La emboscada (2015) torrents full movies

La emboscada is a new movie of Daniel Hendler. This movie was introduced in 2015. You can check list actors in this movies torrent, such as José Luis Arias, Diego De Paula, Ana Katz, Verónica Llinás. There are many categories, such as Comedy. Many people rated for this movie, Rate is 1000 in We have a good movie to watch. The runtime of this movie are awesome, about 80 minutes. Fakinsai is funny uploader, she is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are customers? Maria Ozawa is the best. I can't push my iPad screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

La emboscada

La emboscada torrents

La emboscada full movie

La emboscada2015 torrent

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Users reviews

Bill K (jp)

I turned this off half way through

Chris O (jp)

The boys clearly feel strongly for each other but have trouble dealing with some of the events that occur on the road to Spain. Not to the taste of most Americans, this is a beautifully filmed contemplation on the nature of brotherhood and the effect of discovered secrets in the relationship of a pair of twins on a road trip to attend the funeral of the mother they've never known

Donald H (jp)

Good movie, but needed to focused more on her writing

Edith N (au)

It's just what happened today. And in the end, we don't have to. We don't know how things went yesterday. We don't know how things will go tomorrow. That's just how things go at that car wash. And so forth. The customers with the dog are just there to be customers with a dog. It really doesn't matter beyond that. George Carlin gets to ramble for a minute or two at a time at the beginning, and then he just sort of pops up demanding to know if anyone has seen a tall, blonde black woman. It just fits together. Honestly, little effort seems to be put into much of anything. This is not great art, but it's not really trying to be. A series of portraits. " We don't know for sure who Joe is and why she's trying to get in touch with him, but the movie is really just presenting us with a portrait. Marlene spends, judging by what's going on outside, at least an hour in the car wash bathroom getting ready for going to "work. In the end, it's the people who matter, not the plot. It's just a bunch of stuff that happens. ) We don't have to. (I note that he refers to a quote as being from "Ibid," which proves a bit about his educational standing. Do we care if Irwin (Richard Brestoff) succeeds in swaying anyone to the wisdom of Chairman Mao? We do not. There are plots here, but they almost don't matter. Okay, I haven't seen the movie version of [i]M*A*S*H[/i] in years--I think I saw it on [i]Dialing for Dollars[/i] when I was living in Port Angeles--and didn't much like it, but from what I recall of it, I can see the similarity in feel. Roger compares it to [i]M*A*S*H[/i], and I can go there. It's just a simple, silly comedy. It would not come up in a Blaxploitation search, because it really isn't. I'd only heard about it from the aforementioned [i]Celluloid Closet[/i] appearance. Hardly anyone has heard of this movie at all, frankly. There are only a couple dozen reviews by professional critics here on the site, but they're almost all positive. This is almost by definition a cult movie. It's pretty clear that anyone could have played the part, but Richard Pryor earned them money. Obviously, most of the movie plays out as "then goes away again," but of all those people, only Richard Pryor (onscreen maybe five or ten minutes) makes it onto the poster. He holds a little court at the shoeshine rack (I'm not sure who plays the shoeshine man), then goes away again. He's also followed by the inexplicable presence of the Pointer Sisters. There is also gratuitous Richard Pryor as "Daddy Rich," a minister who's open about the fact that he wants money, and lots of it, from his flock. The idea that he's not going to do anything about it by searching for her all day does not occur to him. And then there's gratuitous George Carlin as a taxi driver who spends the entire movie looking for a prostitute, actually credited as "Marlene the Hooker" (Lauren Jones), who stiffed him for a fare. And so forth. Two of the characters seem to have a minor rivalry of pranks with one another. One character is in a debate with his girlfriend about going back to school. One character, Lonnie (Ivan Dixon), is trying to raise a family on not enough money, and the ideas he has to make the car wash make more money are being ignored. But even though I can't safely identify much of anyone here by name, many of them are distinct enough so that you can pick them out while watching the movie. There's no real coherent story here; it's just a bunch of stuff that happens. There are all sorts of hijinks and all sorts of crazy customers. TC (Franklyn Ajaye), who spends the whole day trying to win tickets from a radio station and then convince I think Mona (Tracy Reed) to go out with him. A few stand out--Lindy, naturally, and Duane/Abdullah (Bill Duke). Honestly, they all kind of run together. Barrow (Sully Boyar) and staffed with your requisite wacky crew. This is an old-fashioned hand-wash place run by Mr. We are spending a day at the car wash. Even that almost seems to be because he needs a way to feel superior to the others. The part that's truly surprising is that, yes, the Muslim is the only one who really seemed to have a problem with Lindy. However, swishing through it all is the delightfully flaming Lindy, so confident in himself that he effectively puts down the Muslim (in a scene which makes it into [i]The Celluloid Closet[/i]). Even the funny bits aren't terribly surprising. However, the way they interact is the way they interacted in dozens of movies before, would in dozens of movies yet to come. The Muslim, the Maoist, the slightly suspicious reverend, and so forth. Yeah, you've got a lot of the token rebels, the same sorts who populate most movies set in this time and this general place. Better Than Anticipated Honestly, Antonio Fargas may well be the best part of this, and his Lindy is certainly the most sociologically interesting character

Heather M (nl)

The cast was good and that ending was much deserved. The underlying story was very disturbing, but Sofia's search for the truth about her friend's suicide was very well told

Jacob T (mx)

For its faults, and no one can deny them, it's still a very funny and often complex love note to Neve Campbell's back. James Toback is a dirty old man, but at least he's open about it, even going so far as to give himself a fairly meaty role as a skeezy college professor

Jake G (ru)

Funny enough I guess

Jayakrishnan R (mx)

Other than this, Equilibrium is a fine film filled with a lot of plot twists. It could have easily been avoided. This film has one drawback, it has a rushed off ending and the over pacing was unnecessary. This film seems to be influenced from The Matrix series a lot, but it is the first time since watching The Matrix that I feel impressed by a neo version of an action film. Unfortunately Equilibrium was a flop( mostly due to the over abundant negative reviews, one thing I really hate about Hollywood and America). This film was made with a budget of just 20 million and the plus point is that it doesn't look that cheap. There are lot of emotionally gripping scenes in this film. Christine Bale again shines in a role that couldn't have given him much scope. 86%12/10/2013Equilibrium is not like most of the sci-fi films that i have seen, but it has a lot of heart and emotion

Kali L (gb)

This is my opinion, so you may beg to differ. Those golden retriever puppies might look so mushy-gusy adorable, but the bad lines and making a new word by simply switching one part of it with "paw" or "dog" just does not catch my attention

Olivier B (fr)

C'est un incontournable, d'une puissance rare. J'ai eu la chance de le voir au FNC le 11 octobre 2013 mais il sort uniquement en hiver 2014 pour les int (C)ress (C)s. Une m (C)chante claque psychologique. La tension se sent tout le long du film, absolument marquant au final. D'une sensibilit (C) extrme, Tom la ferme n'a aucune longueur inutile. L'histoire, le d (C)nouement, les prises de vue, l'ambiance, les gros plans, le jeu des personnages fleur de peau, etc. D'abord, j'ai pr (C)f (C)r (C) ce film Laurence Anyways pour beaucoup de raisons