied topics that the characters, instead of being breathing beings were reduced to mouthpieces for the topics, leaving the last third of the film, where truths are revealed and where emotion was supposed to run high, feeling flat and somewhat trite. The final shot, concerning the scroll of a violin was supposed to hold some great emotional weight, but seemed simply a contrivance. Further, the film holds a twist of sorts, (more of a surprise revelation), which was presented as meekly as the supporting argument for the twist's plausibility. I admire the writer/director attempting to say something relevent and attempting to say it in a non-formula way, but the end result is that the film fails for those same reasons.

Sean S (br) wrote: I thought I'd hate this movie but it turned out I really liked it. It was funny but it wasn't stupid either I thought it was a great idea for a movie and I really didn't see anything wrong with it.

Hajime M (gb) wrote: criticizing story on modern world.we justify exploiting the lower layer in the name of a global happiness balance.i feel a same sense as "Brazi"l directed by Terry Gilliamdo not expect SF or Action movie.I love Bong Joon-ho anyway.?????????????????????SF??????????????????????????????????????????????????????