Lamhaa: The Untold Story of Kashmir

Lamhaa: The Untold Story of Kashmir

Indian Military Intelligence deputes an agent to Kashmir incognito to find out who is behind extremist attacks.

Indian Military Intelligence deputes an agent to Kashmir incognito to find out who is behind extremist attacks. . You can read more in Google, Youtube, Wiki

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Lamhaa: The Untold Story of Kashmir torrent reviews

Dean M (au) wrote: Good excitement suspense of a group of teens who set out to rescue their fathers from a prisoner-of-war camp.

Tosca F (ag) wrote: This movie was sadly overlooked, not even getting theatrical release. It had excellent performances from all in it, and Jason Butler Harner and Cheyenne Jackson were magnificent. A really engaging, moving movie that deserved a lot more attention.

Jae K (br) wrote: 2 words: adrian pasdar. that dixie chick is one lucky gal.

Billy B (jp) wrote: "I'll be your mirror, reflect what you are, incase you don't know........."- Lou Reed.

Jamie C (es) wrote: Jason X has no reason to exist as the whole idea is ludicrous, Remember when Jason was sent to hell in part 9? Well obviously filmmakers don't as he's yet again resurrected without any explanation on how, The film itself has no right to be as entertaining as it is, Silly tongue in cheek humour, Jason kills are a little better and he dies again but this time gets a upgrade and becomes Uber Jason but the idea doesn't last long and the film comes to a predictable end, It's the most entertaining Friday 13th but the story just is too silly to call it a good movie.

Ivan D (es) wrote: Considered by cinephiles as one of the greatest films of all time, "Au Hasard Balthazar" is Robert Bresson's lyrical meditation on spirituality, martyrdom and human cruelty, and after so many years, it still stands the test of time as one of the most truly reflective Christian films without overtly highlighting the fact that it is indeed one. Bresson, known for his minimalist approach to filmmaking, is never too easy to resort to cheap emotions and utter sentimentalism. Instead of examining the inhumanity of man through the eyes of the human characters, he has filtered everything through the primitive perspective of a work-burdened donkey named Balthazar, a symbolic manifestation of sainthood, and is also the silent absorber of all of the characters' worldly sins. The donkey, indeed with all his hardships and misfortunes as he gets passed on from one owner to another, is on the receiving end of a film that is really human nature itself, in all its ugly glory, in a nutshell. As what Jean-Luc Godard has once said about "Au Hasard Balthazar": "...this film is really the world in an hour and a half". Well, I do not know if he has just said that to impress Anne Wiazemsky (the film's lead, which Godard would marry a year later), but nonetheless, his comment on the film really is as truthful as you can get. The film, for all the critical accolades that it has received, should not be looked upon as a fine piece of narrative filmmaking. On the contrary, "Au Hasard Balthazar" is unusually clunky in its exposition, characterization and camera work. Sometimes, it even suffers from unwarranted scene jumps that are quite frustrating to sit through, especially when the film itself really calls for a more 'observant' approach to cinematography. While the characters, although it is given that majority of them are representative of man's cruelty to things and creations that they consider to be comparably inferior to them, are quite caricature-like. A specific example is the Gerard character (played by Franois Lafarge), a typical delinquent who seems to go through every waking moments of his life with a penchant to hurt those around him, including the girl Marie (Anne Wiazemsky), Balthazar's original owner, and the only person he seems to be interested in. Also, the whole 'legal' angle that Marie's farmer of a father was deeply involved in wasn't given enough emphasis, which, along the way, has resulted in some uncalled-for unevenness in the plot and some blurry character motivations. But in all fairness, all those shortcomings do not really distract from the uncannily spiritual experience that "Au Hasard Balthazar" has to offer. After all, the film is an emotional event and not a narrative one, and is more a visual reflection on the quiet beauty of Christian faith rather than being a story about it. For starters, I do think that I will remember this film not because of its story but because of its inspired, poetic and almost fable-like visual realization of faith and kindness within a subtle theological context. As a Christian, when I think of the words 'passion' and 'martyrdom', an image of a sweltering and exhausted donkey would have been the last thing to materialize in my mind. But after watching "Au Hasard Balthazar", as much as it is quite awkward to analogize a donkey's everyday plight to the soul-saving hardships that Jesus Christ himself has went through, I thought, well, why not? After all, the world, in all its evils, can indeed crucify a hapless soul in ways more than one, and who can better endure such an infliction by people 'who do not know what they're doing' than a pure, wordless donkey who neither does. As what the Blessed Mother Teresa has said, "God is the friend of silence". In my honest opinion, I do think that no other film in existence has tackled Christian faith in such a non-preaching light, and Bresson, for whatever deficiencies he seems to have had in the film in terms of storytelling, has created a cinematic piece of such innocent glow. Indeed, "Au Hasard Balthazar" is a film that has successfully tackled the essence of Christian faith without even looking like a religious film. And without an overtly Christian aspect to spice it up, the film has managed to overcome religious boundaries to tell a simplistic tale of purity and saintliness in a manner that is powerful yet very humbling. It may not turn you into a man of religion overnight, but it will certainly convince you to reflect on your way of life and on your beliefs, and to ask yourself the question of "Have I been good enough?" Such is the power of "Au Hasard Balthazar".

Bill B (us) wrote: Gave it a wild hair re-watch awhile back, and it's still a helluva lot of fun. Aaliyah has a fun role to play, and it's sad that she never got to do much more than this, she really could have been a great actress; plus her scenes with Jet Li are a ton of fun as they flirt back and forth.Well worth another look.

Jenny G (ca) wrote: Beautifully filmed movie that largely takes place in the psyche of a young man with Down's Syndrome as he grapples with his libido and internalized racism. Glover not only directs, but plays a sort of tyrannical id figure (who seems to view himself as sort of "pure" or "innocent", as evidenced by his demand to be called Shirley Temple). This films touches on quite a few taboos--the least of which is the notion that people with special needs are somehow beyond the mental poison that our culture seeps into all of us, to some degree. (Glover addressed this point when speaking at the screening on his choice to use a cast mostly of actors with Down's Syndrome). Definitely harsh in places--I'd never heard Johnny Rebel before and it turned my stomach once I did, and really, the salt on snails could have been done with CGI. However, I hope he screens this in NYC again or puts it on DVD, because it feels like the kind of film where more could be taken away through repeated viewings.

Kenneth B (it) wrote: A borderline-genius reboot of what had become a somewhat stale franchise. Bride of Chucky brought both gore and laughs to proceedings and provided the best instalment of the Child's Play series.

Barney o (kr) wrote: WHAT I LIKED: The story is definitely the marvel of this film, with plenty of thrilling twists and turns to properly make you question its reality. You're still hooked though, as both the leads are played brilliantly, and the characters are well developed by their actors and Spielberg alike.WHAT I DIDN'T LIKE: Is it just too much for one film to handle?VERDICT: An entertaining, occasionally gripping and down-right unbelievable film that packs a big punch. Maybe just too much punch.

Raji K (au) wrote: Like with most gang members, Rusty James (Matt Dillon) is lost and misguided and uses the gang facade to hide this persona. His father being an alcoholic, and his mother gone, he only looks up to his older brother who he aspires to be in every way. Rumble Fish is dark, interestingly shot, and has some some great cinematography that help you try and feel the same way as the characters do. The black and white since Motorcycle boy is color blind, and the film techniques present you with same sort of darkness and misguided thoughts that Rusty undoubtedly has. Rumble Fish is by no means an epic, but it is a film is interesting, and worth watching for any Coppola fan.

Zane U (it) wrote: Delightfully bizarre and delightfully... French. I loved it. Indeed, Donkey Skin is what a Disney animated musical would look like if it wasn't animated. The colors are vivid and exaggerated and the music is catchy (and I don't even know French). The plot is so strange, though, that it is so surprising that it is as faithful to the fairytale source material (which is hundreds of years old) as it is. A donkey that poops gold and diamonds? A king who tries to marry his daughter due to ill-informed advice? But it all works at the hand of the director, Jacques Demy, who doesn't seem to dwell overly long on the oddities but instead includes them as mere plot decoration. Donkey Skin is magical.

Camille L (mx) wrote: Qui aurait pense que Brian de Palma serait si a l'aise dans la comedie? Bien aide par un script de George Gallo franchement hilarant et un duo d'acteurs genial (Danny deVito & Joe Piscopo), il met en scene un petit film sans pretention, concis, hilarant et sans temps morts malheureusement un peu laissee de cote par les inconditionnels de Brian de Palma.

Don G (jp) wrote: A great movie. Highly recommend